Fine Woodworking 045, papermodels, historica

Drogi uДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’Г‚ВДђВ”ГўВЂВљДђВ’ГўВЂЕЎДђВ”ГўВ„В–ДђВ’ГўВЂВњytkowniku!

W trosce o komfort korzystania z naszego serwisu chcemy dostarczaДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ”ГўВЂВћ Ci coraz lepsze usДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂЕљДђВ“ГўВЂВљДђВ”ГўВЂВћugi. By mДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВ„В–ДђВ’ГўВЂВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВљc to robiДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ”ГўВЂВћ prosimy, abyДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ•ЕѓВџ wyraziДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂЕљДђВ“ГўВЂВљДђВ”ГўВЂВћ zgodДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВ„В–ДђВ•ЕѓВ•ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ›Г‚В na dopasowanie treДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ•ЕѓВџci marketingowych do Twoich zachowaДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂЕљДђВ“ГўВЂВљДђВ•ЕѓВ• w serwisie. Zgoda ta pozwoli nam czДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВ„В–ДђВ•ЕѓВ•ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ•ЕѓВџciowo finansowaДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ”ГўВЂВћ rozwДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВ„В–ДђВ’ГўВЂВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВљj ДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ•ЕѓВџwiadczonych usДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂЕљДђВ“ГўВЂВљДђВ”ГўВЂВћug.

PamiДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВ„В–ДђВ•ЕѓВ•ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ›Г‚Вtaj, ДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’Г‚ВДђВ”ГўВЂВљДђВ’ГўВЂЕЎДђВ”ГўВ„В–ДђВ’ГўВЂВњe dbamy o TwojДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ•ЕѓВ™ prywatnoДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ•ЕѓВџДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ”ГўВЂВћ. Nie zwiДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВ„В–ДђВ•ЕѓВ•ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ›Г‚Вkszamy zakresu naszych uprawnieДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂЕљДђВ“ГўВЂВљДђВ•ЕѓВ• bez Twojej zgody. Zadbamy rДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВ„В–ДђВ’ГўВЂВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВљwnieДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’Г‚ВДђВ”ГўВЂВљДђВ’ГўВЂЕЎДђВ”ГўВ„В–ДђВ’ГўВЂВњ o bezpieczeДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂЕљДђВ“ГўВЂВљДђВ•ЕѓВ•stwo Twoich danych. WyraДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’Г‚ВДђВ”ГўВЂВљДђВ’ГўВЂЕЎДђВ”ГўВ„В–ДђВ’ГўВЂВњonДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ•ЕѓВ™ zgodДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВ„В–ДђВ•ЕѓВ•ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ›Г‚В moДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’Г‚ВДђВ”ГўВЂВљДђВ’ГўВЂЕЎДђВ”ГўВ„В–ДђВ’ГўВЂВњesz cofnДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ•ЕѓВ™ДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ”ГўВЂВћ w kaДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’Г‚ВДђВ”ГўВЂВљДђВ’ГўВЂЕЎДђВ”ГўВ„В–ДђВ’ГўВЂВњdej chwili.

Tak, zgadzam siДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВ„В–ДђВ•ЕѓВ•ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ›Г‚В na nadanie mi "cookie" i korzystanie z danych przez Administratora Serwisu i jego partnerДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВ„В–ДђВ’ГўВЂВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВљw w celu dopasowania treДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ•ЕѓВџci do moich potrzeb. PrzeczytaДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂЕљДђВ“ГўВЂВљДђВ”ГўВЂВћem(am) PolitykДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВ„В–ДђВ•ЕѓВ•ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ›Г‚В prywatnoДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ•ЕѓВџci. Rozumiem jДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ•ЕѓВ™ i akceptujДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВ„В–ДђВ•ЕѓВ•ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ›Г‚В.

Tak, zgadzam siДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВ„В–ДђВ•ЕѓВ•ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ›Г‚В na przetwarzanie moich danych osobowych przez Administratora Serwisu i jego partnerДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВ„В–ДђВ’ГўВЂВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВљw w celu personalizowania wyДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ•ЕѓВџwietlanych mi reklam i dostosowania do mnie prezentowanych treДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ•ЕѓВџci marketingowych. PrzeczytaДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂЕљДђВ“ГўВЂВљДђВ”ГўВЂВћem(am) PolitykДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВ„В–ДђВ•ЕѓВ•ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ›Г‚В prywatnoДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ•ЕѓВџci. Rozumiem jДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ•ЕѓВ™ i akceptujДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВ„В–ДђВ•ЕѓВ•ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ›Г‚В.

WyraДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’Г‚ВДђВ”ГўВЂВљДђВ’ГўВЂЕЎДђВ”ГўВ„В–ДђВ’ГўВЂВњenie powyДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’Г‚ВДђВ”ГўВЂВљДђВ’ГўВЂЕЎДђВ”ГўВ„В–ДђВ’ГўВЂВњszych zgДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВ„В–ДђВ’ГўВЂВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВљd jest dobrowolne i moДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’Г‚ВДђВ”ГўВЂВљДђВ’ГўВЂЕЎДђВ”ГўВ„В–ДђВ’ГўВЂВњesz je w dowolnym momencie wycofaДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ”ГўВЂВћ poprzez opcjДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВ„В–ДђВ•ЕѓВ•ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ›Г‚В: "Twoje zgody", dostДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВ„В–ДђВ•ЕѓВ•ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ›Г‚Вpnej w prawym, dolnym rogu strony lub poprzez usuniДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВ„В–ДђВ•ЕѓВ•ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ›Г‚Вcie "cookies" w swojej przeglДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ•ЕѓВ™darce dla powyДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’Г‚ВДђВ”ГўВЂВљДђВ’ГўВЂЕЎДђВ”ГўВ„В–ДђВ’ГўВЂВњej strony, z tym, ДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’Г‚ВДђВ”ГўВЂВљДђВ’ГўВЂЕЎДђВ”ГўВ„В–ДђВ’ГўВЂВњe wycofanie zgody nie bДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВ„В–ДђВ•ЕѓВ•ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ›Г‚Вdzie miaДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂЕљДђВ“ГўВЂВљДђВ”ГўВЂВћo wpДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂЕљДђВ“ГўВЂВљДђВ”ГўВЂВћywu na zgodnoДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ•ЕѓВџДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ’ЕѓВ’ДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ГўВЂВљДђВ•ГўВ„В–ДђВ“ГўВЂВљДђВ’ЕѓВњДђВ”ГўВЂВљДђВ’ЕѓВ“ДђВ“ГўВЂВљДђВ›Г‚ВДђВ”ГўВЂВљДђВ›Г‚ВДђВ“ЕѓВћДђВ’ДђВ‚ДђВ’ЕѓВ™ДђВ“ГўВЂВљДђВ•ГўВ„В–ДђВ”ГўВЂВљДђВ’ГўВЂВљДђВ“ГўВЂВљДђВ”ГўВЂВћ z prawem przetwarzania na podstawie zgody, przed jej wycofaniem.




	Strona startowa Flawiusz Józef - Historia Żydowska, Pisma chrześcijańskie i pokrewne, Józef Flawiusz File Cabinet - 2 drawer Lateral File cabinet with matching printer cabinet, Woodworking Plans Fine-Home-Building-25-Years-of-Great-Building-Tips-Malestrom, Building and Architecture Formative Texts in the History of Zen Buddhism, @Buddhism Fragment traktatu welawsko-bydgoskiego z 1657, Historia, Prawo, Traktaty, Umowy, Kroniki, Teksty Żródłowe Film polski - streszczenie, historia filmu polskiego po 1981r Fine Gardening - Grow Healthier & Easier Gardens (2015), !!!Materialy Eng Farago&Zwijnenberg (eds) - Compelling Visuality ~ The work of art in and out of history, sztuka i nie tylko po angielsku Fałszywe dokumenty Gorbaczowa. Kilka faktów o Katyniu, Historia Furet F. 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List 0 . 11. 205. 15 •. 86. 145. 101. • � POWERMATIC � ¥. & push bullon :: • � max. culling hI. 7 9/32, min. - FREE UA130 Finishing Grinder-$ I o FINE WOODWORKING Editor John Kelsey Managing Editor Paul Bermrelli Art Director Deborah Fillion Associate Editor Jim Cummins Assistant Editors Dick Burmws David Sloan Copy Editor Nancy Scabile Arsistant Art Diector Roland Wolf Editorial Secretary Par Zimmerman MRCH/AplL 1984, NUMBER 45 DEPARTMENTS Contibuting Editors Tage Frid, R. Bruce Hoadley, Richard Srarr, Simon Warts Consulting Editors George Frank, Orm Heuer, Ian). Kirby, A.W Marlow, Don Newell, E. Preiss, Norman Vandal Methods of Work Jim Richey 10 Methods of Wo rk & Answers Laminated bracket foot; joint for chair spindles; router subbases Richard Detachable highboy legs; reactive inishes; defunct tool companies 102 Events/Connections 106 Notes and Comment Co ver: Th ere are seven pieces of wood in a tradi tional drawer. The trick is, you fit the parts to the op ening befo re you join them together. Tage Prid explains how on p. 32. Letters from afar; Oregon toys; trade-show news THE TAUNTON PRESS Paul Roman, publisher; Janice A. Roman, asso ciate publisher; JoAnn Muir, director of admin istration; Tom (uxeder, business manager; Bar bara Bahr, secretary; Lois Beck, ofice services coordinator; Patricia Rice, rece p tionist; Liz Cros by, personnel assistant; Mary Galpin, production manager; Mary Glazman, data prcessing; Pau line Fazio, executive secretary. Accounting: Irene Arfaras, manager; Madeline Colby, Catherine Sullivan, Elaine Yamin. An: Ro g er Barnes, de sign director; Kathryn Olsen, staff artist. Books: Laura Cehanowicz Tringali, editOr; C. Heather Brine, assistant art director; Roger Holmes, assis tant editor; Deborah Cannarella, copy editor. Fulillment: Carole E. Ando, subscription man a g er; Terry Thomas, assistant manager; Gloria Carson, Dorothy Dreher, Claudia Inness, Marie Johnson, Cathy Koolis, Peggy leBlanc, Denise Pascal, Nancy Schoch; Ben Warner, mail-ser vices clerk. Robert Bruschi, distribution super visor; David Blasko, Linnea Ingram, Marchelle Sperling, David Wass. Production Services: Gary Mancini, manager; Nancy Knapp, system operator; Claudia Blake Applegate, Annette Hilry and Deborah Mason, assistants. Promo tio'n: Jon Miller, manager; Dennis Danaher, publicist; Elizabeth Ruthstrom, assistant art di rector. Video: Rick Mastelli. Advertising and Sales: Richard Mulligan and lames P. Chiavelli, sales representatives; Vivian E. Dorman and Carole Weckesser, sales coordin atOrs; Kimberly Mithun, coordinator of indirect sales; Laura Lesando, secretary; Kathy Springer, customer-ser v ice assistant. Tel. (203) 426-8171. ARTICLES 32 How to Make Drawers by Tage Prid 36 Drawer-stop ideas from three makers 39 Varnish Finish That's Rubbed On by Joe Th omas Sanding is the way to a glass-smooth surface 40 A Dehumidifier Kiln by Donad Kli mesh Home-dried lumber with no frills 43 Pipe Clamps Six versatile tips 44 Knockdown Furniture by Cu rtis Erpelding Form follows junction 48 Doweling Jigs by David Sloan Putting nine to the test 52 Boston Bombe Chest by Lance Patterson Bulging drawer fronts are all shaped at once 58 A Patternmaker's Carving Tips by Wa lace C. Auger And a portable carving kit for whittling wherevet you are FineWoodworking A laminated flier that's prettier than plywood (ISSN 0361-3453) is pub lished bimomhly, January, March, May, July, September . and November, b y The Taunton Press, Inc., Newtown, CT 06470. Telephone (203) 426-8171. Second-class postage paid at Newtown, T 06470, and additional mailing 64 The Bottom Line for Turned Bowls by endel Smith Versatile chucking plug permits a variety of designs 67 An Eye on Marquetry, Here and Abroad by Jim Cu mmins You can begin with an easy kit, bur the sky's the limit ofices. Copyri ght i984 by The Taumon Press, Inc. No reproduction without ermission of The Taumon Press, Inc. Fine Wodworking' is a re g istered ttademark of The Taumon Press, Inc. Subscription rates: United States and posses sions, $16 for one year, $30 for two years; n 71 Winners fr om the 1983 British Marquetry Show by Enie Ives 72 Laying Plastic Laminates by Jack Ga vin Understanding the basics of this ubiquitous "veneer" O ada, $19 for one year, $36 for twO years (in U.S. dollars, please); other counrris, $20 for one yer, $38 for twO years (in U.S. dollars, please). Single coPy, $3.50. Single copies ourside U.S. and possessIOns, $4.00. Send to Subscrip tion Dept., The Taumon Press, T 06470. Address ll 76 The Wo odworker's Tools by Pa ul Bertoreli Function is bur one reason for making O T 06470. U.S. newsstand disrri Box 355, 79 Portfolio: Garry Knox Bennett by John Kelsey Oakland innovator takes on the trestle table correspon dence to the appropriate department (Subscrip tion, Editorial, or AdvercislO g), The Taumon Press, 52 Church Hill Road, 116 Superior ex machina Box 355, Newtown, bution by Eastern News DisrributOrs, Inc., Eighth Ave., New York, N.Y. 10011. Postmaster: Send address changes to The Taunton Press, Inc., PO Box 355, Newtown, CT 06470 3 4 Letters 16 Questions 22 Books Working harmoniously with wood; decoy-carving; wooden planes Design for drawing table illustrates the principles 57 How to make slope-sided boxes 61 Boomerang by AI erhards 63 Throwing the boomerang by John Huening Newtown, ill Letters Recently, Fine Woodworking has published photographs of work that is obviously lawed. It is most disturbing to see detail such as in the color photograph on p. 81 of issue #43 (November), because it would appear as if boxwood stringing with tension failures from bending represents an acceptable level of quality in workmanship. People correctly or incorrect ly assume that if F W publishes it, it therefore must be the I don't mean to imply that the crafts are an inferior pur suit. One does what one does best. The thing Castle does best is make furniture. But somewhere along the line he, or his dealer, got their semantics crossed up. No one in his right mind would lay our $40,000 for a table, and then actually eat linguine off it. So why build such an object in the first place? You are doomed to resort to hype to get it sold, rather than letting it stand on its merits as an honest piece of work. -Jack Spiegelman, Glendale, Calif best, or at least more than just acceptable. Neither would open miter joints (#43, p. 33) be deemed appropriate join ety. Even though the emphasis of that article is on speed, haste should not be an excuse for a lack of quality. For Fine Woodworking not to take a irm, perhaps contro versial, position on the issues of quality, by explicitly showing what quality entails, may prove to be exceedingly detrimental to the continued revival of the stirring corpse that once repre sented the craft of woodworking in North America. It is not enough to say that design can be assessed in a photograph; craftsmanship needs to be seen and touched. The photographs in F W and other Taunton Press publications are perceived E. Moore, Sprinfield, Va. Regarding Japanese chisels, Toshio Odate says in FWW #43, p. 16, "The very ine edge becomes extremely hard when the blade is tempered." It does? Tempering is the process of con trolled reheating (at some temperature between 300°F and 10000F) of hardened steel, to increase toughness at the cost of some hardness. I should like vety much to know how Odate generates at least a 300°F temperature in the edge of a blade by wiping it across a waterstone. It has been my experience in knifemaking that during the heat-treating process, an edge that is ground vety thin will, during the quench, become quite hard and brittle, while the main body of the tool is still vety hot. As the main body of the tool cools and shrinks, the thin, brittle edge must con form. The result is waves, cracks and much stress. Hence, the blacksmiths' adage: forge thick and grind thin. Mr. Odate is grinding off this stressed edge-no tempering occurs at all. -Venon Raaen, Oak Rid ge, Tenn. TOSHIO OOATE REPLIES: My knowledge of blacksmithing and met allurgy is not great, so my choice of the word "tempering" was perhaps unfortunate. Your explanation of what actually happens during the "taming" process seems correct, but I do believe that the tremendous friction of sharpening and cutting can heat the extreme ly ine edge of a tool hot enough to affect the metal. This heating does not change the steel in the body of the tool, but it does take the harshness Out of a new blade. as pieces of woodworking, not as photographs of designs. Be cause of this, and because of the inherently deceptive nature of photographs, it is vety important that only work of the highest quality be illustrated in Fine Woodworking, especial ly since it purports to contain fine things ... -John Perkins, Halifax, N.S. -Tom Re Jim Cummins' article on boxes in FWW #43. First, I am always bothered by any suggestion to use metal, regardless of the coniguration, as a push stick. Embedded in the ceiling and walls of my workshop are parts of 18 carbide saw teeth that came into contact with a spring-metal hold-down. The ice-pick suggestion makes me cringe. Also, the tone of the article presents a sort of slapdash approach to woodworking. I could cite a number of exam ples, but the slippety-glue comment on p. 36 should make my point. In the next paragraph, the idea of having a sturdy box with open corners makes me wonder why bother mitering at all; burt joints and nails should do nicely. Of course, it's easy to criticize, and on the plus side I suspect that Cummins' casual approach is inviting to some inexperienced woodwork ers who would be turned off by more precise instruction. But my own feeling is that even a rank amateur should be shown the bull's eye; he or she can then decide on what to shoot for as a function of skill level and patience. -Allan]. Boardman, Woodland Hills, Calif The stoty by Peter Pennypacker (FWW #44, "Making 50 Tables") reminds me of the argument over handmade versus machine-made guitar necks. It was thought that the machine made were not as good as the handmade, but the fact of the matter is, if the craftsman running the machine was interested in the quality of each and evety piece, the quality of the in strument would not suffer. -Peter B. Rock, Mt. Pleasant, S.c. For readers looking for a local supply of potassium dichro mate (used in wood finishing), you might check with camera stores stocking flm-developing supplies. Kodak sells it in I-lb. jars under catalog number 146 3231 for about $7. -Julian Case, Los Osos, Calif W #43 pp. 77- W #42). I think those experiments of his in the Post An important addition to the reading list in Mack S. Head ley's "Applying Classical Proportions" (F Re the article on Wendell Castle in your September issue (F 79) is The Geomety of Art and Life, by Matila Ghyka (Dover, 1977). Ghyka describes how thousands of reported measurements of the proportions of ancient and Renaissance structures can be summarized in the forms of certain regular geometric igures. The most compelling of these relations is known as the Golden Section. In simple linear form, this rule states that the longer of twO segments of a divided straight line should have a ratio of l.6818 to the shorter segment. Astounding to me, expansions of the Golden Section pro portions yield figures that Ghyka shows are consistent with the proportions of natural object-plants, animals, and the Modern vein are hideous beyond belief. I have a lot of admi ration for the man, and nothing but awe when considering the amount of work that goes into those pieces. But it is a mistake to consider any piece of furniture to be art. Wood working, even at his level, is still a craft. Its main purpose is function. If at the same time it pleases the eye or tickles the funny bone, great. Bur art is different. Whatever it is, it seves no practical function. It makes its appeal purely to the spirit, not to the seat of the pants. 4 Here's a suggestion that might be of value to your readers. Make friends with the local typewriter repairman. He prob ably throws away the platens (rollers) for any number of old typewriters, and I'm sure he'd be glad to see them pur to good use. They make good outfeed rollers for tablesaws, jointers and planers. They come in several lengths, and so could ind other shop uses, too. Make supports for the rollers by boring or dadoing slots into maple or oak brackets. Dado ing is the best technique if twO or more rollers are to be in line. 3 hours or less and even has a special built·in feature to help prevent stripping of screws. And since it's cordless, it's perfect for everything from everyday fixups in or out of the house, to serious do·it-yourself projects. With everything it can do, you'd think the Skil Cordless Screwdriver would on a single charge. The Skil Cordless Screwdriver recharges in e expensive, but it's not. Not at all. d its surprisingly low price makes it a great gift. So forget about all the stripped screws, tired arms and I1lers that went with your ordinary screwdriver. The Skil Screwdriver just made them obsolete. �f�t. We build that last and last and 50 screws Once you've used the Skil Cordless Screwdriver, you won't want to go back to your old screwdriver. The Skil Cordless Screwdriver weighs mere ounces and is so small it fits into your pocket. Yet its high torque motor has the power to drive up to [ Pobierz całość w formacie PDF ] zanotowane.pl doc.pisz.pl pdf.pisz.pl rafalstec.xlx.pl

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