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  • Fine Woodworking 022, papermodels, historica

    [ Pobierz całość w formacie PDF ]
    05
    MAy/JE 1980,
    No.
    22
    $3.00
    o
    7447066441
    Ke-Bent Boxes
    FineWoodworking's
    editors. Whether the subject is dovetails, working
    green wood or how to cut threads in wood, the Fine Woodworking Library
    stands alone among craft books.
    Biennial Design Book
    Already a classic, it includes 600 photographs of beautiful
    things in wood-from the chaste elegance of a pearwood side
    chair to the whimsy of a kinetic sculpture. 9" x 12", 176 pages.
    Make a Chair from a Tree: An Introduction to Work·
    ing Green Wood
    By John
    D.
    Alexander, Jr.
    What you need to know in taking wood directly rom the tree
    and shaping it into a chair before it has a chance to dry. A
    nearly lost art brought vividly back to life. 9" x 9", 128 pages,
    175 photographs, 75 drawings.
    8paper, poscpaid
    Fine Woodworking
    magazine. It's important but hard­
    to-cone-by information, and we want to make sure it stays in
    the literature. 9" x 12", 192 pages, 394 photographs, 180 draw­
    ings, index.
    $15cloch, poscpaid
    Design Book Two
    1150 photographs of the best work by 1000 present-day wood­
    workers. You'll turn to this volume again and again for chal­
    lenge and inspiration. 9" x 12", 288 pages, index and directory
    of contributors.
    Tage Frid Teaches Woodworking-Joinery: Tools and
    Techniques
    By Tage Frid
    Here the dean of American woodworkers-and
    $12 paper, poscpaid
    Fine Woodwork­
    ing
    contributing editor-tells what he's learned in 50 years of
    cabinetmaking. His experience can teach you many things in
    this landmark step-by-step volume. 8Yz" x 11", 224 pages, 900
    photographs, 365 drawings.
    $16cloch,poscpaid
    Each of these books meets the special high standards of
    the serious woodworker. To order, use the convenient
    order form bound into the magazine, or write to:
    52 Church Hill Road, Box 355, Newtown, CT
    06470
    You'll find the same professional level-and even more depth-in these books
    from
    $10 paper, poscpaid
    Fine Woodworking Techniques
    A collectiqn of all the technical articles rom the irst seven
    issues of
    $16cloch, poscpaid
    John Kelsey
    Rick Mastelli
    John Lively
    Ruth Dobsevage
    Mary Pringle Blaylck
    Tage Frid
    R. Bruce Hoadley
    Simon Watts
    George Frank
    A. W. Marlow
    Lelon Traylor
    Jim Richey
    Roger Holmes
    John Makepeace
    Alan Marks
    Rosanne Somerson
    Richard Starr
    Stanley N. Wellborn
    Art Director
    Roger Barnes
    Assistant Art Director
    Deborah Fillion
    I/ustrator
    Paste-up
    Fine
    q
    i
    ng
    '
    Consulting Editors
    Methods of Work
    Correspondents
    /
    England
    West Coast
    New England
    E 1980, NBR 22
    MAy/J
    Washington, D. C.
    Betsy Levine Mastelli
    Lee Hchgtaf
    Karen Pease
    JoAnn Muir
    Cynthia Lee
    Barbara Hannah
    Nancy Knapp
    Mary Eileen McCarthy
    Jack F. Friedman
    Donald Fleet
    John M. Grudzien
    Vivian Dorman
    Carole Weckesser
    Granville M. Fillmore
    Carole E. Ando
    Gloria Carson
    DorOlhy Dreher
    Marie Johnson
    Cathy Kach
    ancy Schch
    Kathy Springer
    Viney Merrill
    Robert Bruschi
    Irene Arfaras
    Madeline Colby
    Lois Beck
    Janice A. Roman
    Paul Roman
    4
    Letters
    14
    Methods of Work
    Poduction Manager
    Assistant Manager
    Darkroom
    Typeselling
    20
    Questions
    &
    28
    Books
    Answers
    35
    Events
    Marketing Director
    Pomotion Manager
    es/Oper. Coor.
    Advertising Manager
    32
    Adventures in Woodworking
    Steeling Away
    by John Galup
    Consultant
    Subscnption Manager
    36
    Kerf-Bent Boxes by Susan). Davidson
    Woodworking techniques and carving tools of the Northwest Coast
    46
    Balinese Masks by David Sonnenschein
    Carving cross-legged on the floor
    48
    Alpine Peasant Furniture by Chistoph Buchler
    Carved designs embellish sturdy construction
    Mailoom Manager
    51
    Two Easy Pi;ces by Simon Watts
    A frame chair and a sofa
    Accounting Manager
    54
    Cowhide for Chairs by jim Richey
    One hide seats six or seven
    Secretoy to the Publisher
    Associate Pubisher
    PublJher
    56
    Altern�tive Wood-Drying Technologies
    Solar energy and dehumidification; drying lumber in a vacuum
    60
    A Barn for Air-Drying Lumber by Sam Talanco
    Pennsylvania Dutch tobacco sheds inspire design
    62
    Sharpening Saws byJules
    A.
    Paquin
    Principles, procedures and gadgets
    65
    Furniture Conservation by Robert
    .
    Me Gfin
    Historic objects can outlast us all
    68
    Shop Math by C. Edward Moore
    With a little help from Pythagoras
    73
    Drawing the Ellipse
    74
    76
    78
    80
    82
    84
    L.
    McClure
    Backed material can be CUt with sharp knives
    Woodworkers and Copyright by Eugene S. Stephens
    Knowing the law is the best insurance
    Editor's Notebook
    On weekend conferences, shop fi res and summer courses
    The Woodcraft Scene
    Dan Dustin: Spoonmaker
    by RIchard Star
    Totem Pole
    tWO
    0
    Kwakiutl Roy Hanuse recesses the fourth cor­
    ner of a steamed and kef bent box with a
    s
    p
    ecialy
    designed hooked knfe. The kef
    b
    endin
    g
    tools and traditional techniques of
    the
    Indians
    of the Northwest Coast are de­
    sen'bed on pp. 36-43; how Hanuse made this
    box, also shown on the cover, is deta/ed in a
    photo-essay, pp. 44-45. Photo: Uli Steltzer.
    FineWoodworking
    (ISSN
    0361-3453)
    is published bimonthly, January, March. May.July. Septcmber and ovcmbcr. by
    The Taunton Press. Inc.. cwtown, CT
    06470,
    Telephone
    (203) 426·8171.
    Second-class postage paid at ewtown. CT
    06470
    and additional mailing offices. Cop!right
    1980
    by The Taunton Press. Inc.
    U.S.
    dol­
    3)),
    Newtown,
    CT 06470.
    Address all corresondence to the appropriate department (Subscription. Editorial or Advertis­
    ing), Th-Taunton Press.
    years: C:mada,
    $ 16
    for one )'ear.
    $30
    for twO years (in
    lars. please); other countries,
    SI8
    for one ,ear,
    $34
    for
    )2
    Church
    Hill
    Road, PO Box
    3)),
    Newtown,
    CT06470.
    P
    �Imaste
    .r:
    Sen
    4
    notice ofundclivered
    )'eafS (in
    3)79
    to The Taunton Pre-55, PO Box
    3)),
    Newtown,
    CT 06470.
    (Six-page Insert
    mcluded).
    copies on Form
    3
    Editor
    Associate Editor
    Assistant Editor
    Copy Editor
    Editonl AssiJtant
    Contributing EditorI
    DEPARTMENTS
    13
    Connections
    ARICLES
    It's About Time by Rosanne Somerson
    A show of hands in Worcester, Mass.
    Marquetry with Flexible Veneers by Paul
    fWO
    reproduction withoUi permission of
    The Taunton Press. Inc. Fine Wodworking® is a registered trademark of The Taunton Press. Inc. Subscriplion rAtes:
    United States and ossessions.
    S 14
    for one year.
    $26
    for
    U.S.
    dollars. please). Single copy,
    $3.00.
    For single
    copies outside U.S. and possessions. add
    25c
    postage per issue. Send to Subscription Dept.. The Taunton Press, PO Box
    Letters
    a reader wanted to
    know how one builds a Swiss alphorn. Here is a description by
    Ernst Balli, a Swiss cousin of mine who builds them in his
    spare tIme:
    First, ind a small ir or a spruce (apparently it makes no
    diference) that grew on a slope, died and dried out com­
    pletely on the spot without, however, having started to rot
    (the harsh winters and wind conditions in the Alps help the
    process). A length of about
    Fine Wo odworking,
    bottom. This last step ensures tightness and stability. There­
    after, wrap the horn in tight layers of rattan, again starting at
    the bottom. When gouging out the top, make sure that the
    purchased mouthpiece its snugly. I think it's a piece like for
    a trombone.
    -Heny Ratz, Del Ma, Calif
    ft ., yields a so-called C-horn.
    Once you've brought it home, plane it down conically. After
    planing, rip the length into two halves on the band saw. Hol­
    low the halves with a gouge. The remaining wall thickness
    should be about
    12
    As a longtime user of satin polyurethane varnishes, I have fre­
    quently complained to my supplier about the short shelf-life
    of half-illed cans. I have used several varieties and they all gel
    quickly. No answers to the problems have surfaced except
    using collapsible photochemical containers. My only solution
    has been to buy the smallest size containers and consign the
    remains to the rubbish barrel.
    I kept thinking about how to remove air from the open
    container, which is the cause of gelling. Finally the efort paid
    of-I think. Why not lood the can with propane gas, dis­
    placing the air? Most of us have small propane cylinders in
    our shop for soldering. The gas is inert and should have no
    efect on the varnish.
    Some months ago I gassed several partially illed cans of
    varnish, and thus far this plan works beautiully. The proce­
    dure I use is to lood the can with gas and then restrict the
    opening by sliding the cover halway into place before turn­
    ing the gas of. This should prevent any eddying, which
    might draw air back into the can. The same system should
    work for other oxygen-sensitive products such as tung oil and
    paint.
    116
    in. Glue the two halves together again
    with carpenter's glue, making sure that no glue seeps inward.
    After it dries, cover the whole horn with glue and wrap it like
    a mummy with strips of linen about
    f4
    in. wide. Start at the
    Plane down to
    desired size
    About
    12 ft.
    I
    Mark center
    and rip with
    band saw
    . .
    This morning I plugged in my version of the PEG soaking vat
    as described by Bruce Hoadley in your Nov.
    Holow out
    - Wtli am A. Wo odcock, Huntington,
    ---
    Wood
    rest
    '79
    issue. The
    problem I ran into, and you may want to warn readers about
    Although handscrews are among the most versatile clamps in a
    cabinet shop, they haven't changed much in 200 years. The non·
    marring jaws of these are of fine hard maple and the steel screws
    are handled with reinforced
    hardwood. The swivel nuts
    in the jaws are the one
    innovation your ancestors
    didn't have and they add
    significantly to versatility.
    The jaws may be set parallel
    or, if required, askew. Thus,
    you can distribute pressure
    narrowly or widely and you
    can clamp angled workpieces.
    Jaw Open
    Size Size
    HOUSE OF TEAK
    The most comprehensive inventory in Amer­
    ica of kiln-dried hardwood lumber and veneer
    from all over the world-ranging from domestic
    Ash to exotic Zebrawood.
    Your inquiries invited.
    30010 4"
    2"
    30020
    5"
    2%"
    30030 6" 3"
    30040
    8"
    4%"
    30050 10" 6"
    30060 12"
    8%"
    30070 14" 10"
    30080 16" 12"
    $ 8.40
    $ 9.10
    $ 9.60
    $11.60
    $13.30
    $15.20
    $19.30
    $24.40
    ($1
    to
    $3
    in
    U.s.'
    We'll Refund Exces
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    1979
    Catalog
    (free with order)
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    ales tax
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    B.
    STEM, INCORPORATED
    2708 GRANT LINE ROAD
    NEW ALBANY, INDIANA 47150
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    .a•••••• •••& •••
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    91011
    4
    In a recent issue of

    CHESTER
    AT LAS T! A Full-Sized Butcher Block
    Workbench At An Affordable Price
    The Workbench That Completes

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    Solid Rock Maple Construction

    arge Butcher Block Work Suface
    I '

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    Complement your investment in workshop
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    has een custom engineered
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    These extremely rugged benches with
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    Laminated
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