Flawiusz Józef - Historia Żydowska, Pisma chrześcijańskie i pokrewne, Józef Flawiusz
File Cabinet - 2 drawer Lateral File cabinet with matching printer cabinet, Woodworking Plans
Fine-Home-Building-25-Years-of-Great-Building-Tips-Malestrom, Building and Architecture
Formative Texts in the History of Zen Buddhism, @Buddhism
Fragment traktatu welawsko-bydgoskiego z 1657, Historia, Prawo, Traktaty, Umowy, Kroniki, Teksty Żródłowe
Film polski - streszczenie, historia filmu polskiego po 1981r
Fine Gardening - Grow Healthier & Easier Gardens (2015), !!!Materialy Eng
Farago&Zwijnenberg (eds) - Compelling Visuality ~ The work of art in and out of history, sztuka i nie tylko po angielsku
Fałszywe dokumenty Gorbaczowa. Kilka faktów o Katyniu, Historia
Furet F. Prawdziwy koniec rewolucji francuskiej, Historia Francji
Fine Woodworking 021, papermodels, historica
[ Pobierz całość w formacie PDF ]MARCH
IApL
1980
No.
21, $3.00
1
or
i
g
Hans egner
,
Fnd your speclies n hese
back issues of Fne Woodworng
Each issue of
Fine Woodworking
takes a detailed look at
many aspects of our craft, in efect building a growing
reference of woodcraft techniques. And because there's
20
requests the complete set of back issues. Here's valu
able information you can't find anywhere else and that
doesn't go out of date.
always so much of interest to cover,
Fine Woodworking
Winter
1975,
No.
i-The Renwick Multiples. Checkered
owls, Tramp Art, Hand Planes, Carving Design, Decisions,
Woodworking Thoughts. Marquetry Cutting. Which Three?
Library Ladders. A Serving Tray. Stamp ox. All in One.
French Polishing. Birch Plywood. Bench Stones.
Spring
1976. No.2-Marquetry Today. Split Turnings.
Eagle Carvings. Hand Dovetails. Mechanical Desks. Textook
Mistakes. Antique Tools. Spiral Steps. Gustav Stickley. Oill
Varnish Mix. Shaker Lap Desk. Chair Woods. Back to School.
Summer
1976, No.3-Wod. Mortise and Tenon. The
Christian Tradition. Hand Shaping. Yankee Diversiry. Plane
Speaking. Desert Cabinetry. Hidden Drawers. Green owls.
Queen Anne. Gate-Leg Table. Turning Conference. Srroke
Sander. Furniture Plans.
Fall
1976.
No.
4-Cabinetmaker's Notebook. Warer and
Wood. Hidden eds. Exotic Woods. Veneer. Tackling Carving.
Market Talk. Absrract Sculprures rom Found Wood. Work
bench, Ornamental Turning, Heat T rearing, Mosaic Rosettes,
Shaped Tamours. Buckeye Carvings. Hard
od
ources.
Winter
1976. No. S-Sracking. Design Considerarions. Key
stone Carvers. Carcase Consrruction. Dealing Wirh Plywood.
Patch-Pad Curting. Drying Wood. Gorhic Tracery. Measured
Drawings. Wood Invitarional. Guitar Joinery. The owl
Gouge. English Treen. Shaper Knives.
Spring
1977. No.6-The Wood Butcher. Wood Threads.
The Scraper. California Woodorking. ent Laminarions. Dry
Kiln. Expanding Tables. Two Sticks. Sracked Ply oo
d. To
Tools. Pricing Work. Going to Crar Fairs. Colonial Cosrs. Ser
ving Cart. Woodorking Schools.
Summer
1977.
No.
7-Cooperarive Shop. Glues and Glu
ing. Winter Market. Three-Legged Stool. Lute Roses. owl
Turning. Wharron Esherick. Doweling. Spalred Wood. Anti
qued Pine Furniture. Solar Kiln. Carving Fans. ending a
Tray. Two Meetings. Index to Volume One.
Fall
1977. No.8-Our West. Steam ending. Triangle Mark
ing. Painted Furniture. Chain-Saw Lumbering. Rip Chain.
Gerting Lumber. Sawing by Hand. Gaming Tables. Two Con
remporary Tables. Wooden Clamps. Elegant Fakes. Azrec
Drum, Gout Stool, Two Tools, Measuring Moisture, The
Rageolet. Young Americans.
Winter
1977. No.9-Repair and Restoration. Designing for
Dining. Tall Chesrs. Entry Doors. The Right Way to Hang a
Door. Drawer ortoms. School Shop. Health Hazards in
Woodorking. Basic Blacksmithing. Carving Cornucopia.
Carving Lab. Roured Edge Joint. Shaker Round Stand. Cur
ting Corners. Small Turned oxes. Unhinged.
Spring
1978.
No.
10-Two New Schols. Wooden Clock
works. Hammer Veneering. Claw and Ball Feer. Block-Front
Transformed. Her-Pie ending. Furniture Galleries. A Two
Way Hinge. Laminated Turnings. Chain-Saw Carving. Circu
lar Saws. Louvered Doors. Small Workbench.
Summer
1978.
No.
ll-Harpsichords. Spinning Wheels.
American Woodcarvers, Drawers, Turning Spalted Wood,
Scratch eader. Leather on Wood. Notes on Finishing.
Building Green. Parons Tables. Hanging a Door. Pencil
Gauges. Dulcimer Peg ox. Tiny Tools.
eptember
1978.
No.
12
o
mmunity Workshop. Greene
and Greene. Holding the Work. Scandinavian Styles. Tam
bours. Stains. Dyes and Pigments. Spindle Turning. Cleaving
Wood. Wherstones. Sharpening. Cockleshell. Dusr-Collecrion
Sysrem. Sanding. Used Machinery. Wooden Wagon.
November
1978.
No.
13-Making Ends Meet. Scientific In
struments of Wood, Making a Microscope, The Harmonious
Crar. Laminated owls. Preparation of Stock. Tung Oil. Relief
Carving. Roll-Top Desks. Shaped Tamours. Cylinder Desk
and ook-Cae. Basic Machine Maintenance. Portfolio: A.W.
Marlow. End-oring Jig. Scale Models. The Purose of Mak
ing. Lumber Grading. On Workmanship.
JanuarylFebruary
1979.
No.
14-Guirarmaking School.
George Nakashima, Lester Margan's Measured Drawings,
Tapered Lamination. Improving Planes. Restoring Bailey
Planes. ox-Joint Jig. Five Chairs: One View. World Globe.
Koa Table. Incised Lerrering. olection Turning. Air-Powered
Tools. Polyhedral Puzzles. Design Sources. Have a seat.
March/April
1979. No. 1S-College Droouts. The Shape
W.A. Keyser. Rourer Tables. Treadle Lathe. Freewheel Lathe
Drive. Milk Paint. Rying Woodwork. Routed Signs. Staved
Containers. Carved Shells. Right of Fancy.
May/June
1979.
No.
16-Working With a Handicap. Ed
ward Barnsley. Locking the Joint. Harvesting Green Wood.
Shop-Built Vacuum Press. Five More Chairs: One View. Hol
low Turnings. The History and Practice of Marquerry. Silas
KopPs Marquerry. efore the Finish. Workbench. Circular
Stairway, Three Stairways, Spiral Staircase, The Machinist.
July/August
1979.
No.
17-Frederick Brunner, Sawmilling.
Working with Heavy Timbers. Portfolio: Woodworking
Women. ending Compound Curves, Furniture rom
Phorographs. Routing for Inlays. Precision: Tips from rhe Die
Making Trade, Finishing Materials. Solid Wood Doors.
Library Steps. Norwegian Woods.
eptember/October
1979.
No.
1S-Showcase Cabiners.
Tapered Sliding Dovetails. The Haunched Mortise and Tenon.
Methods of an Old World Cabinermaker. Producrion Problem.
Drop-Leaf and Gare-Ieg Tables. Making rhe Rule Joint. Wod
turning Chisels. High School Wodwork. To Finish the Finish.
Cabriole Legs. Making Cabriole Legs. Contour Tracer.
Cabriole Templare. Paneled Doors and Walls. Rhinodesk.
NovemberlDecember
1979.
No.
19-Wharton Esherick.
Ringed Ratde. Another Ratde. Dragonfly. Two Toy Trucks.
Oysrer-Shell Veneering. PEG for the Woodworker. Tips rom
the Turning Conference. Old-Fashioned Turners' Gauges. Oil!
Varnish Finishes. Porrfolio: Charles Romold. Chip Carving.
of a Violin. Stalking Mesquite. The Motise
&
Tenon Joint.
�
th
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(Connecticut residents. please
dd 7%
sales tax.)
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52 Church Hill Road, Box 355TJ, Newtown, Connecticut
06470
e
T
�'
a
�
©190TheTauntonPrss
never repeats itself. Small wonder one new subscriber in
Copenhagen
1979.
Mortise
&
Tenon by Machine, East Comes
West. The Jointer. More Mortising: Sloping Wedges and Shims.
Band Saws. The Wodchuck. Mother Narure. Wodcarver.
JanuarylFebruary
1980.
No.
20-Michael Thoner. A One
Piece Chair. A Glue Press. Working Woven Cane. Making a
Basket From a Tree, Laminated Fishing Net. Knockdown
Tablerops. Orientable. Japanese Planes. Making a Modern
Wooden Plane, French Polishing. Seedlac Varnish. Shaper
Cutters and Fences. Plans for a Pigeonhole Desk. Repairing
Wobbly and Broken Chairs. Wood
'79.
Arnold Mikelon. Geo
metric Marquetry, Hardwood ources.
John Kelsey
Roger Barnes
Rick Mastelli
Laura Cehanowicz Tringali
Deborah Fillion
Ruth Dobsevage
Mary Pringle Blaylck
Bersy Levine Mastelli
Tage Frid
R. Bruce Hoadley
Simon WattS
George Frank
A. W. Marlow
Lelon Traylor
Jim Richey
Roger Holmes
John Makepeace
Alan Marks
Rosanne Somerson
Richard Starr
Stanley N. Wellborn
JoAnn Muir
Cynthia Lee
Barbara Hannah
Nancy Knapp
Jean Melita
Jack F. Friedman
Donald Fleet
John M. Grudzien
Advertising/Manager
Vivian Dorman
Carole Weckesser
Consultant
Granville M. Fillmore
Subsciptions/Manager
Fi
ne
q
i
n
g
-
Consulting Editor>
R
CHI
APL
1980, N
B
R 21
Methods oj Work
Co"espondenlJ/England
WeJl Coast
New England
DEPA R TM ENTS
Washington, D. C.
Production/Manager
Assistant Manager
Darkroom
Typesetting
Paste-up
Marketing/Director
Promotion
Representative
12
Letters
Methods of Work
Questions
&
Answers
Books
Connections
Events
18
26
32
34
E.
Ando
Gloria Carson
Dorothy Dreher
Marie Johnson
Cathy Kach
ancy Schoch
Kathy Springer
Viney Merrill
Robert Brusch i
Irene Arfaras
Madeline Colby
Lois Beck
Janice A. Roman
Paul Roman
32
36
43
4
7
48
50
51
Carole
Adventures in Woodworking
by Kenneth Rower
The MassachusettS Cherry Log
Hans Wegner
by Irving Sloane
A modern master of fu rnirure design
Making Your Own Machines
by Gdes Gdson
Learn what you need to know, then experiment
A Sanding-Disc Jointer
by H. B. Montgomery
Tapered
a
isc on tilted arbor allows fine adjustment
An Inflatable Drum Sander
by Robert L. Pavey
Rubber sleeve conforms to work
A Low-Tech Thickness Sander
by
T
R. Wa rbey
Mailroom / Manager
.
Accounting/Manager
Secretary to the Publisher
Associate Publisher
Publisher
Homebuilt machine is accurate and cheap
Some Abrasives Facts
by Lyle Laske
A Close Look
by Stephen Smulski
Micrographs illuminate sanding, scraping and planing
The Bowlmaker
by Chuck andNancy Boothby
The rumer's art in Ethiopia
Turning Full Circle
by Stephen Hogbin
An exploration of segmented forms
The Sketchbook as a Design Tool
by Leo G. Doyle
Ogee Bracket Feet-Another Way
by
Ec
Schramm
G
lue up first, shape afterward
Hewing
by Drew Langsner
Axwork shapes log directly
The DowelJoint
by R. Buce Hoadley
Why round tenons fall out of round holes, and the elastomer compromise
52
54
56
60
62
64
68
7
3
77
80
82
84
Cover: Four views of the Classic chair (1947),
in white oak and cane, by the Danish de
signer Hans Wegner. Mock-up, above, re
veals the three-piece construction of the
chair's back and arms. Th e pieces are first
fo rmedon the shaper, and the taperedfinger
joint is cut, but the wood is let square just at
the joints. After assembly the joint areas are
fa ired out by hand. Dowels connect the arms
to the
le
g
s.
Formore on Weg ner, seepage
36.
Cover
photos:
Doug Long, Photocraft; chair
loaned by Design Selections Intenationa.
On Dovetailing Carcases
by Ian}. Kirby
Which to cut
i
rst ,
pins or tails?
J
apanese
Saws
by Robert Ghelerter
T
hin, lexible blades CUt on the pull Stroke
Editor's Notebook
Two schools in England; new surface planers
The Woodcraft Scene
by Bjon
E.
Lotf ield
Brandon Chambers, Pipe Carver
Appalachian Crafts
/
Thirteen States
Center Insert:
Index to Issues
S
1-20
0
Fine Woodworking
(ISSN
0361-3453)
is published bimonthly. January. March. May.July. Sep«mber and November. by
1
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by The Taunton Press. Inc.
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.ng ofices.
Co.yright
Letters
In our profession the concept of harvesting trees seems in
herent, but I have fo und that through dedication and serious
intent I have been able to secure more lumber that I can use
instantly through the salvaging of logs from construction of
roads, lakes, power lines, buildings, etc. I wonder if there is a
way that you could provide the service of helping interested
persons in locating either the fo lks involved in clearing land
on a large scale, or the other way around. Last year I worked
on a 4,300-acre lake site that had so much wood destroyed I
could have worked fo r the rest of my life and more and never
begun to use the lumber available. The clearing contractor
had tried to fi nd someone to log the timber, but interest in
the activity is not prevalent. Too many fo lks would rather
simply go to the distributor and plunk down the bucks and
drive off with a stack of inert mass, instead of giving the act a
deeper meaning through self-acquisition. I could go on about
how one comes closer to the true purpose of our work, but
that concept is probably apparent to you ....
-Alle n L. Pogue, Fo rt Wort h, Te x.
EDITOR'S
laE:
Our mail includes a growing number of suggestions
like Pogue's, and requests fr om readers who wish ro connect with
others ro share mutual interests. We're starting a new information
exchange column, Connections, on page
32.
Re Adventures, F
W
#16, May'79, the staircase in the
Lorerro Chapel is no miracle, but was done by a master stair
case-builder. Many staircases of this type have been built. ...
If constructed properly, no central support is required. The
runners are glued up from many handcut pieces. Because of
the twist they cannot be cut by a machine. The wood grain
runs always parallel with the runner-this gives maximum
strength. A staircase of this size may move somewhat but will
not break. It is like a coil spring; unless there are visible de
fects, I see no reason for concern about the safety of this stair
case.
As an architect/furniture designer I am involved in a combi
nation of architectural millwork, designed fo r production and
one-of-a-kind pieces. Although
I
am completely sympathetic
to the one-of approach to furniture that places the emphasis
on woodworking as art,
I
fe el that the participation of the
designer/ craftsman in the broader spectrum of production
oriented fu rniture projects can humanize and enrich the
general public's experience with the objects they are sur-
rounded by and use daily.
.
Certain designer/craftsmen like Bob DeFuccio have been
able to bring their craftsman's approach to the production
arena successfully. It is this junction between craft woodwork
ing and industrial design that I would like to see more about
in
Fine Wo odworking .
It was interesting to see the reactions
to Mel Bird' s letter in the May ' 79 issue. I really have to join
his opponents; although the knowledge and appreciation of
designs of the past are vital to the development of every
craftsman, man has spent much of the last few thousand years
pushing out the bounds of our knowledge. I feel that it is ex
tremely important to continue this search fo r new forms and
processes that will add to our body of knowledge rather than
repeating fo rms appropriate to another era.
-James) . O'Hara , Booklin e, Mass .
... I
was amused by the fuss several readers made over
modern versus traditional woodworking. (Craft is, after all,
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