Flawiusz Józef - Historia Żydowska, Pisma chrześcijańskie i pokrewne, Józef Flawiusz
File Cabinet - 2 drawer Lateral File cabinet with matching printer cabinet, Woodworking Plans
Fine-Home-Building-25-Years-of-Great-Building-Tips-Malestrom, Building and Architecture
Formative Texts in the History of Zen Buddhism, @Buddhism
Fragment traktatu welawsko-bydgoskiego z 1657, Historia, Prawo, Traktaty, Umowy, Kroniki, Teksty Żródłowe
Film polski - streszczenie, historia filmu polskiego po 1981r
Fine Gardening - Grow Healthier & Easier Gardens (2015), !!!Materialy Eng
Farago&Zwijnenberg (eds) - Compelling Visuality ~ The work of art in and out of history, sztuka i nie tylko po angielsku
Fałszywe dokumenty Gorbaczowa. Kilka faktów o Katyniu, Historia
Furet F. Prawdziwy koniec rewolucji francuskiej, Historia Francji
Fine Woodworking 034, papermodels, historica
[ Pobierz całość w formacie PDF ]MAy/JE
1982, No.
34,$3.00
1
oring
MakingShoJi'
I
I
A master craftsman
shares the secrets and stories
of a lifetime
finishers
d
a table set just for us
in a local restaurant, because no
decent people wanted to sit near
our dirty bunch. Fifteen years
later, an ex-prince asked me to
wnor his table with my presence.
his book is about the stopovers
on the rod between those two
tables-about what I leaned, my
experiments, trials and errors,
successes and failures."
-George Frank
George Frank knows wood finishing as
few others know it. And now, ater a life
time in the trade, he reveals the secrets
he's uncovered (and discovered). It's all
here, rom the old timers' recipes for dyes
and stains to the culmination of Frank's
own search for the perfect wax, from a
mirror inish that shines to an 'antique'
finish that will fool the experts. Along
with the colorful stories that fill his book,
Frank tells you everything you need to
know to create beautiul inishes in the
old manner.
information you'll have trouble finding
anywhere else. Whether you're interested
in the art of finishing or the science of
wood technology, whether you prefer
cabinetmaking or marquetry, you'll enjoy
exploring our growing library of Fine
Woodworking Books. Write for a copy of
our free Catalog.
8R"er
re
Wood
Finishing
GeorgeFronk
Adventures in Wood
or send your name, address and
$10.00
to the address below (Connecticut resi
dents add
71/2%
sales tax). You can also
128
pages, hardcover,
call toll-free,
1-800-243-7252,
to charge
your order.
$10.00
postpaid
ISBN:
Adventures in Wood Finishing
is filled with
0-918804-06-X
52 Church Hill Road, ox 355, Newtown, Connecticut 06470
"In
1924
in Paris, we wood
Adventures
in
To order your copy of
Finishing,
use the order form in this issue,
Like all Fine Woodworking Books,
FE WOODWORKING
Editor
John Kelsey
Art Director
Deborah Fillion
Associate Editor
Rick Mastelli
Assistant Editors
Paul Bertorelli
Roger Holmes
Copy Editor
Jim Cummins
At Assistant
E. Marino
i
ne
q
i
n
g
·
J
E
1982,
NUMBER
34
III
Editoial Assistant
Linda D. Whipkey
Contibuting Editors
Tage Frid
R. Bruce Hoadley
Richard Starr
Simon Warts
Consulting Editors
George Frank
MAy
/
In
J. Kirby
DEPARTMENTS
34
Books
38 Adventures in Woodworking
24
Letters
Methods of Work
Comment
Questions
&
Answers
42
Events
26
46
Connections
A. W. Marlow
Methods of Wo rk
Jim Richey
ARILES
50
Japanese Sliding Doors
by To sho Odate
The traditional way to make
shoji
61
Using the ablesaw
by Ian
.
Kirby
Some basic rules for safe, accurate results
64
ReflOing the Craftsman Style
by David Cathers
The legacy of Havey Ellis
67 Plans for an Ellis Desk
68
Fly Rods from Split Bamboo
by L.
.
Beitz
74
Hoard Raybould
by To ny Taylor
Ornamental caver of mirror frames and crocodiles
With a hand plane and lots of gadgets
76 Stereo Equipment Cabinets
by Cal Spencer
Take the heat of your audio gear
Cover: To shio Odate
explai ns
how he sp aces the
moses that hold the
l
atticework
(kumiko)
in a
traditional Japanese sliding door
(shoji).
This
phoo was snappedduring a weekendworkshop at
the Brookfield (Conn.) Crft Center- Odate
commenced by moving a roomfulofworkbenches
out of his way andaranging his tools on a mat. To
the We sten eye,
Japanese
woodworking
80
On Pleasing the Eye
by Alan Marks
The visual language of chair design
zs
charac
84 What To Do With a Walnut Beam
byJim Cummins
John Hallam's blockfront treasure
terized by a
remarkable
economy
of
tools, matei
als and energy. Th e cratsman
(a
6
0ve)
stives al
ways to cut directly to the line. More onp.
50.
85
Routing Wide Moldings
by John Halam
92
Repairing Finishes: Two Ways
1.
Bum-in resins hide deep scratches
by Rick Bitz
2. Knife technique makes the difference
by John Revele
si
ate publisher;
THE ATON PRSS
Paul Roman,
p
ublisher;
Janice A. Roman,
95
Plate Joinery
by Paul Bertoreli
We test two machines that make fast, tight joints
JoAnn Muir,
director
of administration; Lois Beck, businss co
ordinator; Claire M. Gamble, administrative
secretar
y
.
Karl
Ackerman, direct sales coordinator; Mary Galpin,
production
coordinator;Jon Miller, assistant to the publisher; Barbara Bahr,
secretary. Acounting: Irene Arfars,
mana
g
er;
Madeline Colby,
Elaine Yamin. Advercising: Ann Starr
Wells,
director; Richard
Mullisan, sales manager; Vivian Dorman and Carole Weckesser,
cordtnators. Arc: Roger Bames, executive
98 The Woodcraft Scene
Woodtuming on a Metal Lathe
by Richard Star
100
Horgos' Gambit
by Lili Heart Horgos
rr
director; Jeanne
Criscola, Kathryn Olsen. Boks: Laura Cehanowicz Tringali,
editor; Lee Hov, associate
Fine Woodworking
(ISSN
0361-3453)
is published
bimo nthl
y
,
January, March, May, July, eptember and
06470.
Telephnne
(203) 426-8171.
Second-clss
rr
director; Deborah Cannarella,
editorial ssistant. Fulfillment: Thomas P. Luxeder, manager;
Carole E. Ando,
subscri
p
tion
manager; JoAnn Canning, Gloria
Carson, Dorochy
Dreher,
Mary Glazman, Marie Johnson,
Denise Pascal, Cathy Sakolsky, Nancy Schoch, Catherine Sulli
van, Terry Thomas,joAnn Traficanti; Robert Bruschi, mailroom
supervisor; Marchelle Sperling, David Wss. Marketing: Ellen
McGuire, sales manager; Kimberly Mithun, secretary, Kathy
Springer. Prduction ervics: Cynthia Lee Nyitray, manager;
Annene Hilty, assistant; Nancy-Lou Knapp, typsetter; Gary
Mancini, cordinator; Deborah Mson, ssistant.
T06470,
and adlitional mailing offices. Copyright
1982
by The Taunton Press,
Inc. No reproduction without permission of The Taunton Press, Inc. Fme Wodworking' is a registered
trademark of The Taunton Press, Inc. Subription ats: United States and possessions,
$14
for one year,
$26
for two years; Canada,
$17
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$32
for twO years (in U.S. dollrs, please); other countris,
$18
for one year,
postage paid at Newtown,
$34
for two years (in U.S. dollars,
p
lease).
Single copy,
$3.00.
Single copies outside U.S. and
$4.0.
Send to Subscription
De
p
t., The
Taunton Press,
O
Box
355,
Newtown, CT
06470.
Ad
52
Church Hill Road,
O
Box
355,
Newtown, CT
06470.
United Stats newsstand dJStribution by
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possessions,
dress all corresondence to the appropriate
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Postmaster:
Send address ch anges to The Taunton Press , Inc., PO Box
3
4
14
59
Powderpost Beetles
by To m Parker
Controlling the bugs that dine on your wood
86 Period Funiture Hardare
by Simon Wa tts
How it's made and where to get it
November, by The Taunton Press, Inc., Newtown, CT
Letters
Over the past several years I have
encountered a number of boards
that were very striking in appear
ance due to the defects they con
tained. Ordinarily these boards, or
the defective sections, would be
discarded as ueless for any uni
ture or cabinet work. But I found
myelf putting them aside, usually
standing them against a wall where
I could look at them frequently.
After a while the defective section
would deine itelf as a design area
and I would square up the board
accordingly. I have made a few of
these into decorative panels which
can be hung on the wall like paint
mgs.
The idea of simply mounting a
board as a wall decoration origi
nated with a poplar board that ar
rived with lumber for my school
shop classes. This 9-in. board was
marked almost its entire 8-ft.
length with a wide band of stain.
The colors were mostly greenish,
yellowish and reddish streaks, but
with a bright, teal-blue sweep re
sembling a bird's open wing. I
stood the board aside and soon
realized that I would not be able to
cut it up. The board looked like an
abstract painting so I decided to
treat it as such. To set of the de
sign I used a backing of plwood
painted lat black. The result is
very dramatic and gratiying.
With time and inishing, the
colors have become primarily tones of brown with a hint of
the original green, and the teal blue has become black. The
panel does not sufer from the loss of the original colors since
the shadings and the dramatic sweep of the design are still
present. The piece retains its strong visual impact.
I've made a number of these panels with various woods. All
the panels were sanded and inished with two coats of lat
polyurethane. This eliminates any interference from relected
light yet leaves the wood with a natural appearance, though
urethane does impan a deinite yellowish hue. For hanging I
prefer
(WW
#32,Jan.'82) I
get a rather uneasy feeling as to what the results might be.
It seems like the judges as well as the author are technical
peers who look for technical characteristics instead of the
beauty or useulness of the object. Who cares if the wall
thicknes is uniform-who would know unless the item was
segmented or careully measured-and who cares if there is
no obvious means of holding the item as it is being made?
As for felt bottoms, put down in the anicle, I think felt
bottoms are an exquisite inish to an object of an. Not only
does felt look good and feel good, it sets well on a display sur
face. The beauty of the wood, the beauty of the shape, pos
sibly its useulness, and its inish should be requisites in the
judging. Objects made from rotten wood and that have miss
ing pans have little value except as curiosities and have no
place in a display of ine an.
-jack Gardner, Anaheim, Calf.
W
#32,Jan.'82), I'm a machinist and I
saw this anicle when a customer came in asking me for an es
timate on the conversion. I advised him not to do it, because
you suggest welding onto a high-speed spindle. The heat of
welding might change the strength propenies of the steel, so
I wouldn't risk welding onto any arbor running faster than
about 100
RPM.
It's too dangerous. Instead I'd tun a new
shaft in one piece.
I got interested in the poblem and found a used Ham
mond Glider, but out here in L.A. it cost about $750, not
$300. By the time you inished the conversion you'd have
spent a lot more than $1,000. On the other hand, a stock
Hammond Glider without any modiications would be valu
able in any shop, it's a real nice machine.
-Gene
0
'Ne/I, Canoga Park, Cat!
WW
#32, Jan. '82, p. 71) was most in
teresting and descriptive. In his discussion of dovetail mor
tises, he suggests tilting the saw to cut the monises and the
need to "make the cut in one pass." If, however, he uses the
tenon jig (Fig. 3, p.75) rotated 90· clockwise and readily
modiied to suppon the stile, the monises can be precisely
cut in multiple passes just like he cuts the tenons, with the
saw blade parallel to the saw table.
-Ross G. Roepke, Tulahoma, enn.
o
use two crew eyes along the top edge of the backing
piece and clear ishing line. If the panel design is attractive in
more than one position, it can be centered on the backing
piece and a lexible hanging arrangement can be had by using
more screw eyes.
-
Conela Orentlicher, New York, N.
&
Level
o.,
you were right
o
suggest the Early
American Industries Association, as they can provide detailed
information. There's also a book, however, entitled
The
Stanley Plane,
by Alvin Sellens, published by the EAIA in
1975 and obtainable through The Iron Hore, Star Route,
Bomoseen, Vt. 05732. It is the most comprehensive study of
just about every plane that Stanley made, giving illustrations,
physical descriptions, and period of manufacture. In addition
to the catalog reprints available through Roger Smith, Ken
Roberts Publishing
.
I've just been to a two-day workshop onJapanese tools. The
use of these special tools was o easy on the arms that my ar
thritic pain in my hand muscles did not act up. Now, would
it not be wise to tell disabled and retired people more about
these tools? I know a couple of people who are interested in
woodwork, but the conventional tools are not as controllable
and can cause pain when pressure has to be applied. Not so
with these Japanese tools....
-Albert B. Gtlbert, Camel, N. Y.
Regarding source information on planes manufactured by the
Stanley Rule
o.,
P.O. Box 151, Fitzwilliam, N.H.
03447, has been poducing Stanley Catalog reprints for at
Almost every time I look into a magazine that advettises
tools, machinery, materials or a service, I wonder how much
of each advertisement I must read before I fmd the line that
tells me to please send for their catalog, brochure or descrip
tive folder at $1.00 per copy (reundable with the irst order).
4
least the past 10 years and his are the inest I've seen.
-D.H. Osbone, jr., Rye, N.H.
Being an amateur woodturner I
m
interested in submitting
some of my work for evaluation by others, but after reading
the comments in "The Tuned Bowl"
RegardingJim Haber's anicle about convening a printer's saw
for woodworking
(F
I thought the anicle on "SlipJoints on the Radial Arm Saw"
by Cunis Erpelding (
ANE TOOL
'I r
Oy"
& WOOD STORE
June 12 & 13, 1982
Call or Write for Information
724 West Britton Road
Oklahoma City. OK 73114
&
Router Table
CATALOG
12
-RECORD
-JAPANESE
Send $2.0 for 1982 Catalg.
Refundable with Purchase.
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\a
C-260
automatic fed thickness
planer/jointer/horizontal drill
mortiser. 10" width, 6" thick
ness capacity.
+
postage.
a
R:CORD 36" Sash Clamp
h"
mortise
..
chuck capacity. Built to last.
..
Regular Price $31 ea.
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•
T30N
shaper/moulder with fully
Special Price $29_00 ea. ppd.
Record 36" xtension Bar
Regular price $18.75 ea.
Special Price $16.75 ea. ppd.
3'''
shaft diameter accepts U.S.
cutters. Rack and pinion preCision
with top quality construction.
Offer Expires June 30. 1982
adjustable sliding carriage for tenon
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�
Quality Woodworking Tools.
Supplis
We carry only the finest from
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JORGENSEN. COLUMBIAN.
YANKEE.
GREENLEE. NICHOLSON. NORTON.
DIS
STON ... and many others.
SUPPLIES. too - the broadest selection of
screws and abrasives from a single source.
crosscuVmitering carriage. 5/8" arbor
and dado capability. 45° tilting table
precisely controlled.
Formula
1
Items not shown are:
Model SR-250 bandsaw (10" throat)
and a 3-speed lathe with 33.5"
between centers and 9.5" diameter
capacity.
... all types;
Abrasives.
Garnet. Aluminum Oxide.
brass, silicon bronze, stainless Silicon Carbide. Self-Lubricating.
steel
and
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Non-Filling (stearated); Emery Cloth
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9
BRASS WOOD SCREWS
SANDPAPER
x
11
sheets in all
and oval heads.
weights and grits. Belts. too.
Slotted Flat or Roundhead
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(indicate type)
All sizes from
#0
'
I."
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#14 4"
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#
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#
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For demanding professionals and serious amateurs.
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Machines provide maximum performance in minimal work
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Wallace Kunkel Seminar
"Radial Arm Saw. Router
-MAKITA
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