Flawiusz Józef - Historia Żydowska, Pisma chrześcijańskie i pokrewne, Józef Flawiusz
File Cabinet - 2 drawer Lateral File cabinet with matching printer cabinet, Woodworking Plans
Fine-Home-Building-25-Years-of-Great-Building-Tips-Malestrom, Building and Architecture
Formative Texts in the History of Zen Buddhism, @Buddhism
Fragment traktatu welawsko-bydgoskiego z 1657, Historia, Prawo, Traktaty, Umowy, Kroniki, Teksty Żródłowe
Film polski - streszczenie, historia filmu polskiego po 1981r
Fine Gardening - Grow Healthier & Easier Gardens (2015), !!!Materialy Eng
Farago&Zwijnenberg (eds) - Compelling Visuality ~ The work of art in and out of history, sztuka i nie tylko po angielsku
Fałszywe dokumenty Gorbaczowa. Kilka faktów o Katyniu, Historia
Furet F. Prawdziwy koniec rewolucji francuskiej, Historia Francji
Fine Woodworking 040, papermodels, historica
[ Pobierz całość w formacie PDF ]AY/JE 1983, No. 40, $3.00
INDEX TO
ISSES
31 THROUGH 39
Cooperage
released
by the
publishers of
Fine
Woodworking
and
Fine
Homebuilding
magazines.
8
"
x
1
0
"
, 1
5
2
p
a
g
es,
2
2
0
ill
u
str
a
ti
o
n
s
S
,
o.tc
ov
er
, $
1
2
'
The Complete Book of
Kitchen Cabinetmaking
Someofwhatyou'lllearnabout:
Using story sticks· Selecting, estimating and preparing materials· Cutting the joints for the case. Sanding
the surfaces
•
Assembling the case
•
Making face frames and door and drawer faces
•
Constructing drawers
·
Installing hardware
•
Building
•
Applying countertop surfaces
•
Finishing the cabinet
•
Constructing and using jigs and fixtures for the tablesaw and router...
To build kitchen cabinets eficiently
, you need a router, a tablesaw, and a lot of reliable
information about layout, materials, cutting lists, hardware, case and drawer construction,
installation and finishing. Jere Cary's book brings you all this information in clear, step-by-step
instructions. Cary even tells you how to handle common mistakes and how to construct jigs
that will help make the work go easier and faster. This is the kind of book only an experienced
woodworking teacher like Cary could write, and the kind of skillfully illustrated, confidence
building volume we like to publish.
toeboards
Toorder:
Use the insert in this issue or send your name, address and $12 to the address below.
You can also call our toll-free number, 1-800-243-7252, and charge your order to your credit
card (Connecticut residents call 1-426-8171).
Just
FINE WOODWORKING
Editor
John Kelsey
Art Director
Deborah Fillion
AJociate Editor
Rick Mastelli
AJistant Editors
Paul Bertorelli
Jim Cummins
Copy Editor
Nancy Stabile
Art Assistant
Roland Wolf
Editorial AJistant
Linda D. Whipkey
Contributing Editors
Tage Frid
R. Bruce Hoadley
Richard Starr
Simon Watts
Consulting Editors
George Frank
Ian ]. Kirby
A.W. Marlow
DEPARTMENTS
Y
/JUNE 1983) NUMBER
40
ine
ig
'
42
Editor's Notebook
0/
Work
Jim Richey
24
44
Events
26
50
Connections
36
Letters
Methods of Wo rk
Comment: Nutting Revisited
Questions & Answers
Point of View
52
Adventures in Wo odworking
ARTICLES
Methods
31
through
39
58
64
66
Center Insert: Index to Issues
Miniatures by Machine
by Herbert Consor
Three rourer-powered setups for precision curs
The Louisville Slugger
by Paul Bertoreili
Cusrom-turned bats for baseball's heavy hitters
Straightening Up an Old Secretary
by regoy J. Landrey
What Winterthur conservators do about 200 years of sag
A
Spider-Leg Carriage Table
by D. Asher Carmichael
Turned legs, tray top evoke diminutive elegance
Making Wooden Buckets
by Drew Langsner
White cooperage, the Swiss way
Taos Furniture
by James Rannefe ld
Sourhwestern style embodies Stickley's Craftsman spirit
Repairing Bandsaw Blades
And how to make up your own fr om bulk rolls
Bandsaw-blade sharpening jig
by Robert Meadow
Japanese Resaws
by Rich Preiss
Two small machines with big blades
Scroll Sawing
by Ron Pessolano
Filigree revitalized with a saber saw
Knoll Makes a Wooden Chair
by John Kelsey
A look at the contract fu rniture business
Turning Tools That Cut
by James Rtdstrom
A book fr om Sweden fa vors some old tools
70
73
79
82
83
84
86
73-78.
Cover photo:
88
92
Cover: Rudolph Kohler planes pine staves
fo r
a milk bucket. Drew Langsner, who
stulied
with Kohler in Switzeland, explains the
coopers' crat on pp .
95
Bent Bowl Gouges
by Douglas Owen
Drew Langsner.
9
6
Woodshop Computers
by Paul Bertoreli
98
Radial Saw Meets Computer
by Lewis Buchner
100
An Adaptable Instrument Form
by Jim Cummins
Reforge your tools for finish-turning
They're best at figuring curting lists
104
Current Work
by Rick Masteli
THE TAUNTON PRESS
Paul Roman, publisher; Janice A. Roman, associare pub
lisher; JoAnn Muir, direcror of administration; Tom Lux
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Crosby, personnel assisram; Mary Galpin, production man
ager; Mary Glazman, data processing.
A cross-cutting robot for the small shop
106
The Woodcraft Scene: John Winkler's Sierra Boxes
by Alen Koenig
Accouming:
Irene Ar
Advertising:
Ann Srarr Wells, direcror; Richard
108
Flooded
Bob Mattingly's straightforward roure to a musical box
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mana
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Art:
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is published bimomhly, January, March, May,
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Letters
Re Art Carpenter's "Artiture"
(FWW
#38): I'm one who
makes things that .,dare to not take the traditional form of
their semi-functional function," although the quotation
makes my head swim. I'm not sure that it is necessary to
make the "artiture" distinction. There are, after all, art and
furniture already. Carpenter's path from suspicion to accep
tance of what he calls artiture is something he is working out
for himself, but I don't think many of the examples he uses
to illustrate his thesis support it. I am very familiar with the
work of McKie, Zucca; Madsen, Loeser, Smith, Crozier and
Maruyama. To my mind, they are all trying to do work that
is useful, fun, individual and visually interesting-decorative
art. Each piece may not be completely successful, but this
work does not it under Carpenter's artiture umbrella.
"Most artiture pieces had little to do with wood and less to
do with craftsmanship. " This statement is not supported at
all by Carpenter's examples. The makers that I have men
tioned are all very careful workers and most use wood for the
wonder of the material.
But maybe artiture is a valid concept, useful to help people
over the art/craft, fu nctional/non-functional hurdles. I am
happy to see
FWW
give space to the exploration of this cor
ner of the craft scene. A good percentage of your readers are,
I think, holed up in this corner.
-J im Fawcett, Esopus, N. Y.
posltlons vary. All contain lead, which is reason enough to
take precautions. However, other highly toxic metals such as
cadmium, nickel, arsenic and antimony may also be present.
Heating and pouring the metal should be done outdoors or
in an area provided with local exhaust ventilation. If back-up
respiratory protection is needed, a NIOSH-approved fume or
high-efficiency particulate respirator should be worn. Filings,
shavings and dust should be cleaned up scrupulously with a
wet mop to avoid raising dust.
-Monona Rossol,
Center fo r Occupational Hazards, New York, N. Y.
I wanted to carve a crow, took a
Saw, took a walk, fo und an up
rooted cedar heaved over and
dying on its side. The irst cut
crowned his head, the second
laid flat his fe et. Among the
roOts the cedar is deeply fu r
rowed, just so deeply figured
was the crow around feet and
tail. The white sapwood seemed
to describe his fo lded wings.
First incredulously then enthusi
astically I discovered that the
crow was within the wood, not
to be imagined as my own cre
ation.
-Richard Harrington,
Austin, Tex.
In response to Art Carpenter's article in
FWW
#38, I would
like to quote Edward Lucy-Smith in
World of the Makers:
"When skill is preserved after the need for it is gone, then
it turns into an exercise in pure virtuosiry. It is the knowing
how to do it and not the end product which gives delight.
Yet it must be recognized that crafts exercised in this way, for
their own sake, or in simple rejection of the modern world
and its assumed evils, seldom produce objects which are par
ticularly interesting to look at."
While technical proficiency is a means to freedom of cre
ative thought and work, it is not necessarily a prerequisite for
creativity nor does it guarantee success. Woodworking will
not come of age until woodworkers stop thinking of tech
nique and wood as ends in themselves, and start producing
pieces of aesthetic value and conceptual substance.
It seems unlikely that Art Carpenter has ever spoken with
Judy McKie, Tom Loeser, Wendy Maruyama or others about
their work. Had he done so, I doubt he would be so inaccu
rately guessing their motives to be "play, farce, ego ix, mon
ey, or ease of construction." The truth is, these people take
their work quite seriously, most are not making ten times the
money, and many possess unquestionable technical expertise.
They have moved away from traditional furniture because
they have found more interesting and challenging avenues to
pursue.
Regarding
FWW
#39, a fe w corrections ..
In the book review of
Apprenticeship in Craft .
Berea
College was fo unded in 1855, not the 1920s.
Craft s
(in its
modern usage) neglects
trade.
To speak historically of craft,
one must include trade. Berea has always (since 1855) taught
crafts and trades. One of the most beautiful buildings on
campus, built about 1912, was built by students. They made
the bricks, and did the woodwork and the building. The Be
rea Woodcraft Industries are not "cottage industty," they are
serious factory.
Now, on to Wallace Nutting (pp. 70-73). I do not see
Berea mentioned. Berea was, in fact, quite involved with
Nutting. He bequeathed a fine personal collection of antique
fu rniture to Berea College, and there was commercial/indus
trial interchange between Berea's and Nutting's fu rniture fac
tories. For details, write Berea College Woodcraft Industries,
Berea, Ky. 40404..
-Wi liam Post Ross, Georgetown, Maine
-Gail Fredell Smith, Oakland, Calif
I read with interest a back issue of
FWW
(#34) concerning
the ravages of the powderpost beetle. In my area of north
western California, the U.S. Department of Agriculture oper
ates a gas chamber for fumigating seed. They will, however,
accept other objects which need treatment.
I recently had a long-case clock fumigated over a weekend
for the vety modest fee of
As delighted as I am about the technical side of your publica
tion, I have to add a word about the artistic content.
Almost all pieces of furniture you show or report on (ex
cept the classics) are, in my opinion, misconceptions with the
purpose of showing off the craftsperson's skill rather than
serving a purpose in the most beautiful way. Beautiful may
have many interpretations, but when the furniture's purpose
is fulilled in an awkward way just to be different, the piece
is bad.
out where other such chambers are operated would be to
check with the local county Agricultural Extension Service.
-D. V. Gayton, Loleta, Calif
-H. Jaeckel, Nevada City, Calif
The article by Antoine Capet on walnut oil in
FWW
# 38 is
misleading in twO ways. First, it gives the impression of cov
ering the full range of natural oils and their dtying capabili
ties, when in fact it doesn't mention oils (like Oiticica) which
have been much more signiicant commercially than sunflow
er oil or poppy oil in wood finishing. Second, by saying that
"tung oil is not edible" Capet leaves the impression that it is
Bob Johnson included some good safety advice in his article
on pouring babbitt bearings
(FWW
#38), bur he neglected
an important health hazard: toxic metal fumes can be inhaled
when pouring and heating babbitt metal. Babbitt alloy com-
4
$
5. Probably the best way to ind
AWhitleyasterpiece
All applicants will be screened by this most
distinguished and knowledgeable panel
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A JURIED INVITATIONAL XHIBIT & SALE
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A grand opportunity for all woodcraftsmen
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Mr. Michael Cofey
Poultney, Vl-
Mr. Roert Domlesky
Shelburne Falls,
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September Ii
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September i4
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Judy Kensley McKie
Cambridge,
THE OOD
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KER
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Mr. Peter Resnik
Vergennes, VT-
Mr. Robert Whitley
Solebury, PA-
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Pritam
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INDEX TO ADVERTISERS
____ ______ _
_
;
Addkion Hrdware
15
Foredom Elecric
Advancage Machinery
49
Forrest Mfg. Co.
Alder Ltd.
36
Freud
American Machinery & Motr
28
Frog Tol Ltd.
American Wdrafrcrs
35.
Parker's
15
53
Paxcon Hardware
21
45
Philipps Bros. Supply
20
21
Primrose Center
13
35
Punkin Hollow Wd & Tol
51
II
Real Wds
13
41
Rckledge
46
24
Rckwell International
9
7
Rocky Mountain Fasteners
34
7
Rosenzweig Lumber
6
30
Router Bracket
57
25,44
The Sawmill
16
18
cheppach U.S.
35
39
Schlosser Tol & Machinery
20
16
Seven Corners Ace Hrdware
17
42
Singley Secialry
57
37
Sterling Publishing Co.
32
4
7
Stewart-MacDonald
21
19
Sun Designs
36
8
The Taunton Press 2, 18A,B,C,D, 19
6
Ten Plus Tools
33
10
Tennessee Hardwood
15
41
Toymaker Supply
42
15
Trend-Lines
II
48
Unicon Universal Wods
4
9
31
Univ. of North Carolina Press
35
40
Vega Enterpries 16
10
Vermont Funiture Hardwds
3
1
43
Viking Clck
36
47
Watco-Dennis
16
II
Weird Wood
22
5
0
Wetzlet Clamp
41
13
Wilhelm's Wooden Wares
32
18
Wilke Machinery
41
50
Williams & Hussey
7
12,13
Wineland Walnut
II
25
Wood Shed
49
50
Wdcraft
22
5
1
WdenBoat
34
36
Wdline/Japan Wdworker
41
50
Wdmaster Power Tols
22, 43
27
Wdshop Secialties 47
43
Wodworking Crafts Magazine
28
15
Worcester Craft Center
To make use of any ofthe services
__ ________ _
_
___ ___ _____
_
:
47
Grrett Wade
current address below.
------
AMI
42
Gilliom Mfg.
Name
_
Armor Products
7
Glenn Wing Power Tools
Address
Artistry in Veneers
8
The Gwilliam Co.
A viarion Industrial Supply
37
H&S Tool Co.
City
_
Ball & Ball
40 The Hands of David
ss
Branon Machinery & Supply
27
Hot Tols
Buck Bros.
21
Hardwods of Memphis
State
_______ ______
ZiP
:
Berland's House of Tols
57
HigWand Hardware
Biesemeyer Mfg.
51
Hiller Hardware
____--____
_
:
Blanchard
13
Hicachi Power Tols U.S.A.
Box-Arr
46
Horron B
_______ _____
_
30
Houe of Tols
n
Hardware
MOVING?
So you won't miss an is
sue, please give us your new address at
least six weeks before the next issue.
______
Zip
______
'
Buckeye Saw
15
Frank Hubbard Inc.
Name
Bums, Inc.
31
J. Philip Humfrey
New Address
__
Cane & Basket Supply Co.
50
Imported Euro
Capitol Carbide
L
Condon
42
Industrial Abrasives
City
Cherry Tree Toys
8 Intenational Woodworking
Classified
54,55,56,57
Jegt Industries
State
The Clemson Group
23
Kemp Hardware & Supply
f
t Supplies
27
Kingstown Tool
Conscantine
Kirby Srudios
Craft Marker America
5
Kiry U.S.A.
24
K1ckit
Craftmark PtductS
II
Kuemel Chime Clck Works
SUBSCRIBER LIST.
We've JUSt
begun to rent our subscriber list to
carefully selected companies-only
those we believe you'll want to hear
from. If you don't want your name on
the lists we rent, check the box below
and we'll remove it at the first
opportunity.
Crown Publishers
8
Kuster Wdworkers
The Cuning Edge
31
Kwick KJeen
o
Please do not rent my name.
Dallas Wood & Tool Store
7
Laser Machining
Deft
7
Leeds Design Workshops
Delmhorst Instrument
v
er
47
Leigh InduStries
Don Allen
13
Lignomat
Dream Ventures
31
Lcal Lumer Directory
Dremel
46
Mason & Sullivan
Dupli-
51
Metric Machinery
Ebac
38
Meyer-Vie
Elliott & Brown
21
Frank Mittermeier
Elu
Mdels Unlimited
Emco Maier
49
Morris Wd Tol
PROBLEMS_
If you've run into a
subscription-related problem, write
to our Subscription Department. We
will do our best to help.
Fer Forge
32
National Builders Hardware
Fine Tool & Wod Store
38
Native American Hardwoods
7
Fine Tool Shops
29
Nobex
31
XylophiJe's Co.
47
Eenss
ox 355.
Ncwtown.r
470
5
Fine Woods Ltd.
57
Oak Grove Furniture Craftsmen
28
Yestermorrow
22
Fisher Hill Products
19
Occidental Leather
37
Yukon Lumber
41
Floral Glass & Mirror
48
Olson Saw
3
2
Russ Zimmerman
49
Foley-elsaw Co.
21
Panco Machine Co.
21
-
listed here, write your name and
Rudolf Bass
47
Maurice
49
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