Flawiusz Józef - Historia Żydowska, Pisma chrześcijańskie i pokrewne, Józef Flawiusz
File Cabinet - 2 drawer Lateral File cabinet with matching printer cabinet, Woodworking Plans
Fine-Home-Building-25-Years-of-Great-Building-Tips-Malestrom, Building and Architecture
Formative Texts in the History of Zen Buddhism, @Buddhism
Fragment traktatu welawsko-bydgoskiego z 1657, Historia, Prawo, Traktaty, Umowy, Kroniki, Teksty Żródłowe
Film polski - streszczenie, historia filmu polskiego po 1981r
Fine Gardening - Grow Healthier & Easier Gardens (2015), !!!Materialy Eng
Farago&Zwijnenberg (eds) - Compelling Visuality ~ The work of art in and out of history, sztuka i nie tylko po angielsku
Fałszywe dokumenty Gorbaczowa. Kilka faktów o Katyniu, Historia
Furet F. Prawdziwy koniec rewolucji francuskiej, Historia Francji
Fine Woodworking 009, papermodels, historica
[ Pobierz całość w formacie PDF ]ill 1 1
..--��--
oring
Classical Propotions
Winter
1977,
$2.50
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Ther's a �ealthof inforlation and ideas
in the back issues of
Fine Woo d�orking
and the Biennial Design Book
Our readers tell us they regard
Fine Woodworking
more as a reference resource than as a magazine because of the
timeless and hard-to-ind nature of its contents. And because there is so much material to cover (new ideas and tech
niques pop up all the time) we don't intend to repeat ourselves editorially. All eight back issues are now available and
you can have a complete set for your shop.
The
Biennial Design Book
is something else again. Conceived as a way of showing all the ine work being done to
day, the
8000
photographs readers sent to us exceeded all our expectations. We managed to cull them down to a
wide-ranging
600.
Taken together, they represent the highly creative and incredibly varied work being done today.
Some of the pieces are traditional, most are contemporary, and some skillfully blend the two. Innovation abounds
throughout. A source of inspiration for today and a record for tomorrow.
2
Winter
1976, Number 5
The Renwick Multiples, Checkered Bowls, Tramp Art, Hand Planes, Carving Design
Decisions, Woodworking Thoughts, Marquetry Cutting, Which Three?, Library
Ladders, A Serving Tray, Stamp Box, All in One, French Polishing, Birch Plywood,
Bench Stones.
Spring
1976,
Number
Stacking, Design Considerations, Keystone Carvers, Carease Construction, Dealing
With Plywood, Patch·Pad Cutting, Drying Wood, Gothic Tracery, Measured Drawings,
Wood Invitational, Guitar Joinery, The Bowl Gouge, English Treen, Shaper Knives.
Spring
1977,
Number
6
The Wood Butcher, Wood Threads, The Scraper, California Woodworking, Bent Lami·
nations, Dry Kiln, Expanding Tables, Two Sticks, Stacked Plywood, Two Tools, Pricing
Work, Going to Craft Fairs, Colonial CoStS, Serving Cart, Woodworking Schools.
Summer 1977,
Number3
Number
7
Marquetry Today, Split Turnings, Eagle Cavings, Hand Dovetails, Mechanical Desks,
Textbook Mistakes, Antique Tools, Spiral Steps, Gustav Stickley, Oil/Varnish Mix,
Shaker Lap Desk, Back to School.
Summer
1976,
Number
8
Number4
Cooperative Shop, Glues and Gluing, Winter Market, Three-Legged Stool, Lute Roses,
Bowl Turning, Wharton Esherick, Doweling, Spalted Wood, Antiqued Pine Furniture,
Solar Kiln, Carving Fans, Bending a Tray, Two Meetings, Index to Volume One.
Fall
1977,
Wood, Mortise and Tenon, The Christian Tradition, Hand Shaping, Yankee Diversity,
Plane Speaking, Desert Cabinetry, Hidden Drawers, Green Bowls, Queen Anne, Gate
Leg Table, Turning Conference, Stroke Sander, Furniture Plans.
Fall
1976,
m
'
,0"'
e,m" ,dd"" ,ed p',m'", ,Ioog wi,h
•
tt 1
To "doc 'h' bock i""",, 'h,
Bi
Out West, Steam Bending, Triangle Marking, Painted Furniture, Chain-Saw Lumber
ing, Rip Chain, Getting Lumber, Sawing by Hand, Gaming Tables, Two Contemporary
Tables, Wooden Clamps, Elegant Fakes, Aztec Drum, Gout Stool, Two Tools, Measur
ing Moisture, The Flageolet, Young Americans.
Cabinetmaker's Notebook, Water and Wood, Hidden Beds, Exotic Woods, Veneer,
Tackling Carving, Market Talk, Abstract Sculptures, Workbench, Ornamental Turning,
Heat Treating, Mosaic Rosettes, Shaped Tambours, Buckeye Carvings, Hardwood
Sources.
,00
want.
Each back issue is $2.5
0 postpaid. The Design Book
is $8.00 postpaid.
Make your payments to the Taunton
Press and
send to the address below.
"
al Docig. Book,
"ed
Ii" of .h"
52ChurchHilload,ox355A,Newtown,CT06470
2
he n&ess,
\\bod\�l
.
Winter
1975, Number 1
Fine
q
i
ng
Winter
1977,
Number
9
Publisher
Paul Roman
DEPARTMENTS
4
Letters
&
Answers
Editor
John Kelsey
17
Methods of Work
Contributing Editors
Tage Frid
R. Bruce Hoadley
Alastair A. Stair
22
Questions
27
Books
E.
Preiss : Repair and restoration
Consulting Editors
George Frank, A. W. Marlow
30
Addenda, Erata
C orresponden ts
South: David Landen
West: Alan Marks
Texas: Jim Richey
New England: Rosanne Somerson
Washington, D.
32
The Woodcraft Scene
by Richard
c.:
Stanley N. Wellbon
75
Sources of Supply:
Hardware specialists
ARTICLES
34
Designing for Dining
by Tage Frid : Dutch pull-out extends table
England: John Makepeace, Colin Tipping
Editorial Assistants
Ruth Dobsevage, Vivian Dorman
Barbara Hannah, Nancy Knapp
JoAnn Muir
4
Entry Doors
by Ben Davies : Frame-and-panel is sturdy, handsome
48
Tall Chests
by Lester Margon : An appreciation
39
Tall Chests
by Timothy Philbrick : The art of proportioning
Art Consultant
Roger Banes
The Right Way to Hang a Door
by Tage Frid
Ilustrators
Joe Esposito, Stan Tkaczuk
4
9
Drawer Bottoms
by Alan Marks : Six variations on a theme
A dver/ising
Janice A. Roman, Manager
Lois Beck
52
School Shop
by Richard Starr : Teaching far more than manual skills
54
Health Hazards in Woodworking
by Stanley N. Wellborn
Advertising Representative
Granville M. Fillmore
58
Basic Blacksmithing
by Ray Larsen : How to forge tools
1.
Buyer : A basic exercise for beginners
Subscriptions
Carole E. Ando, Managet
Gloria Carson, Sandra DiGiovanni
Viney Merrill
62
Carving Cornucopia
by Ann Pappert and Ray Jenkins
64
Carving Lab
by Robert
66
Routed Edge Joint
by John Harra : Fence guides router fo r seamless fi t
Business Manager
Irene Arfaras
1.
Rose : How to mount marquetry
Small Turned Boxes
by Wendell Smith : Grain determines technique
68
Shaker Round Stand
by John Kassay : Legs dovetail to turned pedestal
70
7
2
76
Cutting Corners
by Peter
Unhinged
Cover: Late 18th-century Phtiadelphia
highboy. A pinnacle of the cabinetmaker's
art, this chest exemplifies what is usually
praised as 'exquisite proportioning.' Al
though it is commonly asserted that the old
time craftsmen had some mysterious in
stinctfo rproportioning, the evidence is that
as app rentices they were taught how to
apply a cared mathematical framework.
The discussion begins on page 38. (Photo
courtesy of Yale University Art Galery,
Mabel Brady Garvan Colection.)
Fine Woodworking
is published quarterly, March,June, September, and December, by The
Taunton Press, Inc., Newtown, CT 06470, Telephone (203) 426-8171. Second-class postage
paid at Newtown, CT 06470 and additional mailing offices. Postal Service Publication
umber 105190. Copyright 1977 by The Taunton Press, Inc. No reproduction without
permission of The Taunton Press, Inc. ISSN
0361-3453. Subscnptiol rates:
United States
and possessions,
$9.00
for one year,
$16.00
for two years,
$23.00
for three years; foreign
rate, add
1.00
per year. Single copy,
$2.50.
Address all
correspoldelce
to the appropriate
department (Subscription, Editorial or Advertising). The Taunton Press,
52
Church Hill
Rd., PO Box
355,
Newtown, CT
06470. Postmaster:
Send notice of undelivered copies on
form
3579
to The Taunton Press, PO Box
355,
Newtown, CT
06470.
3
38
___________________
_
I would like to ofer a couple of offbeat sources fo r hard
woods that may have escaped the attention of other wood
workers.
Near here is a veneer mill that makes face veneer and
assembles it to order fo r the many furniture factories in the
East. As you know, fine veneer is cut from logs, whole or half,
and there is a " remainder" of the log, which has served as the
holding surface, when the knife has cut as close to the holding
mechanism as it can safely go . Confusingly, this remainder is
called the litch, just as is the bundle of veneer cut from it.
These flitches become waste material to the mill, and are
stacked outside until dis
posed of, in whatever way they can
be. They are sold to whoever comes along and is willing to
take them at the offered price.
The center of the flitch includes the pith , leading to less
than-ideal drying (twists, warps, etc.). But it is a piece of
hardwood, 8 ft . to 12ft . long, out of which a dressed 2x6 can
be gotten-and, of course, turning squares, blocks, etc. By
gluing up, you can get any size you want. Cost : largely what
the market will bear, but low. Walnut is at $0.70 per board
foot. Last year maple was $0.20 per board fo ot, but right now
it's in excess supply and they're using it to fire the boiler, and
selling it for $0.25 a board, 8 ft . to 12 ft . long ; similarly with
oak, at $0.40 per board.
Now, disadvantages exist. One must have a heavy saw (I
use a radial) and a planer to do anything with it. It's strictly
self-service ; bring your own truck and load it by hand your
self .. .
I don't know how many such mills there are around the
LETERS
country, but for those near enough, it's a source of ine wood
hardly available elsewhere.
Now to a second source, mostly for the amateur, but worth
knowing about and probably available anywhere in the
country. The Japanese have virtually a monopoly on motor
cycle sales in this country. And they ship them in crates made
from the group of timbers generally termed "Philippine
hardwoods:" red and white lauan, tanquile, tiaong, almon,
bagtikan, mayapis, and some other strange things I can't
identify. It's rough-sawn and out ofsquare, and in short and
medium lengths (30 to 80 in.). Density of the woods fo und
varies from not much better than balsa to some pieces resem
bling narra or satinwood, very hard and dense. You pick
them up at the motorcycle dealer, who thanks you for getting
them
out of the way, and about a day of nail-pulling will
reduce a small pickup-truck load to a large stack of rough
boards. It's hard work, and you've got to be sure to get all the
nails and staples out before running them through the
planer, but the net result is a free supply of good-grade hard
wood for use in small items to be naturally inished, or large
ones to be painted (the nail holes mar them, as there is invar
iably a black rust stain, so only small items can be made with
out a nail hole to cover up).
-Donald L. McKinsey, Chalotte,
.
C.
In your Fall '77 issue, p. 63, you refer to the use of epoxy
glues for gluing up ivory and wood. Recently I had occasion to
repair an ivory bracelet, and on consulting a restorer connec
ted with the Walters Art Gallery in Baltimore, Md., I was
FINISH AHEAD OF THE PACK
with these recommended supplies
PASTE WOOD FILLERS
Filling the grain of wood prior to applying
a varnish or lacquer inish
makes a smooth
surface. This is imortant with porous
wood such as
a
ok,
ash, butternut and
tection.
They resist the deteriorating efects
of oils, acids, greases, alcohols, resins, alka
lines, caustics and solvents better than ordi
nary rubber gloves. Lined for comfortable
it, ingers and palm are inished with a
non-slip surface. Overall length is 101/2'"
03E31-KB Medium (Size 8) $2.10
03E32-KB Extra Large (Size 10) $2.60
mahogany. By tinting the iller the inisher
can create a contrast. Filler is applied with
the grain using
stif brush. When it loses
its gloss. wipe cross grain with a piece of
burlap. Allow overnight drying, then sand.
Can be thinned with benzine or turpentine
and should be a heavy paint consistency.
Japan colors can
e
mixed to reach the de·
1
Clock built by
PUMICE STONE
An abrasive powder which is lubricated with
water or parain oil when rubbed on a
inished surface. Rub in the direction of
the grain and check work to be sure you are
not going through the inish.
18Rll-GX
sired color. Quart size.
OSN31-EZ NaturaljOak $6.25
OSN41-EZ Medium Walnut $6.25
OSN51-EZ Medium Brown Mahogany $6.25
E.
SANDING SEALER
Can be brushed or sprayed onto a surface
prior to inishing. Quick drying, it can be
sanded soon after application. Not to be
confused wi th paste illers which can be
used to srain the wood. Sanding sealer is
used before the application of clear lacquers.
OSP22-BV
Cadye
Lynch
MEASURED DRAWING
40A31-BE
4-0 5 lb.
$4.S5
All prices postpaid
Telephone your order toll free: (SOO) 225-1153
(Ma. residents dial (SOO) 842-1234)
Mastercharge, Visa, American Express welcome.
WDDCRAFT
SUPPLY CORP.
Dept. FW127 313 Montvale Ave.
WOBURN, MAS. 01801
$6.00
PARAFFIN OIL
Useful as a rubbing medium, designed to be
mixed w
ith pumice stone or rottenstone for
inal inishing.
lSR31-EZ
Quart
$4.15
Quart
$4.10
OSP21-BV
Gallon
$9.95
ROTTENSTONE
Used after pumice stone for an even higher
gloss on inishes as lacquer and varnish.
Can be ap
plied with cloth burlap or rub
bing felt.
lSR21-GX
REFINED SHELLAC FLAKES
Specially processed shellac lakes which have
been dewaxed to yield a much clearer and
harder inish than bleached orange shellac.
The results are well worth the price.
18Q62
-BV
Mass. Res. add 5% Sales Tax
5 lb.
$4.95
Reined, 1 lb.
$5.50
4
PROTECTIVE GLOVES
Neoprene gloves ofer reliable hand
pro
advised to use an animal-based glue such as Elmer's, and
against using an epoxy because various components in the
latter glue would leach out various elements in the ivory.
-Jose/Rosenblatt, Baltimore, Md.
Tight controls and rigid standards are essential in the
workshop, but must this single-mindedness be extended to
the ideas expressed in this magazine? A presumedly accom
plished woodworker fumes over an article on stacked plywood
and calls one of the pieces ' 'ugly." Is it asking too much that
some sort of coherent critique accompany such a sweeping
esthetic judgment? This semantic quibbling over what is and
what is not "fine" woodworking appears rather unenlighten
ing also. After all, if chain-saw lumbering, heat treating and
dry kilns fall within the scope of the magazine, why exclude
plywood? Maybe someone else might find the information
useful.
While walnut and teak are not in themselves "political,"
does not the use of expensive or endangered species raise cer
tain economic and environmental issues? To choose to ignore
the implications of using, say, redwood, is indeed to make a
political choice. Is quality in woodworking a mere function of
technical sophistication and precious material, or do we allow
a social criterion in addition? Since these concerns are not
likely to surface in the pages of
Popular Mechanics,
I hope
they are not to be banished from the pages of your magazine.
-Chistopher Loekle, Skowhegan, Maine
PORCELAIN CASTERS
Add a touch of elegance with fine quality,
decorative white PORCELAIN CAST·
ERS with black die cast housings.
Wheels are
1/2"
wide x
1 1/8"
in diameter.
Ideal for small furniture, dry sinks, tables,
carts, and antiques.
Set of 4 .................. $7.98 ppd
BATTERY OPERATED
CLOCK MOVEMENT
Cordless electric battery move·
ment has trim medium impact
transparent plastic case. Oper·
ates for
1
year on an ordinary size
23/8"
wide x
3 1/4"
fixation. Hand setting
from fronfor rear.
Includes hands. Unit is
13/16"
deep.
$10.95 ea. ppd
By way of remark rather than criticism I suggest you have
high x
STATEMENT OF OWNERSHIP, MANAGEMENT AND CIRCULATION
(Required by 39 U.S.c. 3685)
1.
Title of publication: Fine Woodworking. 2. Date of filing: October 1, 1977.3. Fre
quency of issue: Quarterly. 3a. No. of issues
p
ublished
annually: 4. 3b. Annual sub
scription price: $9.00. 4. Location of known
o
fice
of publication: 52 Church Hill Road,
PO Box 355, Newtown, CT 06470.5. Location of the headquaners or general business
ofices of the publishers: 52 Church Hill Road, PO Box 355, Newtown, CT 06470.
6. Names and complete addresses of Publisher, Editor, and Managing Editor: Paul
Roman, Publisher and Editor; John Kelsey, Managing Editor; 52 Church Hill Road, PO
Box 355, Newtown, CT 06470. 7.0wner: The Taunton Press, Inc., 52 Church Hill
Road, PO Box 355, Newtown, CT 06470. Stockholders owning or holding I percent or
more of the total amount of stock: Paul Roman, Janice A. Roman. 8. Known bond
holders, mortgagees, and other security holders owning or holding
I
70-2 1/8"
squares of light and dark
10.
veneers. Also included in the kit is
a
veneer roller, glue brush. veneer
strips for the border and edges
and complete instructions.
$6.95 ppd.
•
percent or more of
total amount of bonds,
monga
g
es
or other securities: None.
9.
For completion by non
ptofit
or
g
anizations a\Jthorize
d
to mail at special rates: Not applicable.
116
pages
Extent and
Best catalog.manual
... a must for your workshop!
.
nature
o
f
circulation:
$1.00
separately
r---
-SATISFACTION
I.
Actual no. copies
of single issue
published nearest
to filing date
Sept. I, 1977
Full color illustrations
.
Larger selection of
superior quality items for the creative craftsman. Sent free
with order .
100%
GUAR
ANTEED! ---
-
,
Avera
ge no. co
pies
each ISsue dunng
preceding
12 months
.
_
4) @ $7.98
ea. ppd.
_
@ $10.95
ea. ppd.
_
Please rush me
E.
@ $6.95
ppd .
A.
Total no. copies (net press run)..
. ..... 79,120
. 79,858
-
Casters (set of
@ $1.00
ea. ppd. (Free with order)
B. Paid circulation
Sales through dealers and carriers, street
vendors and counter sales .. .. ... .. .. .. ..... 3,957
2. Mail Subscriptions. . ... .. . ......... .. 67,115
C.
Total
p
aid
circulation (sum of lOBI and IOB2) ... 71,072
D.
Free
d
istributjon
by mail, carrier or other means
samples, complimentary, and other free copies. . . .. 594
_______ __________ ___
.. .. . 3,998
.. ... 61,979
... 65,977
Checkerboard
Kit
__________________
___________________
New larger Catalog(s)
__ __
612
... ... 66,589
Name
Total Distribution (Sum of C and D) ........... 71,666
Copies not distributed
1. Office use, left over, unaccounted, spoiled
after printing. . .... ... ... .. 7,353
2. Returns from news agents. . .... .. ....... ..101
G.
Total (Sum of E, FI and 2-
should equal net press run shown in
A)
....... .. 79,120
Address
......13,269
I
City
�
State
Zip
. 79,858
Mnnesota
MN
55374
,-------------------�
bodworkers
11.1
certify that the statements made by me above are correct and complete, Signature
and title of editor, publisher, business manager, or owner: Paul Roman, President and
Publisher. 12. For completion by publishers mailing at the regular rates (Section
132. 121, Postal Service Manual): In accordance with the
p
rovisions
of this statute, I
hereby request permission to mail the publication
name
d
in Item
Supply Company
�
/
.
at the phased
postage rates presently authorized by 39 U.s.c. 3626. Signature and title of Editor,
Publisher, Business Manager, or Owner: Paul Roman, President and Publisher.
Dept.\6F 21801 Industrial Blvd., Rogers,
5
"c"
cell flashlight battery. Center
CHECKERBOARD
FACE KITS
With this kit you are able to make
a beautiful chess board. Includes
1/2
pI. can of contact cement, a
F.
Clock
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