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  • Fine Woodworking 042, papermodels, historica

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    ine
    ood
    SEPTEMBER/OCTOBER 1983, No.42, $3.50
    ! I I I 1
    or
    ing
    Making Cabriole Legs
    ing aagaZine frona Las Vegas entrepreneurs�
    Hicl.ard �alott and Junior Sealey
    WE HIT THE JACKPOT
    IN LAS VEGAS
    WHEN E BOUGHT THE AUSTIN HARDWOODS FRANCHISE

    Started August,
    1980
    in the depths of the recession

    Doubled
    our warehouse capacity July,
    1983
    from
    6,000
    to
    12,000
    square feet

    Sales this year (projected
    via pro·ration)
    $1,000,000
    plus!
    Opinions
    We couldn't have done it without the flexibility and expertise provided by the Austin Hardwoods program. The parent company
    has worked hand·in·hand with us, keeping us abreast of changing market conditions
    , new products, and effective marketing
    techniques. Their program allows the franchise owners to tailor their operation towards any ratio of retailjwholesale and
    hobbyist/commercial sales, and to grow as fast as they are able. Sure there was a lot of hard work. but the record speaks for
    itself. Our Austin Hardwoods franchise turned out to be a sure bet.
    Details are too numerous to list. This is a tremendous opportunity to make money either as an owner/operator
    or as an investor. If you happen to love dealing in fine woods, all the better. Current total investment is
    approximately
    m
    $90,000.
    Please let us hear from you.
    FranchiseMarketingDepartment
    3096

    Austin, Tx.
    78764
    7i229
    DENVER, COLO.
    80223
    AUSTIN, TX.
    78764
    Austin Hardwoods
    P.O. Box
    78217
    Visit the Austin HardwoodsDealer nearest you.
    DALLAS, TX.
    7991i
    HOUSTON, TX.
    77014
    89109
    98033
    SAN ANTONIO, TX.
    NE
    112th St.
    11353 Mathis
    2625 S. Santa Fe Dr. 2119 Goodrich-P.O. Box 3096
    2446 Brockton
    Oren Dreeben
    (512) 822·8833
    Myles Lasner
    22079
    LUBBOCK,TX.
    79413
    SANTA ANA, CAL
    92703
    Sl�N FRANCISCO, CAL.
    94124
    Russ Brown
    John Dudney
    (214) 241·4777
    (303) 733·1292
    (512) 442-4001
    EL PASO, TX.
    LAS VEGAS, NEV.
    KIRKLAND, WASil.
    904 Tony Lama 1300 Stuebncr·Airline #408
    Mike Loewenstein
    2901 S. Highland # 15A
    Richard Malott
    (702) 733·6677
    1184
    Bill Bryant
    8i70i
    PHOENIX, ARIZ.
    8i040
    PHILADELPIIIA, PA.
    19144
    Bill Thurmond
    (206) 823·2515
    (915) 593·0126
    N.
    Forbes Blvd. #102A 3821
    E.
    Broadway
    LORTON,VA.
    8930 Telegraph Rd. Route 4, Box 162·H
    Hinds Wilson
    2330 Fifth St.
    2001 Oakdale Ave.
    Galen Carr
    Joe Brown
    Ron Grove
    (703) 550·7076
    (806) 797·5099
    (714) 667·0704
    (415) 641·1972
    TACOMA, WASil. TUCSON, ARIZ.
    Opening Soon
    Call Directory Assistance
    For Information
    2045
    5701 Magnolia St.
    Ted Hill
    (602) 243·7191
    Ted Missiras
    (215) 848·9663
    (602) 622·7383
    m
    A
    naessage to the readers of Fine Woodwork­

    Began showing profit after four months
    Facts

    Sales first year
    $370,000

    Sales second year
    $725,000

    Recovered
    entire initial
    $90,000
    investment in
    20
    months
    (713) 440·0764
    FINE WOODWORKING
    Editor
    John Kelsey
    Art Director
    Deborah Fillion
    Associate Editors
    Rick Mastelli
    Paul Berrorelli
    Assistant Editor
    Jim Cummins
    Copy Editor
    Nancy Stabile
    Assistant Art Director
    Roland Wolf
    Editorial Assistant
    Linda D. Whipkey
    Contributing Editors
    Tage Frid
    R. Bruce Hoadley
    Richard Starr
    Simon Watts
    Consulting Editors
    George Frank
    Ian J. Kirby
    A.W. Marlow
    Methods of Work
    Jim Richey
    ie
    ig·
    SEPTEMBER
    /
    OCTOBER 1983, NUMBER
    42
    DEPARTMENTS
    4
    8
    14
    20
    .
    Lowe
    Notes and Comment
    Events
    Connections
    Adventure: The 25 Centimes
    ARTICLES
    32
    A Small Highboy by Calyle Lynch
    Plans for a Queen Anne charmer
    36
    Cabriole Legs
    by Philip
    Hand-shaped, without a lathe
    40
    Natural Patterns
    by Jim Cummins
    A patternmaker carves wildlife
    Cover: Bolstering the blank with an ordinay
    pipe clamp, Phil Lowe refines the ankle of a
    shapely cabriole leg he's bandsawn and sp oke­
    shaved out of a
    maho
    g
    any
    plank. There's
    more about how to
    make
    Queen Anne legs,
    plus plans fo r a gracefu l piece of fu niture
    using them, on p.
    42
    Designing Trestle Tables
    by Kenneth Rower
    Knockdown joinery challenges ingenuiry and skill
    44
    Tricky Trestles
    Three variations made by readers
    46
    Carving Running Patterns by Miles Karpilow
    How to chop out picture-frame moldings by the yard
    50
    Making a Router Table by Donald Bjorkman
    Poor man's shaper is a handy beginners' tool
    52
    How
    I
    Make a Rocker by Sam Maloof
    A master craftsman reveals the details
    55
    A Child's Rocker by Wiliam Lavin
    It's small and straightforward
    58
    Tools Are Where You Find Them by Michael Dresdner
    Luthier borrows lots of help from other trades and crafts
    60
    Working Locks Made of Wood by Roger Schroeder
    Though their securiry is symbolic, they're fun to make
    66
    Outdoor Wood Finishes by William C. Feist
    Varnish is pretry, but paint'S tougher
    68
    Wendell Castle Tries Elegance by Urbane Chapman
    ...
    and pushes toward the limits of craftsmanship
    74
    Tips on Veneering by Tage Frid
    How to avoid coming unsruck
    76
    Keeping Ten Fingers by Paul Bertoreli
    Injury survey pinpoints hazards in the shop
    77
    Ripping, grooving and molding safely by Michael S. Podmaniczky
    79
    The Miniature Shipwright by Lloyd McCaffery
    After a while, you
    fe el
    THE TAUNTON PRESS
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    FineWoodworking
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    Taunton Press, Inc. No reproduction without permission of The Taunton Press, Inc. Fine
    Woodworking®
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    Letters
    Hardwood dealer Paul McClure, in his ,rticle "Whither
    Rosewood" (FWW
    #38),
    has chosen a comfortable and
    proitable view of the plight of the world's hardwood forests.
    The reality of it is shown in Central America where giant
    mahoganies are being cut right around small villages of Indi­
    ans, with neither the logging company nor the government
    offering the local people any compensation. Perhaps he hasn't
    heard of the "tree huggers" of northern India who, in the
    tradition of Gandhi, attempt to protect their trees from the
    loggers' chainsaws with their own bodies. A friend of mine
    who recently visited Madagascar was amazed at the differ­
    ence over a previous visit. The hardwood forests are almost
    gone. In their place has sprung up brush which in places is
    being overgrazed by goats, leading to immense arid are,s al­
    most totally devoid of vegetation.
    A few years b.ck, I noticed that a Playboy playm,te of the
    year was given, as one of her promotional gifts, a large rose­
    wood and brass bathtub from the Rosewood Bathtub Com­
    pany of California. Truth be known, the world's remaining
    hardwood forests are not being cleared for agriculture. Much
    of the third wo
    rld's forest wealth is being turned into knick­
    knacks and toys by and for Western playboys. Shown to Cen­
    tral American Indians or tree huggers, most of the things we
    make of these woods would seem to them a poor exchange
    for the life of their forests.
    As a woodworker, I consider all trees the sacred material of
    my profession. As certain species become ever more rare, they
    are the more valuable and sought after. Many species are al­
    ready far too rare to be turned into objects, however beautiful
    or useul. I am thankful for the others who share this view.
    -regg Blomberg, Lopez, Wash.
    David Hope1n
    W
    #40.
    months to dty thoroughly, even in the arid Southwest.
    As the platform for seat cushions, we recommend rope for
    both comfort and practicality. Upholstered seat cushions tend
    to creep off wooden or particleboard platforms. We make the
    back bolsters using muslin sacks stuffed with kapok, which
    looks and wears better than the polyester-wrapped foam and
    is more comfortable.
    -Andrew S. Peterson, Santa Fe, N.Mex.
    Some people are saying that the world's rain forests are being
    destroyed for the sake of the timber that can be extracted
    from them. By no means does all tropical timber come from
    rain forests.
    Rio rosewood (Dalbergia nigra)
    and kingwood
    .
    from Ceara (D. cearensis) do not, for example. But it is re­
    markably dificult to find Out exactly where the different
    kinds do come from. Can anyone help with this information?
    What about Indian rosewood (D. datifolia), East African
    blackwood (D. melanoxylon) and Indian ebony (Diospyros
    spp.)? Do they or don't they come from rain forests ? What
    one really wants perhaps is a list of the decorative tropical
    timbers which do not come from rain forests.
    -David W. Pye, Sussex, England
    The article on Taos furniture (FWW
    #40)
    was inaccurate
    about the origin of the "Taos" style. It was Larry Hill, Jim
    Hill's older brother, who first constructed the daybed that
    later came to be called the "Taos bed." Jim and his wife,
    Megan Lloyd Hill, were the artist
    /owners of Hill's Gallery of
    Contemporaty Art and Crafts-a Santa Fe gallery that esta

    lished itself as a major showplace for contemporary crafts and
    avant-garde art from
    1970
    until its closing in
    1982.
    It was
    Hill's Gallery that was the major
    outlet for the Taos bed of
    Larry Hill and it was Megan Hill who coined the name "Taos
    bed. " The name was strictly a marketing device, with no par­
    ticular historical or design reference to Taos, N.Mex., or Taos
    Pueblo. In fact, between "daybed" and "Taos bed" it was
    briely known as the "Santa Fe bed "-somehow, the Taos
    bed seemed a better it, so it stuck.
    It has always intrigued me that this one item soon led to a
    whole line of "Taos" furniture marketed by Hill's Handcraft­
    ed Furniture. -Richard L. Cook, LaCienega, N.Mex.
    As the sole manufacturer of "Taos Furniture," a registered
    trademark and tradename of LifeStyle de Santa Fe, Inc., we
    would like to clear up some misconceptions caused by the
    article in FWW
    #40.
    Jim Hill did start a furniture company around
    1970
    called
    Hill's Furniture. In
    1976,
    Robert Powell bought that com­
    pany and renamed it Taos Furniture, Inc. Subsequently, in
    1981
    the name was again changed, to LifeStyle de Santa Fe,
    Inc., which is anything bur a "cottage industy. " We furnish
    hotels and other commercial establishments across the coun­
    tty, as well as many residential, ofice and interior-designer
    related jobs (photo, above right).
    We have received concerned comments about some of our
    design details as a direct result of Rannefeld's article and
    would like to clariy some points.
    The article states that the pinned bridle joint has been all
    but abandoned because of problems with wood movement.
    We kiln-dty our own wood to below
    8%
    moisture content
    and have no problems at all with the open mortise-and-tenon
    Jomt. Air-dried Ponderosa pine can take more than six
    In regard to Karen Tyne's reply on truing up a level
    (FWW
    #41,
    p.
    22),
    this method works for me: In the edge
    of a board, drill twO holes which �6-in. fine-thread bolts will
    thread into. The distance between the holes should be about
    2
    in. less than the length of the level. Make a notch in the
    head of one of the bolts.
    Secure the board in your vise with the bolt heads pointing
    up. Place the level on the bolt heads and turn the unnotched
    bolt until the bubbles indicate "level. " Rotate the level end­
    for-end (be sure to stay on the same edge) and turn the
    notched bolt, counting the number of turns, until the level
    indicates "level" again. Turn the notched bolt in the opposite
    4
    A reproduction of a New Mexican chest, by the company that
    deve
    l
    oped the 'Taos' style jeltured in
    F
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    TR12 1/2" plunge router
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    LU73M
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    TR8 1/4" plunge router
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    D5306
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