Flawiusz Józef - Historia Żydowska, Pisma chrześcijańskie i pokrewne, Józef Flawiusz
File Cabinet - 2 drawer Lateral File cabinet with matching printer cabinet, Woodworking Plans
Fine-Home-Building-25-Years-of-Great-Building-Tips-Malestrom, Building and Architecture
Formative Texts in the History of Zen Buddhism, @Buddhism
Fragment traktatu welawsko-bydgoskiego z 1657, Historia, Prawo, Traktaty, Umowy, Kroniki, Teksty Żródłowe
Film polski - streszczenie, historia filmu polskiego po 1981r
Fine Gardening - Grow Healthier & Easier Gardens (2015), !!!Materialy Eng
Farago&Zwijnenberg (eds) - Compelling Visuality ~ The work of art in and out of history, sztuka i nie tylko po angielsku
Fałszywe dokumenty Gorbaczowa. Kilka faktów o Katyniu, Historia
Furet F. Prawdziwy koniec rewolucji francuskiej, Historia Francji
Fine Woodworking 038, papermodels, historica
[ Pobierz całość w formacie PDF ]JAUARy/EBRUARY 1983,
No.
38, $3.00
I I 1
r J
, I
.
.
02
Building a Secretaire-Bookcase
o
:
I
.
HITACHI
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prcessing machinery.
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•
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Park
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F[ E WOODWORKING
Editor
John Kelsey
Art Director
Deborah Fillion
Associate Editor
Rick Mastelli
Assistant Editors
Paul Berrorelli
Jim Cummins
Copy Editor
Nancy Stabile
Art Assistant
Roland Wolf
Editorial Assistant
Linda D. Whipkey
Contributing Editors
Tage Frid
R. Bruce Hoadley
Richard Scarr
Simon Watts
Contlting Editors
George Frank
Ian J. Kirby
A.W . Marlow
Methods 0/ Work
Jim Richey
i
ne
q
i
ng
·
JANUARY
/FEBRUARY 1983, NUMBER 38
DEPARTMENTS
4
10
12
22
26
34
Letters
Injury Survey Results
Methods of Wo rk
Quick Tips
Questions & Answers
EditOr's Notebook
36
Books
Exhibition
42
Events
46
Connections
48
Adventures in Wo odworking
54
Building a Secretaire-Bookcase
by Victor I Taylor
Lots ro learn fr om this 18th-century case study
61
Marquetry on Furniture
by Silas Kop/
Double-bevel sawing leaves no gaps
66
Portfolio: Walker Weed
by Richard Starr
A retrospective of quiet woodworking
70
Turning a Matched Set of Bowls
by Arthur F. Shery
Patternmakers' tricks for consistent shapes
71
Walnut-oil inish is safe for food
by Antoine Capet
72
Turning goblets
by IH. Habermann
73
Repouring Babbitt Bearings
by Bob Johnson
A low-tech way ro rescue old machines
78
.
The Trade in Exotic Hardwoods
by Irving Sloane
How wood gets from the tropics ro your shop
81
Whither Rosewood?
by Paul McClure
A supply outlook for exotics
83
Storing precious scraps
by Tom Dewey
84
Knife Work
by Rick Mastelli
Make the knife and carve a spoon
89
The Stanley
#55
by regoy Schipa
Underscanding an ingenious workhorse
93
Putting an old
#55
to work
by T.D. Culver
94
Super-Surfacers
by Paul Bertorelli
Fixed-knife planers slice the wood paper-thin
97
Smoke Finishing
by Robert B. Chambers
Rubbed-in sOOt colors pine
98
The Rise of Artiture
by Arthur Espenet Carpenter
Woodworking comes of age
Cover: The best way to understand period
construction is to build a piece, second best is
to take one apart. Furniture connoisseur
V J. Taylor of Bath, England, does both jobs,
at least on paper, beginning on p.
54.
In ex
ploded drawings, he disassembles a secretaire
bookcase fr om the Georgian House museum,
above. In the text he explains how it was
made then, and how he'd reproduce it today.
THE TAUNTON PRESS
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lisher; JoAnn Muir, direcror of administration; Tom Lux
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104
Branching Into Chairs
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(ISSN 036 [-3453) is published bimonth[y, January, March, May,
J uly,
Seprember
and November, by The Taunton Press, [nc., Newrown, CT 06470. Te[ephone (203)
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40
ARTICLES
ee
Hov, asso
Letters
In my 32 years of full-time woodworking I've seen many
people do dangerous things with power tOols. Art Carpenter,
a ine craftsman I admit, is shown on the cover of
FWW #37 (Nov. '82) making a Cut on the bandsaw which,
in my opinion, is dangerous. I hope none of your novice
woodworking readers tries this one, it's scary.
-Bil Nolan, Munising, Mich.
ART CARPENTER REPLIES:
To all woodworking students (and
their shop teachers), I affirm that it is dangerous to do barrel
rolls before you can solo. And even then it is more dangerous
than orthodox flying. I have as much distaste for blood on
cold steel as anyone, particularly my own, and I do have all
ten fingers. I found this cut to require the method shown, in
the interest of accuracy and speed. The photOgraph does not
make clear that the CUt I am making is curved in plan (the
stOck could not be oriented alternately) and that the piece,
though U-shaped, has a lat firmly resting on the table. After
30 years of daily life with the bandsaw, there are some things
that can be done with confidence and competence and care
which shouldn't be tried by a novice. One reader tells me he
will hang the photO in his shop to illustrate horrendous prac
tice. Excellent idea. No stunt-flying in the classroom.
oLLOWER �AI"rAINs Sir
AGAINsT WOR'
FOLLOWER
I
,
HR.-POIN'
S)PPOr
a router, since I have had to face the same problem. Enclosed
is a sketch and description of my scheme, which allows the
router to directly follow the turned contOur while allowing
full visibility of the cutting process. The work is held station
ary, using the lathe indexing mechanism, while the router is
slowly fed into the work.
-Dennis Preston, Brookield,
t.
As an industrial arts teacher of 24 years' experience, I found it
difficult to believe what I saw on pp. 103-104 of your No
vember '82 issue. How any�ne in this day and age can allow
children to work in an industrial arcs shop without wearing
safery glasses is beyond me.
I admire what Richard Starr has done with young children,
but to allow this to happen and to write a book about it and
for
you
to publish it sure makes me wonder in what age you
are living. These are JUSt the people we can teach the right
way about safery from the start ....
-Lawrence P. Jones, East Hampton, Ct.
RICHARD STARR REPLIES:
I expect children to think about pos
sible hazards in every job they do and to take the appropriate
precautions. I believe that teaching an intelligent concern for
safery is wiser and safer in the long tun than devising blanket
regulations. Since my students use hand tOols exclusively,
there are only a few operations where safety glasses are neces
sary. To require them where there is no reasonable risk-as
when planing or boring with a brace-and-bit-would only en
coutage the kids to doubt the rules that do make sense.
In FWW #37, Don Carkhuff asks for advice on how to reed
curved and tapered bedposts. Both repliers to his question
suggest using a router but point out its limitations for this
particular operation. Assuming Mr. Carkhuff is not into pro
duction work, you might care to tell him how I performed a
similar operation on the reeded legs of a SheratOn-sryle dress
ing table.
I divided the legs into 12 segments, using a homemade
indexing head on my 1950 Shopsmith, and did the rest of
the work by hand, using three tOols-a strong chip-carving
knife and twO gouges (#3 and #4, g-in. and Yz-in.). The
lathe acted as a vise for the first part of the job.
With the work locked in the lathe in convenient positions,
I made starting cuts with the knife along the pencil lines di
viding the segments, the CUtS directed tOward the center of
the spindle. I worked from the bead at each end tOward the
center. As I had left both ends of the leg square, I was able to
transfer the work to the bench. The next step was to open up
the CutS to right and left of the initial CUt, thus starting the
reeding operation. This was done by slicing with the same
knife down each side, changing direction as the grain dictated,
until reaching the bottOms of the reeds. The depth, of course,
varied depending on the diameters of the turning along its
length. Further opening up of cuts continued using the goug
es instead of the knife.
The advantage of this hand method is that the increasing
and diminishing diameters (and curvatures) of the reeds can
be maintained, the gouging being adjusted to give a true
shape the whole length of the reed. As an additional aid
I
scribed pencil lines around the turning at intervals. These lines
tallied with sectional drawings of the completed leg, and gave
the correct diameters at the bottoms of the vee between each
reed pair. From thin sheet brass I CUt actual-size gauges from
the drawings, to check depth and roundness as the work
progressed.
Your article on hand injuries (Sept. '82) is very worthwhile. I
have been carving and sculpting wood since I was eight years
old-almost 30 years-and have developed several tules for
myself to prevent injury. The worst lacerations I've suffered
have been to my right index finger. I am left-handed and
sustained them when the tOol slipped off the work. The big
gest and deepest was when I was very tired.
I
never get equipment heavier than I can control physically.
Bracing with vises, when possible, saves the right hand, and I
wear a pliable leather glove on it when carving detail. On the
motOr tOols, even the jigsaws, I put a foot-pedal speed control
to turn the machine off instantly if it goes awry. When I use
an electric rotary cutting tOol with work braced in my lap, I
always wear a heavy denim apron (I'd probably have several
navels by now without it). Since my operation is non-com
mercial, I can pick times to carve when I'm relaxed-my
youngest child just entered school and I foresee better oppor
tunities ahead. Distraction by children can present a hazard
for them as well as you.
-Nancy E. Hanel, Ijamsvile, Md.
-Stephen R. Miler, Essex,
t.
It was certainly nice to see your mention of Adirondack
guideboats in the lapstrake boatbuilding series by Simon
Watts (Sept. '82 and Nov. '82).
Two points I beg to differ on. First, Watts states that early
guideboats were made of white oak planks, beveled at the
In Q&A for November (FWW #37), I read with great in
terest the description of fluting and reeding turned POStS with
4
STANDOFF AND B.ARs
The full size solid oak workbench.
$97.
Our workbench is crafted from 100% solid Appalachian oak.
It is modeled after the finest European benches (costing over
$500), and is equipped with tool rack, oak mallet, vice mounting
assembly and tool trough.
It is every inch a tough professional. Dimensions:
30"x50"x3YH. Legs
-
21H
square. Top
-
UiH
with
2W'
aprons.
.fYou
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Will Definitely
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Our workbench costs only
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800 Main Street
Woodbury,
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Shipping weight
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HERE'S OUR
GUARANTEE
"If, after you have purchased from
us, you see the same product(s) of
fered by another mail order firm for
less money, we will, upon written no
tice and verification, not only rebate
the price difference, but also pay you
10% of your net merchandise cost.
For example, if you bought a Record
plane from us for $50.00 and later saw
the same plane available elsewhere
for $45.00, we will refund the $5.00
diference and pay you an additional
$4.50, being 10% of your net mer
chandise cost."
This guarantee is good until
August
1, 1983.
In this fine quality Tools-By-Mail
Business, all of us depend upon a
handful of English, German, and
American Companies to supply a sig
nificant portion of our edge tools,
wood bits, cabinet screwdrivers, mea
suring and marking tools, sharpening
stones, tool chests, etc. Thus, by and
large, much of the merchandise you
see temptingly illustrated, in the sev
eral tool catalogs that come your way,
is quite the same. Why then not buy
at the best available price? Does it
make sense to pay $122.95 when the
same product is available from us for
$99.95? Even if others lower their
prices, you are still protected under
our extraord inary guarantee.
In truth, there is more to our new
policy than meets the eye. Of course,
we want to be number 1. But also, we
most sincerely want both profeSS ional
and occasional woodworkers to expe
rience the benefits and pleasures of
working with the world's best tools. By
making the cost of these tools com
petitive with the best of the mass
produced products sold in every
hardware and discount store, we
hope to accomplish both goals.
Call or write today
for your
FREE
Catalog.
INDEX TO
ADVERTISERS
Abrasive Service
II
Garrett Wade
47
Punkin Hollow Wood & Tool
17
31
16
21
25
15
24
14
31
II
36
35
15
Addkison Hardware
23
General Woodcraft
27
Ring Master
Advantage Machinery
4
5
Gilliom Mfg.
35
Rochester Institute of Technology
Ajema Enterprises
23
Glenn Wing Power Tools
9
Rockledge
Alder Ltd
29
H&S Tool Co.
22
Rosenzweig lumber
AMI
45
Hammermark Associates
21
The Sawmill
Artisty in Veneers
7
Hardwoods of Memphis
46
Seven Corners Ace Hardware
Rudolf Bass
37
John Harra Wood & Supply
50
Shaker Workshops
Beall Tool
47
Highland Hardware
8,41
Singley Specialty
Biesemeyer Mfg.
9
Hiller Hardware
16
5mit Products
Blue Ball Machine Works
14, 35, 47
Hitachi
2
Stewart-MacDonald
Box-Art
29
Hoover Tool Works
9
Sun Designs
Bratton Machinery & Supply
44 Horron Brasses
7
Su perior Finishers
Brink & Corron
32
Hot Tools
27
Supreme Woodworking
20, 29
Broksrone
41
How To's of Working Wood Show 18
Swing Painrs
9
Burns, Inc.
46
HTC Products
23
Talarico Hardwoods
21
Cane & Basket Supply Co.
20
Frank Hubbard Inc.
II
The Taunton Press 18A, B. C, D, 19
Carolina Craftsmen
47
J
. Philip
Humfrey
33
Ten Plus Tools
43
Wendell Castle Workshop
27
Imported Euroean Hardware
15
Tennessee Hardwood
5
Cherty Tree Toys
15
Indusrrial Abrasives
28
R.D. Thomas
23
Maurice L. Condon
29
Incernarionai Woodworking
38
Toymaker Supply
25
Conover Woodcraft Specialties
17
Iron Horse Antiques
14
Trend-Lines
35
Constantine
41
J amescown Artisan Cencer
15
U.S. General Supply
21
Craft Supplies
18
Jegr Industries
o
n
9
Unicorn Universal Woods
9
Crafrmark ProductS
II
Klckit
21
Viking Clock
47
Craftsmanship in Wood
45
Kuemel Chime Clock Works
7
WaKo-Dennis
22
The Cutting Edge
15
Kuscer Wodworkers
24
Weird Wood
22
Dallas Wod & Tol StOre
42
Robett
7
Wetzler Clamp
16
Deft
6
Leeds Design Workshops
18
/ilke Machinery
7,24
Delmhorsr lnstrumenc
23
Leichrung
11.49
Williams & Hussey
to
Derda
42
Lignomac
31
Windsor Classis
36
Design Group
22
Mason & SuJjivan
30
Wood & Wheels
7
Dream Venrures
32
Metric Machinery
27
Wd
Finishing
36
Dremel
6
Meyer-Vise
15
Wod Shed
Dupli-Carver
20
E.e. Mirchell
25
Wodcraft
7
(
lejne%ol$ho2s
)
Department FN
P.O.
Box 1262, Danbury, Ct. 06810
800-243-1037 - In Ct. Call 797-0772
Educational Lumer
37
Frank Miuermeier
29
Wdline,rrhe Japan
Emco Maier
31
Morris Wood Tool
14
Woodworker
10
Emeror Clck
41
Nacionai Builders Hardware
27
Woodmascer Power Tols
20, 36
l
orccscer Craft Cencer
Fine Tol & Wod StOre
31
Native American Hardwoods
35
Wdshop Secialties
34
Fine Tol Shops
5
Noex
34
Wodworkers' Score
23
Fisher Hill PrductS
38
Occidental Leather
10
Wdworkers Supply
13
Foley-Belsaw Co.
23,28, 37
Parks Wdworking Machine
46
47
Forrest Mfg. Co.
39
Paxton Hardware
21
Xylophile's Co.
38. 45
Fox Maple Tols
45
Philipps Br05. Supply
32
Yukon Lumer
31
Fumirure Dsigns
42
Por Man' s Catalog
41
Russ Zimmerman
29
5
29
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