Fine Woodworking 020, papermodels, historica

Drogi uДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’Г‚ВДђВ”ГўВЂВљДђВ’ГўВЂЕЎДђВ”ГўВ„В–ДђВ’ГўВЂВњytkowniku!

W trosce o komfort korzystania z naszego serwisu chcemy dostarczaДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ”ГўВЂВћ Ci coraz lepsze usДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂЕљДђВ“ГўВЂВљДђВ”ГўВЂВћugi. By mДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВ„В–ДђВ’ГўВЂВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВљc to robiДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ”ГўВЂВћ prosimy, abyДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ•ЕѓВџ wyraziДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂЕљДђВ“ГўВЂВљДђВ”ГўВЂВћ zgodДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВ„В–ДђВ•ЕѓВ•ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ›Г‚В na dopasowanie treДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ•ЕѓВџci marketingowych do Twoich zachowaДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂЕљДђВ“ГўВЂВљДђВ•ЕѓВ• w serwisie. Zgoda ta pozwoli nam czДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВ„В–ДђВ•ЕѓВ•ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ•ЕѓВџciowo finansowaДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ”ГўВЂВћ rozwДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВ„В–ДђВ’ГўВЂВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВљj ДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ•ЕѓВџwiadczonych usДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂЕљДђВ“ГўВЂВљДђВ”ГўВЂВћug.

PamiДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВ„В–ДђВ•ЕѓВ•ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ›Г‚Вtaj, ДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’Г‚ВДђВ”ГўВЂВљДђВ’ГўВЂЕЎДђВ”ГўВ„В–ДђВ’ГўВЂВњe dbamy o TwojДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ•ЕѓВ™ prywatnoДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ•ЕѓВџДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ”ГўВЂВћ. Nie zwiДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВ„В–ДђВ•ЕѓВ•ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ›Г‚Вkszamy zakresu naszych uprawnieДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂЕљДђВ“ГўВЂВљДђВ•ЕѓВ• bez Twojej zgody. Zadbamy rДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВ„В–ДђВ’ГўВЂВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВљwnieДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’Г‚ВДђВ”ГўВЂВљДђВ’ГўВЂЕЎДђВ”ГўВ„В–ДђВ’ГўВЂВњ o bezpieczeДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂЕљДђВ“ГўВЂВљДђВ•ЕѓВ•stwo Twoich danych. WyraДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’Г‚ВДђВ”ГўВЂВљДђВ’ГўВЂЕЎДђВ”ГўВ„В–ДђВ’ГўВЂВњonДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ•ЕѓВ™ zgodДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВ„В–ДђВ•ЕѓВ•ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ›Г‚В moДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’Г‚ВДђВ”ГўВЂВљДђВ’ГўВЂЕЎДђВ”ГўВ„В–ДђВ’ГўВЂВњesz cofnДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ•ЕѓВ™ДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ”ГўВЂВћ w kaДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’Г‚ВДђВ”ГўВЂВљДђВ’ГўВЂЕЎДђВ”ГўВ„В–ДђВ’ГўВЂВњdej chwili.

Tak, zgadzam siДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВ„В–ДђВ•ЕѓВ•ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ›Г‚В na nadanie mi "cookie" i korzystanie z danych przez Administratora Serwisu i jego partnerДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВ„В–ДђВ’ГўВЂВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВљw w celu dopasowania treДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ•ЕѓВџci do moich potrzeb. PrzeczytaДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂЕљДђВ“ГўВЂВљДђВ”ГўВЂВћem(am) PolitykДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВ„В–ДђВ•ЕѓВ•ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ›Г‚В prywatnoДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ•ЕѓВџci. Rozumiem jДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ•ЕѓВ™ i akceptujДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВ„В–ДђВ•ЕѓВ•ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ›Г‚В.

Tak, zgadzam siДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВ„В–ДђВ•ЕѓВ•ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ›Г‚В na przetwarzanie moich danych osobowych przez Administratora Serwisu i jego partnerДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВ„В–ДђВ’ГўВЂВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВљw w celu personalizowania wyДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ•ЕѓВџwietlanych mi reklam i dostosowania do mnie prezentowanych treДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ•ЕѓВџci marketingowych. PrzeczytaДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂЕљДђВ“ГўВЂВљДђВ”ГўВЂВћem(am) PolitykДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВ„В–ДђВ•ЕѓВ•ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ›Г‚В prywatnoДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ•ЕѓВџci. Rozumiem jДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ•ЕѓВ™ i akceptujДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВ„В–ДђВ•ЕѓВ•ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ›Г‚В.

WyraДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’Г‚ВДђВ”ГўВЂВљДђВ’ГўВЂЕЎДђВ”ГўВ„В–ДђВ’ГўВЂВњenie powyДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’Г‚ВДђВ”ГўВЂВљДђВ’ГўВЂЕЎДђВ”ГўВ„В–ДђВ’ГўВЂВњszych zgДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВ„В–ДђВ’ГўВЂВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВљd jest dobrowolne i moДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’Г‚ВДђВ”ГўВЂВљДђВ’ГўВЂЕЎДђВ”ГўВ„В–ДђВ’ГўВЂВњesz je w dowolnym momencie wycofaДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ”ГўВЂВћ poprzez opcjДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВ„В–ДђВ•ЕѓВ•ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ›Г‚В: "Twoje zgody", dostДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВ„В–ДђВ•ЕѓВ•ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ›Г‚Вpnej w prawym, dolnym rogu strony lub poprzez usuniДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВ„В–ДђВ•ЕѓВ•ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ›Г‚Вcie "cookies" w swojej przeglДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ•ЕѓВ™darce dla powyДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’Г‚ВДђВ”ГўВЂВљДђВ’ГўВЂЕЎДђВ”ГўВ„В–ДђВ’ГўВЂВњej strony, z tym, ДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’Г‚ВДђВ”ГўВЂВљДђВ’ГўВЂЕЎДђВ”ГўВ„В–ДђВ’ГўВЂВњe wycofanie zgody nie bДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВ„В–ДђВ•ЕѓВ•ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ›Г‚Вdzie miaДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂЕљДђВ“ГўВЂВљДђВ”ГўВЂВћo wpДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂЕљДђВ“ГўВЂВљДђВ”ГўВЂВћywu na zgodnoДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ•ЕѓВџДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ”ГўВЂВћ z prawem przetwarzania na podstawie zgody, przed jej wycofaniem.




	Strona startowa Flawiusz Józef - Historia Żydowska, Pisma chrześcijańskie i pokrewne, Józef Flawiusz File Cabinet - 2 drawer Lateral File cabinet with matching printer cabinet, Woodworking Plans Fine-Home-Building-25-Years-of-Great-Building-Tips-Malestrom, Building and Architecture Formative Texts in the History of Zen Buddhism, @Buddhism Fragment traktatu welawsko-bydgoskiego z 1657, Historia, Prawo, Traktaty, Umowy, Kroniki, Teksty Żródłowe Film polski - streszczenie, historia filmu polskiego po 1981r Fine Gardening - Grow Healthier & Easier Gardens (2015), !!!Materialy Eng Farago&Zwijnenberg (eds) - Compelling Visuality ~ The work of art in and out of history, sztuka i nie tylko po angielsku Fałszywe dokumenty Gorbaczowa. Kilka faktów o Katyniu, Historia Furet F. Prawdziwy koniec rewolucji francuskiej, Historia Francji zanotowane.pl doc.pisz.pl pdf.pisz.pl bydgoszczanin.xlx.pl	Fine Woodworking 020, papermodels, historica [ Pobierz całość w formacie PDF ] JANUARy/FEBRUARY 198, . o No 20 $3.00 I or ig . o 01 MichaelThonet 7447066441 Find your specialties in these back issues of Fine Woodworking. FineWoodworking FineWoodworking 20 takes a detailed look at many aspects of our craft, in efect building a growing reference of woodcraft techniques. And because there's always so much of interest to cover, never repeats itself. Small wonder one new subscriber in requests the complete set of back issues. Here's valu� able information you can't ind anywhere else and that doesn't go out of date. Winter 1975. No. I-The Renwick Multiples. Checkered owls, Tramp An, Hand Planes, Carving Design, Decisions, Woodorking Thoughts, Marquetry Cutting, Which Three? Library Ladders, A Serving Tray, Stamp ox, All in One, French Polishing, Birch Plywood, Bench Stones. Spring 1976. No. 2-Marquetry Today, Split Turnings, Eagle Carvings, Hand Dovetails, Mechanical Desks, Textbook Mistakes, Antique Tools, Spiral Steps, Gustav Stickley, Oill Varnish Mix, Shaker Lap Desk, Chair Woods, Back to School. Summer 1976. No. 3-Wood, Mortise and Tenon, The Christian Tradition, Hand Shaping, Yankee Diversity, Plane Speaking, Desert Cabinetry, Hidden Drawers, Green owls. Queen Anne, Gate·Leg Table, Turning Conference, Stroke Sander Getting Lumber, Sawing by Hand, Gaming Tables, Two Con temporary Tables, Wooden Clamps, Elegant Fakes, Aztec Drum, Gout Stool. Two Tools, Measuring Moisture, The Flageolet, Young Americans. Winter 1977. No.9-Repair and Restoration, Designing for Dining, Tall Chests, Entry Doors, The Right Way to Hang a Door, Drawer ottoms, School Shop, Health Hazards in Woodworking. Basic Blacksmithing. Carving Cornucopia. Carving Lab, Routed Edge Joint, Shaker Round Stand, Cut ting Corners, Small Turned oxes, Unhinged. Spring 1978. No. 10-Two ew Schools, Wooden Clock orks, Hammer Veneering, Claw and Ball Feet, Block-Front Transformed, Hot-Pipe ending, Furniture Galleries, A Two Way Hinge, Laminated Turnings, Chain-Saw Carving, Circu lar Saws, Louvered Doors, Small Workbench. Summer 1978, No. II-Harpsichords, Spinning Wheels, American Woodcarvers. Drawers. Turning Spalted Wood. Scratch Beader, Leather on Wood, Notes on Finishing, Building Green, Parons Tables, Hanging a Door, Pencil Gauges, Dulcimer Peg ox, Tiny Tools. September 1978. No. 12-Community Workshop, Greene and Greene, Holding the Work, Scandinavian Styles, Tam bours, Stains, Dyes and Pigments, Spindle Turning, Cleaving Wood, Whetstones, Sharpening, Cockleshell, Dust-Collection System, Sanding, Used Machinery, Wooden Wagon. November 1978, No. 13-Making Ends Meet, Scientific In struments of Wood. Making a Microscope. The Harmonious Crat, Laminated owls, Preparation of Stock, Tung Oil, Relief Carving, Roll-Top Desks, Shaped Tambours, Cylinder Desk and ook-Case, Basic Machine Maintenance, Portfolio: A.W. Marlow, End-oring Jig, Scale Models, The Purpose of Mak ing, Lumber Grading, On Workmanship. JanuarylFebruary 1979. No. 14-Guitarmaking School, George akashima. Lester Margan's Measured Drawings. Tapered Lamination. Improving Planes. Restoring Bailey Planes, ox-Joint Jig, Five Chairs: One View, World Globe, & Tenon Joint, W.A. Keyser, Router Tables, Treadle Lathe, Freewheel Lathe Drive, Milk Paint, Flying Woodwork, Routed Signs, Staved Containers, Carved Shells, Flight of Fancy. May/June 1979. No. 16-Working With a Handicap, Ed ward Barnsley. Locking the Joint, Harvesting Green Wod, Shop-Built Vacuum Press, Five More Chairs: One View, Hol low Turnings, The History and Practice of Marquetry, Silas Kopl's Marquetry, efore the Finish, Workbench, Circular Stairway. Three Stairways, Spiral Staircase. The Machinist. Furniture Plans. Fall 1976. No. 4-Cabinetmaker's Notebook, Water and Wood, Hidden eds, Exotic Woods, Veneer, Tackling Carving, Market Talk, Abstract Sculptures from Found Wood, Work· bench, Ornamental Turning, Heat Treating, Mosaic Rosettes, Shaped Tamours, Buckeye Carvings, Hardood Sources. Winter 1976. No. S-Stacking, Design Considerations, Key Stone Carvers, Carcase Construction. Dealing With PlyvOod, Patch-Pad Cutting, Drying Wood, Gothic Tracery, Measured Drawings, Wood Invitational, Guitar Joinery, The Bowl Gouge, English Treen, Shaper Knives. Spring 1977. No. 6-The Wood Butcher, Wood Threads, The Scraper, California Woodorking, ent Laminations, Dry Kiln, Expanding Tables, 1 wo Sticks, Stacked Plywood, Two Tools, Pricing Work, Going to Crat Fairs, Colonial Costs, Ser ving Cart, Woodworking Schools. Summer 1977, No. 7·-Cooperative Shop, Glues and Glu ing, Winter Market, Three-Legged Srool, Lute Roses, owl Turning, Wharton Esherick, Doweling, Spalted Wood, Anti qued Pine Furniture, Solar Kiln, Carving Fans, Bending a Tray, Two Meetings. Index to Volume One. Fall 1977. No.8-Out West, Steam ending, Triangle Mark ing, Painted Furniture, Chain�Saw Lumbering, Rip Chain, envelopeinthebackofthismagazine.(Connecticutresidents,pleaseadd7%salestax.) 52 Church Hill Road, Box 355B6, Newtown, Connecticut 06470 postpaid.Usethehandyorderformwithpostage-paid July/August 1979, No. 17-Frederick Brunner, Sawmilling, Working with Heavy Timbers, Portfolio: Woodworking Women. Bending Compound Curves, Furniture from Photo· graphs, Routing for Inlays, Precision: Tips from the Die-Making Trade, Finishing Materials, Solid Wood Doors, Library Steps, orwegian Woods. September/October 1979. No. 18-Showcase Cabinets, Tapered Sliding Dovetails, The Haunched Mortise and Tenon, Methods of an Old World Cabinetmaker, Production Problem, Drop-Leaf and Gate-leg Tables, Making the Rule Joint, Wood turning Chisels, High School Woodork, To Finish the Finish, Cabriole Legs, Making Cabriole Legs, Contour Tracer, CabrioIe Template, Paneled Doors and Walls, Rhinodesk. NovemberlDecember 1979. No. 19-Wharton Esherick, Ringed Rattle, Another Rattle, Dragonfly, Two Toy Trucks, Oyster-Shell Veneering, PEG for the Woodworker; Tips from the Turning Conference, Old-Fashioned Turners' Gauges, Oil! Varnish Finishes, Portfolio: Charles Rombold, Chip Carving. Copenhagen 1979, Mortise & Tenon by Machine, East Comes West, The Jointer, More Mortising: Sloping Wedges and Shims, Band Saws, The Woodchuck, Mother Nature, Woodcarver. $2.50 ©1980TheTaumonPress Each issue of Koa Table, Incised Lettering, olection Turning, Air-Powered Tools, Polyhedral Puzzles, Design Sources, Have a seat. March/April 1979. No. IS-College Droouts, The Shape of a Violin, Stalking Mesquite, The Mortise Eachbackissueis Editor John Kelsty Art Director Roger Barnes AJIiJtant Editors Rick Mastelli Laura Cehanowicz Tringali AJIJtant Art Director Deborah Fillion Copy Editor Ruth Dobsevage Edlioa/ AJIiJtant May Pringle Blaylck IIuJtator Betsy Levine Mastelli Contn'buting EditorJ Tage Frid, R. Bruce Hoadley Simon Watts COnJu/ting Editors George Frank, A. W. Marlow Lelon Traylor MethodJ o/Work Editor Jim Richey Co"eJpondentJ John Makepeace (England) Alan Marks (West Coast) Rosanne Somerson. Richard Starr (New England) Stanley N. Wellborn (Washington, D.C.) Production JoAnn Muir, Manager Cynthia Lee, Assistant Manager Barbara Hannah, Darkroom Nancy Knapp, Typesetting Jean Melita, Paste-up Marketing Jack F. Friedman. Director Donald Fi ne q i n g ® JNUARy/BRUARY DEPARTMENTS 4 Letters 13 Methods of Work 20 Questions & Answers 27 Books 34 Events 36 Adventures in Woodworking: Expensive Tools Do Not a Craftsman Make ARICLES Fleet, Promotion Manager John M. Grudzien. Marketing Representative Advertising Vivian Dorman, Manager Carole Weckesser AdvertIsing Consultant Granville M. Fillmore SubJcnptionJ Carole E. Ando. Manager Gloria Carson, Dorothy Dreher MarieJohnson, Cathy Kach Susan K. Kokoska, Nancy Schoch Kathy Springer MaIlroom Viney Merrill. Manager Roben Bruschi Accounting Irene Arfaras, Manager Madeline Colby Secretay to the Pub/rher Lois Beck AJJociate Pub/iJher Janice A. Roman Pubtsher Paul Roman 38 Michael Thonet by John Dunnigan 46 A One-Piece Chair 48 A Glue Press by George Danko 49 Working Woven Cane by G.A. Michaud 52 Making a Basket From a Tree by Martha Wetherbee 56 Laminated Fishing Net by Jonathan Knight 57 Knockdown Tabletops by Kenneth Rower 59 Orientable by Curtis Erpelding 60 Japanese Planes by Ted Chase 65 Making a Modern Wooden Plane by Karl Dittmer 66 French Polishing by Clinton R. Howell 68 Seedlac Varnish by Sidney Greenstein 69 Shaper Cutters and Fences by Earl J. Beck 74 Plans for a Pigeonhole Desk by Simon Watts 79 Repairing Wobbly and Broken Chairs 80 Wood '79 82 The Woodcraft Scene: Arnold Mikelson 84 Geometric Marquetry Center Insert: Hardwood Sources Cover: Th e spiral measures 52 in. long by 38 in. wide. It was steam bent by the Th onet im in 1880, fr om a 28-t. oak tree, to de m onstrate the process pefected by Michael Th onet, the fa ther of bentwood fu niture. One of his chairs , above, indicates the spiral's size. Be g inning on p. 38, this issue contains a number of articlesfe atun'ng wood as a FineWoodworking (ISSN 0361-3453) is published bimomhly.January. March. May.July. September and November. by $12 for one year. $22 for {wo years; Canada. $ J 4 for one year. $26 for two years (In U.S. dol cr 06470. Telephone (203)426·8171. Second-class postage paid at Newtown. CT IIS: $15 for one year. $28 for tWO years (in U.S. dollars, please). Single copy, $3.0. For single copies outside U.S. and possessions. add 25C postage per issue. Send to Subscription De p t.. The Taunton Press. PO Box 355; Newtown. CT 06470. Address all corresondence to the appropriate department (Subcription, EdilOrial or Advertis ing), The Taunton Press. United Statcs and ossessions. 52 Church Hill Road. PO Box 355. Newtown. CT 06470. Pstmaster: Send notice of undelivered lars, please); other countries, 3579 to The Taunton Press. PO Box 355, Newtown. CT 06470. (fwo four-page in�ns included). le material. Photo: Doug Long. copies on Form 3 1980,N B R20 b 06470 and additional mailing oficcs. Copyright 1980 by The Taumon Press. Jne. No reproduction without permission of Thc Taunton Press. Inc. Finc Wodworking is a registered trademark of The Taunton Press. Inc. Subscription The Taunton Press. Inc.. Ncwlown. etters I teach woodworking to grades two through nine at the Park School in Brookline, Mass. I have found that the children have far greater success by having the coping-saw blades cut on the pull stroke Oapanese Style) instead of the usual push stroke. This works especially well for the younger children, as it facilitates a smoother cut and a less frustrating experience. I explain to the children about Japanese saws vs. American saws. The second-graders "like the Japanese way much better." -Randy Altshule, Newton, Mass. heard from are obviously too emotionally involved with the esoterica of woodworking to see that anytime results are put in a secondary position, the product has to suffer. My personal opinion is that the only correct procedures are those that produce the finest piece possible (and in the short est amount of time if you are making it for sale). As long as design doesn't suffer, I feel any tool, machine or procedure is acceptable to accomplish the final results. After all, the buy ing public or the appreciating eye couldn't care less whether or not you derived sensual pleasure or therapy during the con struction of the piece, as long as it is beautiful. Our product is, after all, the true extension of ourselves, not the labor or procedures that go into making it. -Peter Kemme, Albany, .. I am a retired industrial-arts teacher with over 29 years of working with children. Your article "The Woodchuck" (Nov. '79) is a ine article, however, Makowicki had better get lots of malpractice insurance to protect himself, with students working machines with loose sweater sleeves unrolled, and especially children working in a shop without safety eye pro tection. In New York state, all students and instructors must wear eye protection in the shop, and even visitors must wear the same protection. It's state law .... -Lester R. Benstein, Sp ng Va /ey, N. . Y4 � As a professional toymaker, I was very interested in your issue on toys (Nov. '79). However, your two articles on baby rattles present a signiicant hazard. Neither rattle design will meet current U.S. regulations on baby rattles. That regulation bans any rattle that can go through an opening 1 � in. by 2 in.,to a in. The handles of both rattles in your articles will not pass that criterion of safety. We make a rattle similar toJohn Townsend's rattle, but we meet the regulation by making a double-ended rattle with both ends over 1 I have never written a letter commenting on anything before, but after reading the Sept. '79 issue I felt compelled. Specii cally, I am referring to the editorial comments in the article by Alasdair G.B. Wallace. In it he pro longingly details his feelings about machines versus hand work. I can't help but feel after reading this and similar articles that we wood workers as a group are too esoteric and philosophic about our craft. We often lose sight of what we are trying (or should be trying) to do. Wallace in his article even states that his prod uct is secondary to the process. Wallace and others I have in. in diameter. We stopped making the ring-type rattle when the new regulation came out. This is not an idle regulation, as the U.S. Consumer Prod uct Safety Commission has documented 10 infant choking deaths, and 19 other incidents where the child did not die, since 1943. Two other notes on the shaking-rattle design. We use rangeofnozzle selectionofspraygun matched ofthepros combinations to apply any finish material from dyes to house paint. A designs. to vary patterns, compensate for needle wear. A full line of Look for us in the Ye llow Pages under 'Spray Equipment" or.. . 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