Flawiusz Józef - Historia Żydowska, Pisma chrześcijańskie i pokrewne, Józef Flawiusz
File Cabinet - 2 drawer Lateral File cabinet with matching printer cabinet, Woodworking Plans
Fine-Home-Building-25-Years-of-Great-Building-Tips-Malestrom, Building and Architecture
Formative Texts in the History of Zen Buddhism, @Buddhism
Fragment traktatu welawsko-bydgoskiego z 1657, Historia, Prawo, Traktaty, Umowy, Kroniki, Teksty Żródłowe
Film polski - streszczenie, historia filmu polskiego po 1981r
Fine Gardening - Grow Healthier & Easier Gardens (2015), !!!Materialy Eng
Farago&Zwijnenberg (eds) - Compelling Visuality ~ The work of art in and out of history, sztuka i nie tylko po angielsku
Fałszywe dokumenty Gorbaczowa. Kilka faktów o Katyniu, Historia
Furet F. Prawdziwy koniec rewolucji francuskiej, Historia Francji
Fine Woodworking 020, papermodels, historica
[ Pobierz całość w formacie PDF ]JANUARy/FEBRUARY 198, .
o No
20 $3.00
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MichaelThonet
7447066441
Find your specialties in these
back issues of Fine Woodworking.
FineWoodworking
FineWoodworking
20
takes a detailed look at
many aspects of our craft, in efect building a growing
reference of woodcraft techniques. And because there's
always so much of interest to cover,
never repeats itself. Small wonder one new subscriber in
requests the complete set of back issues. Here's valu�
able information you can't ind anywhere else and that
doesn't go out of date.
Winter
1975.
No.
I-The Renwick Multiples. Checkered
owls, Tramp An, Hand Planes, Carving Design, Decisions,
Woodorking Thoughts, Marquetry Cutting, Which Three?
Library Ladders, A Serving Tray, Stamp ox, All in One,
French Polishing, Birch Plywood, Bench Stones.
Spring
1976. No. 2-Marquetry Today, Split Turnings,
Eagle Carvings, Hand Dovetails, Mechanical Desks, Textbook
Mistakes, Antique Tools, Spiral Steps, Gustav Stickley, Oill
Varnish Mix, Shaker Lap Desk, Chair Woods, Back to School.
Summer
1976.
No. 3-Wood,
Mortise and Tenon, The
Christian Tradition, Hand Shaping, Yankee Diversity, Plane
Speaking, Desert Cabinetry, Hidden Drawers, Green owls.
Queen Anne, Gate·Leg Table, Turning Conference, Stroke
Sander
Getting Lumber, Sawing by Hand, Gaming Tables, Two Con
temporary Tables, Wooden Clamps, Elegant Fakes, Aztec
Drum, Gout Stool. Two Tools, Measuring Moisture, The
Flageolet, Young Americans.
Winter
1977. No.9-Repair and Restoration, Designing for
Dining, Tall Chests, Entry Doors, The Right Way to Hang a
Door, Drawer ottoms, School Shop, Health Hazards in
Woodworking. Basic Blacksmithing. Carving Cornucopia.
Carving Lab, Routed Edge Joint, Shaker Round Stand, Cut
ting Corners, Small Turned oxes, Unhinged.
Spring
1978.
No.
10-Two ew Schools, Wooden Clock
orks, Hammer Veneering, Claw and Ball Feet, Block-Front
Transformed, Hot-Pipe ending, Furniture Galleries, A Two
Way Hinge, Laminated Turnings, Chain-Saw Carving, Circu
lar Saws, Louvered Doors, Small Workbench.
Summer
1978,
No.
II-Harpsichords, Spinning Wheels,
American Woodcarvers. Drawers. Turning Spalted Wood.
Scratch Beader, Leather on Wood, Notes on Finishing,
Building Green, Parons Tables, Hanging a Door, Pencil
Gauges, Dulcimer Peg ox, Tiny Tools.
September
1978.
No.
12-Community Workshop, Greene
and Greene, Holding the Work, Scandinavian Styles, Tam
bours, Stains, Dyes and Pigments, Spindle Turning, Cleaving
Wood, Whetstones, Sharpening, Cockleshell, Dust-Collection
System, Sanding, Used Machinery, Wooden Wagon.
November
1978,
No.
13-Making Ends Meet, Scientific In
struments of Wood. Making a Microscope. The Harmonious
Crat, Laminated owls, Preparation of Stock, Tung Oil, Relief
Carving, Roll-Top Desks, Shaped Tambours, Cylinder Desk
and ook-Case, Basic Machine Maintenance, Portfolio: A.W.
Marlow, End-oring Jig, Scale Models, The Purpose of Mak
ing, Lumber Grading, On Workmanship.
JanuarylFebruary
1979.
No.
14-Guitarmaking School,
George akashima. Lester Margan's Measured Drawings.
Tapered Lamination. Improving Planes. Restoring Bailey
Planes, ox-Joint Jig, Five Chairs: One View, World Globe,
&
Tenon Joint,
W.A. Keyser, Router Tables, Treadle Lathe, Freewheel Lathe
Drive, Milk Paint, Flying Woodwork, Routed Signs, Staved
Containers, Carved Shells, Flight of Fancy.
May/June
1979.
No.
16-Working With a Handicap, Ed
ward Barnsley. Locking the Joint, Harvesting Green Wod,
Shop-Built Vacuum Press, Five More Chairs: One View, Hol
low Turnings, The History and Practice of Marquetry, Silas
Kopl's Marquetry, efore the Finish, Workbench, Circular
Stairway. Three Stairways, Spiral Staircase. The Machinist.
Furniture Plans.
Fall
1976.
No.
4-Cabinetmaker's Notebook, Water and
Wood, Hidden eds, Exotic Woods, Veneer, Tackling Carving,
Market Talk, Abstract Sculptures from Found Wood, Work·
bench, Ornamental Turning, Heat Treating, Mosaic Rosettes,
Shaped Tamours, Buckeye Carvings, Hardood Sources.
Winter
1976.
No.
S-Stacking, Design Considerations, Key
Stone Carvers, Carcase Construction. Dealing With PlyvOod,
Patch-Pad Cutting, Drying Wood, Gothic Tracery, Measured
Drawings, Wood Invitational, Guitar Joinery, The Bowl
Gouge, English Treen, Shaper Knives.
Spring
1977. No. 6-The Wood Butcher, Wood Threads,
The Scraper, California Woodorking, ent Laminations, Dry
Kiln, Expanding Tables,
1
wo Sticks, Stacked Plywood, Two
Tools, Pricing Work, Going to Crat Fairs, Colonial Costs, Ser
ving Cart, Woodworking Schools.
Summer
1977,
No.
7·-Cooperative Shop, Glues and Glu
ing, Winter Market, Three-Legged Srool, Lute Roses, owl
Turning, Wharton Esherick, Doweling, Spalted Wood, Anti
qued Pine Furniture, Solar Kiln, Carving Fans, Bending a
Tray, Two Meetings. Index to Volume One.
Fall
1977. No.8-Out West, Steam ending, Triangle Mark
ing, Painted Furniture, Chain�Saw Lumbering, Rip Chain,
envelopeinthebackofthismagazine.(Connecticutresidents,pleaseadd7%salestax.)
52 Church Hill Road, Box 355B6, Newtown, Connecticut 06470
postpaid.Usethehandyorderformwithpostage-paid
July/August
1979,
No.
17-Frederick Brunner, Sawmilling,
Working with Heavy Timbers, Portfolio: Woodworking
Women. Bending Compound Curves, Furniture from Photo·
graphs, Routing for Inlays, Precision: Tips from the Die-Making
Trade, Finishing Materials, Solid Wood Doors, Library Steps,
orwegian Woods.
September/October
1979.
No.
18-Showcase Cabinets,
Tapered Sliding Dovetails, The Haunched Mortise and Tenon,
Methods of an Old World Cabinetmaker, Production Problem,
Drop-Leaf and Gate-leg Tables, Making the Rule Joint, Wood
turning Chisels, High School Woodork, To Finish the Finish,
Cabriole Legs, Making Cabriole Legs, Contour Tracer,
CabrioIe Template, Paneled Doors and Walls, Rhinodesk.
NovemberlDecember
1979.
No.
19-Wharton Esherick,
Ringed Rattle, Another Rattle, Dragonfly, Two Toy Trucks,
Oyster-Shell Veneering, PEG for the Woodworker; Tips from
the Turning Conference, Old-Fashioned Turners' Gauges, Oil!
Varnish Finishes, Portfolio: Charles Rombold, Chip Carving.
Copenhagen
1979,
Mortise
&
Tenon by Machine, East Comes
West, The Jointer, More Mortising: Sloping Wedges and Shims,
Band Saws, The Woodchuck, Mother Nature, Woodcarver.
$2.50
©1980TheTaumonPress
Each issue of
Koa Table, Incised Lettering, olection Turning, Air-Powered
Tools, Polyhedral Puzzles, Design Sources, Have a seat.
March/April
1979.
No.
IS-College Droouts, The Shape
of a Violin, Stalking Mesquite, The Mortise
Eachbackissueis
Editor
John Kelsty
Art Director
Roger Barnes
AJIiJtant Editors
Rick Mastelli
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Copy Editor
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IIuJtator
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Contn'buting EditorJ
Tage Frid, R. Bruce Hoadley
Simon Watts
COnJu/ting Editors
George Frank, A. W. Marlow
Lelon Traylor
MethodJ o/Work Editor
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Co"eJpondentJ
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Rosanne Somerson. Richard Starr (New England)
Stanley N. Wellborn (Washington, D.C.)
Production
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JNUARy/BRUARY
DEPARTMENTS
4 Letters
13 Methods of Work
20 Questions
&
Answers
27 Books
34 Events
36 Adventures in Woodworking:
Expensive Tools Do Not a Craftsman Make
ARICLES
Fleet,
Promotion
Manager
John M. Grudzien. Marketing Representative
Advertising
Vivian Dorman, Manager
Carole Weckesser
AdvertIsing Consultant
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SubJcnptionJ
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MaIlroom
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38 Michael Thonet by
John Dunnigan
46 A One-Piece Chair
48 A Glue Press by
George Danko
49 Working Woven Cane by
G.A. Michaud
52 Making a Basket From a Tree by
Martha Wetherbee
56 Laminated Fishing Net by
Jonathan Knight
57 Knockdown Tabletops by
Kenneth Rower
59 Orientable by
Curtis Erpelding
60 Japanese Planes by
Ted Chase
65 Making a Modern Wooden Plane by
Karl Dittmer
66 French Polishing by
Clinton R. Howell
68 Seedlac Varnish
by Sidney Greenstein
69 Shaper Cutters and Fences by
Earl J. Beck
74 Plans for a Pigeonhole Desk by
Simon Watts
79 Repairing Wobbly and Broken Chairs
80 Wood '79
82 The Woodcraft Scene:
Arnold Mikelson
84 Geometric Marquetry
Center Insert:
Hardwood Sources
Cover: Th e spiral measures 52 in. long by
38 in. wide. It was steam bent by the Th onet
im in 1880, fr om a 28-t. oak tree, to de m
onstrate the process pefected by Michael
Th onet, the fa ther of bentwood fu niture.
One of his chairs , above, indicates the
spiral's size.
Be
g
inning
on p. 38, this issue
contains a
number
of articlesfe atun'ng wood
as a
FineWoodworking
(ISSN
0361-3453)
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and additional mailing oficcs. Copyright
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by The Taumon Press. Jne. No reproduction without permission of
Thc Taunton Press. Inc. Finc Wodworking is a registered trademark of The Taunton Press. Inc. Subscription
The Taunton Press. Inc.. Ncwlown.
etters
I teach woodworking to grades two through nine at the Park
School in Brookline, Mass. I have found that the children
have far greater success by having the coping-saw blades cut
on the pull stroke Oapanese Style) instead of the usual push
stroke. This works especially well for the younger children, as
it facilitates a smoother cut and a less frustrating experience. I
explain to the children about Japanese saws vs. American
saws. The second-graders "like the Japanese way much
better."
-Randy Altshule, Newton, Mass.
heard from are obviously too emotionally involved with the
esoterica of woodworking to see that anytime results are put
in a secondary position, the product has to suffer.
My personal opinion is that the only correct procedures are
those that produce the finest piece possible (and in the short
est amount of time if you are making it for sale). As long as
design doesn't suffer, I feel any tool, machine or procedure is
acceptable to accomplish the final results. After all, the buy
ing public or the appreciating eye couldn't care less whether
or not you derived sensual pleasure or therapy during the con
struction of the piece, as long as it is beautiful. Our product
is, after all, the true extension of ourselves, not the labor or
procedures that go into making it.
-Peter Kemme, Albany,
..
I
am a retired industrial-arts teacher
with over 29 years of
working with children. Your article "The Woodchuck"
(Nov. '79) is a ine article, however, Makowicki had better get
lots of malpractice insurance to protect himself, with students
working machines with loose sweater sleeves unrolled, and
especially children working in a shop without safety eye pro
tection. In New York state, all students and instructors must
wear eye protection in the shop, and even visitors must wear
the same protection. It's state law ....
-Lester R. Benstein, Sp ng Va /ey, N.
.
Y4
�
As a professional toymaker, I was very interested in your issue
on toys (Nov. '79). However, your two articles on baby rattles
present a signiicant hazard. Neither rattle design will meet
current U.S. regulations on baby rattles. That regulation bans
any rattle that can go through an opening 1
�
in. by 2 in.,to a
in. The handles of both rattles in your articles
will not pass that criterion of safety.
We make a rattle similar toJohn Townsend's rattle, but we
meet the regulation by making a double-ended rattle with
both ends over 1
I have never written a letter commenting on anything before,
but after reading the Sept. '79 issue I felt compelled. Specii
cally, I am referring to the editorial comments in the article
by Alasdair G.B. Wallace. In it he pro longingly details his
feelings about machines versus hand work. I can't help but
feel after reading this and similar articles that we wood
workers as a group are too esoteric and philosophic about our
craft. We often lose sight of what we are trying (or should be
trying) to do. Wallace in his article even states that his prod
uct is secondary to the process. Wallace and others I have
in. in diameter. We stopped making the
ring-type rattle when the new regulation came out.
This is not an idle regulation, as the U.S. Consumer Prod
uct Safety Commission has documented 10 infant choking
deaths, and 19 other incidents where the child did not die,
since 1943.
Two other notes on the shaking-rattle design. We use
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