Flawiusz Józef - Historia Żydowska, Pisma chrześcijańskie i pokrewne, Józef Flawiusz
File Cabinet - 2 drawer Lateral File cabinet with matching printer cabinet, Woodworking Plans
Fine-Home-Building-25-Years-of-Great-Building-Tips-Malestrom, Building and Architecture
Formative Texts in the History of Zen Buddhism, @Buddhism
Fragment traktatu welawsko-bydgoskiego z 1657, Historia, Prawo, Traktaty, Umowy, Kroniki, Teksty Żródłowe
Film polski - streszczenie, historia filmu polskiego po 1981r
Fine Gardening - Grow Healthier & Easier Gardens (2015), !!!Materialy Eng
Farago&Zwijnenberg (eds) - Compelling Visuality ~ The work of art in and out of history, sztuka i nie tylko po angielsku
Fałszywe dokumenty Gorbaczowa. Kilka faktów o Katyniu, Historia
Furet F. Prawdziwy koniec rewolucji francuskiej, Historia Francji
Fine Woodworking 045, papermodels, historica
[ Pobierz całość w formacie PDF ]R
CH/PIL 1984,
No.
45, $3.50
o
ONLY BRATTON MACHINERY HAS THE BIG 4.
•
ROCKWELL. HEGNER
. INCA.
PORTER-CABLE.
HITACHI. BLACK
& DECKER
.
.. �
>
3
j
l
•
1-800-874-8160
1-800-342-2641
...
------
----------
�
ROCKWELL, POWERMATIC, HITACHI & MAKITA
•
<
P
...
>
BM&S
PRESENTS
X-V
ROUTERMATIC
NEW
�
-
-
l
0
l
IN FLORIDA:
::
l
ROCKWELL'S
<
o
o
.
\"
�
l
l
�
Unifeeder Stock Feeder
(FOB MemphiS, TN)
Increases productivity with
less effort, feeds stock con
tinuously from
20
to
90
FPM,
up to
&
.............
•
.,
(Manufactured by North American Machinery Enterprises)
•
0
.
3
o
thick, motor sup
plied with reversing switch
ROCKWELL
14" Bandsaw
28-283
with enclosed steel
stand, beltguard,
l
o
.........
overload protection. adapts to
most table saws and wood
shapers up to
1
s
)
h.p., econom
l
Z
0
ically priced!
List ...............$566,
l
Z
1
hp single phase
motor
z
�
0
Create Distinctive Carving Instantly
SALE
$475.
switch mounted and
wired in stand
�
)
�
o
Fixed overhead router with
X-V
table
to allow for decorative carving or
profiling using a template. A pin
l'h
--------------�
Z
&
ready
CA
LL FOR MORE
SPECIALS
list ...........$866.
SALE
______________
__
___
�
Mdel 2
6·
$669.
(FOB Memphis, TN)
......•............................•......
....•.....
:
l
....................................................
router cannot compete!
....................................................
�
0
Operates of a 1:1 ratio with a
h.p.
•
�
.........................................•..........
j
....
..
router motor. Comes complete
-
....................................................
�
t
to run. Make your first carving within
•
an hour.
O'
�
�
BIESMEYER FENCE RETROFIT SPECIAL
>
�
FOB
T
allahas
see,
FL
SA
LE $2,995. 0
For PowermaticlRockwell Table Saws:
1
�
0
SALE $25
3. 0 0
::
t
hI
..
Mdel 38·
r
Indlce
...I
fInc
...
SALE $276,00 0
1
�
Model
SALE $29.00
�
...
FOR ALL YOUR
WOODWO RKI NG NEEDS,
CALL BRAT
TO N
Fl00A laer-Jinter
list ..
........$1,
999.
SALE
For Light Duty Table Saws:
•
�
Super 28·
SALE $189,0
$
1
,399.
.
•
(Freight Prepaid from Atlanta)
Super 40·
SALE $19,0
'h
.
Num
10
01 b
.
Japan'sanswertothewide
<
belt
sander.
HITACHI
..
....
�
POWERMATIC
Model 26 - Shaper
FA700 SUPER-SURFACER
�
thickness
W',
max culling
Q
3
h.p.
motor,
inter
chang able spindles.
3 hp single phase
230 volt motor.
magnetic controls
and
•
::
n
•
SALE
.
.
.
.
.
.
.
.
..
$2,499
.0
0
width
10
"
at
0·,
5"
at
60·,
Wt. 254 Ibs.
...........
t,
(Table
Not
Included)
�
Model 66 with
Biesemeyer fence
10" model 66 with
eisemeY>r Mel
50, 50 inch
0
volt magnetic controls
..........
List ......... $1,888.
SALE
,/e
$1,799.
(FOB McMinnville. TN)
.
1
::
�
of blade. 1 ph., 3 h.p.,
c
ity: 15" long.
•
0
lU
<
Z
o
List ..., .... ..,.. $2.239.
SALE
(FOB McMinnville. TN)
$1,799.
�
>
...
0
when you buy the
FA-7oo. UAI30
POWERMATIC
Standard Model 66 Saw
List .............$1.989.
SALE
�
o
$1,699.
thick knife.
Freight prepaid.
<
----------------
...................
'
0
�
.
�
<
Z
o
�
o
•
z
o
POWERMATIC
.....
..
Model
45
Lathe with Safety Shield
Safety start 'feature'.
8.M.AS. POWER TOOL CORNER
PORTER CABLE
Model 360-
Belt Sander (Dustless)
3 x 24
List ...........$269.
SALE
h.p .
1
ph
.. mag
0
�
o
controls.
t t5
volt only.
z
•
MAKITA
List ..................., ... $2,074.
SALE
, . $1,849.
(FOB McMinnville, TN)
z
SALE
269.
115.
>
o
0
>
0
::
l
5
.
$185
87.
List
0
. 11.
205. 15 •.
86.
145.
101.
•
�
POWERMATIC
�
¥.
&
push bullon
::
•
�
max. culling hI. 7 9/32, min.
- FREE
UA130 Finishing
Grinder-$ I
o
FINE WOODWORKING
Editor John Kelsey
Managing Editor Paul Bermrelli
Art Director Deborah Fillion
Associate Editor
Jim Cummins
Assistant Editors Dick Burmws
David Sloan
Copy Editor Nancy Scabile
Arsistant Art Diector Roland Wolf
Editorial Secretary
Par Zimmerman
MRCH/AplL 1984, NUMBER 45
DEPARTMENTS
Contibuting Editors
Tage Frid, R. Bruce Hoadley,
Richard Srarr, Simon Warts
Consulting Editors
George Frank, Orm Heuer, Ian). Kirby,
A.W
Marlow, Don Newell,
E.
Preiss, Norman Vandal
Methods of Work
Jim Richey
10
Methods of Wo rk
&
Answers
Laminated bracket foot; joint
for chair spindles; router subbases
Richard
Detachable highboy legs; reactive
inishes; defunct tool companies
102
Events/Connections
106
Notes and Comment
Co ver: Th ere are seven pieces of wood
in a tradi tional drawer. The trick
is, you fit the parts to the op ening
befo re you join them together. Tage
Prid explains how on p.
32.
Letters from afar; Oregon toys;
trade-show news
THE TAUNTON PRESS
Paul Roman, publisher; Janice A. Roman, asso
ciate publisher;
JoAnn
Muir, director of admin
istration; Tom
(uxeder,
business manager; Bar
bara Bahr, secretary; Lois Beck, ofice services
coordinator; Patricia Rice,
rece
p
tionist;
Liz Cros
by, personnel assistant;
Mary Galpin,
production
manager; Mary Glazman,
data
prcessing; Pau
line Fazio, executive secretary. Accounting: Irene
Arfaras, manager; Madeline Colby, Catherine
Sullivan, Elaine Yamin. An:
Ro
g
er
Barnes, de
sign director;
Kathryn
Olsen,
staff
artist. Books:
Laura Cehanowicz
Tringali,
editOr; C. Heather
Brine, assistant art director; Roger Holmes, assis
tant editor; Deborah Cannarella, copy editor.
Fulillment: Carole E. Ando, subscription man
a
g
er;
Terry Thomas, assistant manager; Gloria
Carson,
Dorothy Dreher, Claudia Inness, Marie
Johnson, Cathy Koolis, Peggy leBlanc, Denise
Pascal, Nancy Schoch; Ben Warner, mail-ser
vices clerk. Robert Bruschi, distribution super
visor; David Blasko, Linnea Ingram, Marchelle
Sperling, David Wass. Production Services:
Gary Mancini, manager; Nancy Knapp, system
operator; Claudia Blake Applegate, Annette
Hilry and Deborah Mason, assistants. Promo
tio'n: Jon Miller, manager; Dennis Danaher,
publicist; Elizabeth Ruthstrom, assistant art di
rector. Video: Rick Mastelli.
Advertising
and Sales: Richard Mulligan and
lames P.
Chiavelli,
sales
representatives;
Vivian
E. Dorman and Carole
Weckesser,
sales coordin
atOrs; Kimberly Mithun, coordinator of indirect
sales; Laura Lesando, secretary; Kathy
Springer,
customer-ser
v
ice assistant. Tel.
(203)
426-8171.
ARTICLES
32
How to Make Drawers
by Tage Prid
36
Drawer-stop ideas from three makers
39
Varnish Finish That's Rubbed On
by Joe Th omas
Sanding is the way to a glass-smooth surface
40
A Dehumidifier Kiln
by Donad Kli mesh
Home-dried lumber with no frills
43
Pipe Clamps
Six versatile tips
44
Knockdown Furniture
by Cu rtis Erpelding
Form follows junction
48
Doweling Jigs
by David Sloan
Putting nine to the test
52
Boston Bombe Chest
by Lance Patterson
Bulging drawer fronts are all shaped at once
58
A Patternmaker's Carving Tips
by Wa lace C. Auger
And a portable carving kit for whittling wherevet you are
FineWoodworking
A
laminated flier that's prettier than plywood
(ISSN 0361-3453) is pub
lished
bimomhly, January,
March, May, July,
September
.
and
November, b
y
The Taunton
Press, Inc., Newtown, CT
06470.
Telephone
(203) 426-8171. Second-class postage paid at
Newtown,
T
06470, and additional mailing
64
The Bottom Line for Turned Bowls
by endel Smith
Versatile chucking plug permits a variety of designs
67
An Eye on Marquetry, Here and Abroad
by Jim Cu mmins
You can begin with an easy kit, bur the sky's the limit
ofices.
Copyri
ght
i984 by The Taumon Press,
Inc. No
reproduction
without ermission of The
Taumon Press, Inc. Fine Wodworking' is a
re
g
istered
ttademark of The Taumon Press, Inc.
Subscription
rates: United States and posses
sions,
$16
for one year,
$30
for two years;
n
71
Winners fr om the
1983
British Marquetry Show
by Enie Ives
72
Laying Plastic Laminates
by Jack Ga vin
Understanding the basics of this ubiquitous "veneer"
O
ada,
$19
for one year,
$36
for twO years (in
U.S. dollars, please); other counrris,
$20
for
one yer,
$38
for twO years (in U.S. dollars,
please). Single coPy,
$3.50.
Single copies ourside
U.S. and possessIOns, $4.00. Send to Subscrip
tion Dept., The Taumon Press,
T
06470.
Address
ll
76
The Wo odworker's Tools
by Pa ul Bertoreli
Function is bur one reason for making
O
T
06470. U.S. newsstand disrri
Box 355,
79
Portfolio: Garry Knox Bennett
by John Kelsey
Oakland innovator takes on the trestle table
correspon
dence to the appropriate department (Subscrip
tion, Editorial, or
AdvercislO
g),
The Taumon
Press, 52 Church Hill
Road,
116
Superior ex machina
Box 355,
Newtown,
bution by Eastern News DisrributOrs, Inc.,
Eighth Ave., New York, N.Y. 10011.
Postmaster:
Send address changes to The Taunton Press, Inc.,
PO
Box 355, Newtown, CT 06470
3
4
Letters
16
Questions
22
Books
Working harmoniously with wood;
decoy-carving; wooden planes
Design for drawing table illustrates the principles
57
How to make slope-sided boxes
61
Boomerang
by AI erhards
63
Throwing the boomerang
by John Huening
Newtown,
ill
Letters
Recently,
Fine Woodworking
has published photographs of
work that is obviously lawed. It is most disturbing to see
detail such as in the color photograph on p. 81 of issue #43
(November), because it would appear as if boxwood stringing
with tension failures from bending represents an acceptable
level of quality in workmanship. People correctly or incorrect
ly assume that if
F
W
publishes it, it therefore must be the
I don't mean to imply that the crafts are an inferior pur
suit. One does what one does best. The thing Castle does best
is make furniture. But somewhere along the line he, or his
dealer, got their semantics crossed up. No one in his right
mind would lay our $40,000 for a table, and then actually
eat linguine off it. So why build such an object in the first
place? You are doomed to resort to hype to get it sold, rather
than letting it stand on its merits as an honest piece of work.
-Jack Spiegelman, Glendale, Calif
best, or at least more than just acceptable. Neither would
open miter joints (#43, p. 33) be deemed appropriate join
ety. Even though the emphasis of that article is on speed,
haste should not be an excuse for a lack of quality.
For
Fine Woodworking
not to take a irm, perhaps contro
versial, position on the issues of quality, by explicitly showing
what quality entails, may prove to be exceedingly detrimental
to the continued revival of the stirring corpse that once repre
sented the craft of woodworking in North America. It is not
enough to say that design can be assessed in a photograph;
craftsmanship needs to be seen and touched. The photographs
in
F
W
and other Taunton Press publications are perceived
E.
Moore, Sprinfield, Va.
Regarding Japanese chisels, Toshio Odate says in
FWW
#43,
p. 16, "The very ine edge becomes extremely hard when the
blade is tempered." It does? Tempering is the process of con
trolled reheating (at some temperature between 300°F and
10000F) of hardened steel, to increase toughness at the cost
of some hardness. I should like vety much to know how
Odate generates at least a 300°F temperature in the edge of a
blade by wiping it across a waterstone.
It has been my experience in knifemaking that during the
heat-treating process, an edge that is ground vety thin will,
during the quench, become quite hard and brittle, while the
main body of the tool is still vety hot. As the main body of
the tool cools and shrinks, the thin, brittle edge must con
form. The result is waves, cracks and much stress. Hence, the
blacksmiths' adage: forge thick and grind thin. Mr. Odate is
grinding off this stressed edge-no tempering occurs at all.
-Venon
Raaen, Oak Rid
ge, Tenn.
TOSHIO OOATE REPLIES:
My knowledge of blacksmithing and met
allurgy is not great, so my choice of the word "tempering" was
perhaps unfortunate. Your explanation of what actually happens
during the "taming" process seems correct, but I do believe that the
tremendous friction of sharpening and cutting can heat the extreme
ly ine edge of a tool hot enough to affect the metal. This heating
does not change the steel in the body of the tool, but it does take
the harshness Out of a new blade.
as pieces of woodworking, not as photographs of designs. Be
cause of this, and because of the inherently deceptive nature
of photographs, it is vety important that only work of the
highest quality be illustrated in
Fine Woodworking,
especial
ly since it purports to contain fine things ...
-John Perkins, Halifax, N.S.
-Tom
Re Jim Cummins' article on boxes in
FWW
#43. First, I am
always bothered by any suggestion to use metal, regardless of
the coniguration, as a push stick. Embedded in the ceiling
and walls of my workshop are parts of 18 carbide saw teeth
that came into contact with a spring-metal hold-down. The
ice-pick suggestion makes me cringe.
Also, the tone of the article presents a sort of slapdash
approach to woodworking. I could cite a number of exam
ples, but the slippety-glue comment on p. 36 should make
my point. In the next paragraph, the idea of having a sturdy
box with open corners makes me wonder why bother mitering
at all; burt joints and nails should do nicely. Of course, it's
easy to criticize, and on the plus side I suspect that Cummins'
casual approach is inviting to some inexperienced woodwork
ers who would be turned off by more precise instruction. But
my own feeling is that even a rank amateur should be shown
the bull's eye; he or she can then decide on what to shoot for
as a function of skill level and patience.
-Allan]. Boardman, Woodland Hills, Calif
The stoty by Peter Pennypacker
(FWW
#44, "Making 50
Tables") reminds me of the argument over handmade versus
machine-made guitar necks. It was thought that the machine
made were not as good as the handmade, but the fact of the
matter is, if the craftsman running the machine was interested
in the quality of each and evety piece, the quality of the in
strument would not suffer.
-Peter B. Rock, Mt. Pleasant, S.c.
For readers looking for a local supply of potassium dichro
mate (used in wood finishing), you might check with camera
stores stocking flm-developing supplies. Kodak sells it in
I-lb. jars under catalog number 146 3231 for about $7.
-Julian Case, Los Osos, Calif
W
#43 pp. 77-
W
#42). I think those experiments of his in the Post
An important addition to the reading list in Mack S. Head
ley's "Applying Classical Proportions"
(F
Re the article on Wendell Castle in your September issue
(F
79) is
The Geomety of Art and Life,
by Matila Ghyka
(Dover, 1977). Ghyka describes how thousands of reported
measurements of the proportions of ancient and Renaissance
structures can be summarized in the forms of certain regular
geometric igures. The most compelling of these relations is
known as the Golden Section. In simple linear form, this rule
states that the longer of twO segments of a divided straight
line should have a ratio of l.6818 to the shorter segment.
Astounding to me, expansions of the Golden Section pro
portions yield figures that Ghyka shows are consistent with
the proportions of natural object-plants, animals, and the
Modern vein are hideous beyond belief. I have a lot of admi
ration for the man, and nothing but awe when considering
the amount of work that goes into those pieces. But it is a
mistake to consider any piece of furniture to be art. Wood
working, even at his level, is still a craft. Its main purpose is
function. If at the same time it pleases the eye or tickles the
funny bone, great. Bur art is different. Whatever it is, it
seves no practical function. It makes its appeal purely to the
spirit, not to the seat of the pants.
4
Here's a suggestion that might be of value to your readers.
Make friends with the local typewriter repairman. He prob
ably throws away the platens (rollers) for any number of old
typewriters, and I'm sure he'd be glad to see them pur to
good use. They make good outfeed rollers for tablesaws,
jointers and planers. They come in several lengths, and so
could ind other shop uses, too. Make supports for the rollers
by boring or dadoing slots into maple or oak brackets. Dado
ing is the best technique if twO or more rollers are to be
in line.
3
hours
or less and even has a special built·in feature to help
prevent stripping of screws. And since it's cordless, it's
perfect for everything from everyday fixups in or out of
the house, to serious do·it-yourself projects.
With everything it can do, you'd think the Skil Cordless
Screwdriver would
on a single charge.
The Skil Cordless Screwdriver recharges in
e
expensive, but it's not. Not at all.
d
its
surprisingly low price makes it a great gift.
So forget about all the stripped screws, tired arms and I1lers
that went with your ordinary screwdriver. The Skil
Screwdriver just made them obsolete.
�f�t.
We
build
that last and last and
50
screws
Once you've used the Skil Cordless Screwdriver,
you won't want to go back to your old screwdriver.
The Skil Cordless Screwdriver weighs mere ounces
and is so small it fits into your pocket. Yet its high
torque motor has the power to drive up to
[ Pobierz całość w formacie PDF ]
