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File Cabinet - 2 drawer Lateral File cabinet with matching printer cabinet, Woodworking Plans
Fine-Home-Building-25-Years-of-Great-Building-Tips-Malestrom, Building and Architecture
Formative Texts in the History of Zen Buddhism, @Buddhism
Fragment traktatu welawsko-bydgoskiego z 1657, Historia, Prawo, Traktaty, Umowy, Kroniki, Teksty Żródłowe
Film polski - streszczenie, historia filmu polskiego po 1981r
Fine Gardening - Grow Healthier & Easier Gardens (2015), !!!Materialy Eng
Farago&Zwijnenberg (eds) - Compelling Visuality ~ The work of art in and out of history, sztuka i nie tylko po angielsku
Fałszywe dokumenty Gorbaczowa. Kilka faktów o Katyniu, Historia
Furet F. Prawdziwy koniec rewolucji francuskiej, Historia Francji
Fine Woodworking 049, papermodels, historica
[ Pobierz całość w formacie PDF ]Heritage.
The Light Carver
Chair.
Simple but sturdy.
Simple because the
tools and methods of the
colonial cabinetmakers
were simple. Sturdy
because that's the only
way they knew how to
build a chair. This type of
Carver chair found favor
by the Colonial hearth
during the 1680s. Is
predecessors were most
likely brought over on the
Maylower.
ll
pieces, including the
continuous poss and
bannister back spindles,
were turned. Catail leaves
formed the rush seat
where Colonial coatails
came to rest. Many of the
original chairs are in use
today. Testimony to their
sturdy construction and
our American heriage
of quality.
Heritage lathe.
Dela 11" Wood
Lathe. From a
company with a
heriage of is own.
Originally nown as
Dela, later s
Rockwell, we are
re
new 11" lathe boass a
unique two-piece bed
that can be expanded by
adding 16" accessory
sections. Perfect for
ll
scale worng plans for the
Light Carver
m
chair
n-
ll
be provided with
evey purchase of our 11"
Wood Lathe. A challeng
ing project rom the past
for today's particular
crasman. nd now the
Dela 11" Lathe is avail
able at vey special prices.
For the name of the
Dela dealer nearest you,
call Dela Inenational
Machiney Corp.
(formerly Rockwell Power
Tool Division), toll-ree
800-438-2486 (in PA,
800-438-2487).
Ofergood only in the
continental
n
g to our good
Dela name. And our 11"
lathe continues a rich
tradition of qualiy wood
woring machinery.
Like the Carver Chair,
many of our o
n
al Dela
machines are stll in use
today. But unlike is
sturdy predecessors, our
ing those long, continuous
back poss on the Carver
Chair.
Dela 11" Wood Lathe.
Cst iron construction,
lfe-time ball bea
s
and more. We still make
'em like we used to. Only
beter.
Behind OurNw Name
.•
Hawaii
andlsa
through
e
mber 31. 194.
IsOurOld Repion.
•
••
CELTA
m
Heritage Plans.
For a limited time,
UB
November/December 1984, No. 49
Edilor
Paul Bertorelli
68
fo r this
basic mortise-and-tenon.
Deparlmenls
4
Methods of Work
Slot mortiser; tablesaw guard;
PEG vat
AssodaleEdilors
Jim Cummins
Roger Holmes
8
Questions
&
Answers
Asai6lanlEditors
Dick Burrows
David Sloan
14
Books
Sterling paperbacks; black folk art; finishing
Production spindle-turning; shellac repair; bone inlay
CopyEditor
ancy Stabile
20
Events
Notes and Comment
Boston belfry restoration; Halifax show; freezing
tools; international machinery and furniture fair
AssislanlArlDirector
Roland Wolf
108
114
Editorial Se�relary
Nina Perry
Arlicles
SeniorEditor
John Kelsey
.
Coffin
ConlribulingEditors
Tage Frid
R. Bruce Hoadley
Richard Starr
Simon Watts
38 Wooden Puzzles
by Stewart
Easy to make, but tough to solve
42 A Doormakers' Gallery
ConsullingEditors
George Frank
Otto Heuer
Ian J. Kirby
Don Newell
Richard
44 Building Doors
by John Birchard
Frame-and-panel makes elegant entries
49 Vintage Machines
by Tom Howell
Searching for the cast-iron classics
51 Used machines and abused buyers
by Chuck Seidel
E.
Preiss
Norman Vandal
Melhods ofWork
Jim Richey
52 Three Tips for Mounting Hardware
Hinging a jewelry box
by Sam Bush
Gauge speeds knife-hinge installation
by Larry Brusso
Locking up a chest
by Simon Watts
55 Marquetry Mystery
by Kit Williams
A
story assembled piece by piece
The Taunton Press
Paul Roman, publisher; Janice A. Ro·
man, assciate publisher; Dale Brown,
58 Tubular Table
by Patrick Warner
A
router makes the legs round
rector of ad
i
stration; Tom Luxeder,
business manager; Lois Beck, office
services coordinator; Lz Crosby, per
60 Chippendale Sofa
by Norman L. Vandal
Templates for the basic frame, and design options
onnel a
s
trator; Pauline Fzio, exe
cutive secretary; Patricia Rice, recep
64 Getting a frame upholstered
by Bob McCarthy
tioist.
Accountina: n
e
ds,n
ager; Madeline Colby, Catherine Sulli
66 Three easy chairs
by Roger Holmes
van, Elaine Yamin.
t:
Roger Banes,
design director; Lisa Long, staff anlst_
oo..
: aura ehanowlz Tingali, edi
tor; C_ Heather Brine, assistant an di
rector; eborah Cannarella and cott
ight joints and imagination are
the key to doors that keep out
wind and rain with style. Learn
about elegant entries on pp.
67 Make a Hook Scraper
by Tom Vaughn
42-48.
andis, assistant editors.
Flment:
Carole E. Ando, subscription manager;
Terry homas, assistant manager; Glo
ria Carson, Dorothy Dreher, Claudia
Inness, Cathy Koolls, Donna Leavitt,
Peggy LeBlanc, Denise Pascal, Nancy
68 Starting Out
by Roger Holmes
Cutting a bridle joint
74 The Finish Crack'd
by Gregory]. Landrey
Conservator's fix for a fractured film
Fine Woodworking
(ISSN 0361-3453) is pub·
lished bimonthly, Januay, March, May, July.
September and November, by The Taunton
Press, Inc., Newtown, CT 06470. Telephone
(203) 426·8171. Second-class postage paid at
Newtown, CT 06470, and additional mailing
offices. Copyright 1984 by The Taunton Press,
Inc. No reprduction without ennission of The
Taumon Press, Inc. Fine Woodworkingll is a
registered trademark of The Taumon Press, Inc.
hh; n
Wner,
ll
crvics clerk_
Roen B
i
, distribution sue
o
r;
David Blasko, Linnea Ingram, Mar
77 Making Snowshoes
by Henri Vaillancourt
Cold-bending the Indian way
chelie Sperling, David Wass.
Produc
tion:
Mary Galpin, manager; Barbara
Bahr, secretary.
Production Services:
Gary Mancini, manager; Nancy Zabris
kie Knapp, system operator; Claudia
Blake Applegate and eborah Cooer,
81 Chatterwork
by Stephen Paulsen
A
risky path to a faceted finish
Subscription rates:
United States and posses·
sions, S 16 for one year, S30 for two years; Can·
ada, 119 for one year, S36 for twO years (in
U.S. dollars, please); Other countries, 520 for
asslsants_
Promotion:
Jon Miller,
n
ager; Dennis Danaher, publicist; Anne
.•
84 Shipping Furniture
by Robert "ickson and Liese Greens/elder
Crated crafts arrive intact
Feinstein, assistant an director_
Video:
Rick Mastelli.
Advetising and Sls:
Richard Mulli
gan and James P_ Chlavelli, national ac
one year,
S
38 for twO years (in .S. dollars,
please). Single copy, $3.50. Single copies OUt
side U.S. and
se
ssions. S4.00. end
10
ub·
cription ept
The
Taumon
rss, O
ox 355.
Newtown. CT 06470. Address all correspon·
dence to the appropriate department (Sub·
scription, Editorial, or Advertising), The Taun·
ton Press, 52 Church Hill Road, PO Box 355,
Newtown, CT 06470. U.S. newsstand distri·
bution by Eastern News DistributOrs, Inc..
III Eighth Ave., New York, N.Y. 100II.
85 Freight facts
by Marc S. Standig
counts managers; Vivian
E.
Dorman
and Carole Weckesser, sales cordina
tors; Rosemarie Dowd, coordinator of
indirect sales; Laura Lesando, secre
tary. Tel.
86 St. Louis Show
by Paul Bertorelli
Gate\vay city draws
Midwest's
best
(203)426-8171.
124 Black Folk Art
Postmaster: Send address changes to The Taunton Press, Inc., PO Box 355, Newtown, CT 06470.
3
ArtDirector
Deborah Fillion
Cover: A strong, hand-cut hridle
joint helps the beginner build a
dining table_ See p.
Leters
director of marketing; Jo
nn
Muir, di
Leters
Normally I am not given to writing magazine editors-in fact,
I've never! But after receiving the September/October issue
today, I just had to drop you a note. I am what you would
call a closet woodworker, being that I live in an apartment.
What work I do do has to be done with hand tools-power
tools are out. While I cannot use many of the items and topics
covered, I always ind tidbits that are a help to me.
You have simply outdone youtselves with the present issue.
The color on the cover is beautiful, as is
[
the color
]
spread
throughout the volume. My congratulations to all of you,
and my thanks for making your publication such a continu
ing success.
-Adrian John O'Co nnell, Meriden, Co nn.
drive tangs, joint the end, and you have a screwdriver just
like that described by Michael Podmaniczky on p. 59
of
-Henry J Retzer, Beltsville, Md.
Rather than working with the corrosive chemicals suggested
by David Carnell (FWW #47, p. 60) to produce airflow test
smoke, some of your readers might find it more convenient to
use ordinary beekeepers' smoke generators (available for $20
or so from farm supply irms) or smoke candles from Superior
Signal Company, PO Box 96, Spotswood, N.J. 08884. Supe
rior's number 1A smoke candle will generate 4,000 cu. ft. of
gray to white smoke in 30 seconds; the 1984 list price
is $15.20 per dozen. The number 2B candle will generate
8,000 cu. ft. of smoke in a one-minute burn and the current
price is $17.20 per dozen.
-Greg Th iel, Fo rt Th omas, Ky .
Hey-after years of publishing a very distinctive-looking and
ine journal, you have now "gussied" it up to look like a Sears
catalog. If you want to include some color plates on the inside,
okay. But put the outside cover back in black-and-white. It
had a lot of character and was distinguished by that fact.
- W0.
Krutz, Hood River, Ore.
I couldn't believe the first color issue of WWmagazine would
feature a painted chest on its cover. Ladies and gentlemen of
the editor's staff, are there no woodworkers among you? I
don't paint the violins I build! If I paint one red, will you
featute it? What's wrong with the color of ine wood?
I have always felt that the FW black-and-white cover
had dignity and class. Now it looks like all the other maga
zines, which need color and lash to sell. Do I sense a hint of
WW
#48), they can add immensely to the attrac
tiveness of a piece. A friend showed me a method of clamping
that certainly saves headaches. When the slats are ready for
gluing to a canvas back, place them face down and close to
gether. Spread just enough glue on the canvas (yellow glue
works fine) to cover the irst four or ive slats. Lay the canvas
over the slats, and with a hot iron, iron the back of the can
vas; this sets the glue and you're ready to continue. Spread
ing the glue on the canvas helps prevent seepage between
the slats.
WW
trying to appeal to the mass market of the home artsy
craftsy movement?
A painted-chest fe
atute? You gotta be
kiddin'!
-Robert
-Michael Tu ri, Eureka, Ca lf
In making tambours, make sure you wash and dty the canvas
before gluing to pre-shrink it. If you don't, the water in cer
tain glues will shrink it for you.
-A. Smith, Sudbury, Mass.
.
Deason, San Diego, Ca lf
I am continually amazed at the letters expressing dissatisfac
tion with some of the recent changes in format. While I per
sonally don't care for all the various subjects, they certainly
express important ideas which we should at least be aware of.
I am one of the fortunate people who have a complete set
of
Fine Wo odworking.
I do not lend any of the issues to any
one. I would rather photocopy an article than risk loss of the
whole issue. It is rare indeed that I fail to get new ideas on
how to improve and to do my craft bettereven from people
who make things that are of no particular interest to me.
-Edward Gladstone, West Harford, Conn.
Finally, a craftsman admits to the world-at least to the
woodworking world-that mistakes, slip-ups or plain goofs do
exist. Better yet, Max Hunsicker
(FWW
#47, p. 98) even
gives solutions that can shortstop pieces on the way to the
trash can. And Jere Cary, in his book
Building Your Own
Kitchen Cabinets,
has several sections where he admits to
goofs and gives solutions for saving costly material.
As for the rest of the experts-if they want me to buy their
books, they should try a bit of honesty and humility and re
member
that there are really only
three sure things in wood
working: wood shrinks; wood swells; and woodworkers, even
the elite, goof sometime in their careers.
-Ja mes
.
Gie; Mesa, Ariz.
I wish I'd read Ian Kirby's article on veneering in
WW
#47
before I built my veneer press and made a 30-in. by 48-in.
oval table. Several of his tips would have prevented problems
I had. I have a terminal case of bubbles under my book
matched mahogany veneer and I sanded the veneer transpar
ently thin in one place. I believe I went wrong
[
by using
You didn't fool me. When you irst ran a few articles in color
(FWW #41) I knew you would be adding more and more
color, but I didn't imagine how great
WW
would look in full
color. The sketches and diagrams-music boxes, tam bouts,
and edge-joining-all seem to come to life. They make you
want to head straight for the shop, but with such terrific color
pictutes you can't even put the magazine down-the cover is a
masterpiece. I think you have the best-looking, most interest
ing magazine I have ever seen.
-Herbert Akers, Rockville, Md.
notched trowel instead of a paint roller to apply the glue and
by not checking carefully for bubbles when the glue had
dried. Then I used 60-grit paper on an orbital finishing sand
er, thinking it wouldn't be toO aggressive ... wrong.
To repair the sand-through, I used a steam iron-without
steam. It softened the yellow glue enough for me to peel the
veneer off with a sharp putty knife. It took some fitting to
replace the damaged section and I still haven't repaired the
bubbles. But thanks for the knife-and-syringe repair method.
In Kirby's last paragraph on pressing veneer, he is incorrect
in checking for overtightness with a straightedge on the top
edge of the caul. If the bottom of the caul has a crown, as
soon as it's clamped the top will have the crown and the bot
tom will be straight. This bending is what provides pressute
first in the center, then on the outside edges. Also, I used
]
a
I was surprised at the irate Inca owner (FW #46, p. 8) and
his bitter complaints. I am no great brain, but I do read, and
I think that Garrett Wade's description of this tool is honest. I
don't feel that "caveat emptor" applies in this case, but I do
understand why you printed the letter.
-Bob Wha len, Sp rinfield, Va.
I get straight-shank cabinetmakers' screwdrivers by making
them from worn-out Phillips-rype drivers. There usually are
several in the bottom of any toolbox, or you can ask your auto
mechanic. Carefully grind away what's left of two opposing
4 Fine Woodworking
WW
#48.
Considering the small degree of difficulty involved in making
tambours (
Private
Your
Work Island
A
pleasure
To
Use ...
SPECIFICATIONS
...
.....•........
.............
"
Length (vise closed) ...... .. . ... .. . ..60"
Height .... ...... .. .. ... .... .. .... .. 321.'
Width (at shoulder vise end) ... .... .. . 27"
AJoyToOwn
Width (at tail vise end) ..... . .... .... 101,'
Capacity of bench dogs
51"
Tail Vise Capacity
.
.
When it comes to woodworking benches, Lervad of Denmark has been the
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Shoulder Vise Capacity .... ... .. 7" x 3'1,'
Weight .. ..................... .... 91 Ibs.
NOTE: Because of their size and weight,
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CALL TOLL FREE
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perman
ently.
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in
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all
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�T�JC
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__ __
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your budget. The total bill is to be paid
City
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1. Send at least $75 with your order.
State
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2. Send additional payments whenever it suits
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There is no carrying charge.
I
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If you are not entirely satisfied with your
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have completed payment.
Cleveland, OH 44128
November/December 1984 5
...
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