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  • Fine Woodworking 050, papermodels, historica

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    Costa Mesa, Cal. 92626 (714) 751·8866
    218 Feld Ave., High Point, NC 27264
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    SALE
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    CaJlTIl
    Fre
    �Worng
    Fne
    January/February
    1985�
    No.
    50
    EIlIor
    Paul Benorelli
    Cover: Long wedges bend a kerfed
    blank into a voluptuously curved
    chair seat. Jeremy Singly makes
    Windsor chairs on p.
    30.
    Photo:
    Arl Dlre�Ior
    Deborah Fillion
    4
    Letters
    ••
    o�",Ie EIlIor.
    Jim Cummins
    Roger Holmes
    Erik Borg.
    10
    Methods of Work
    Bowl chuck; accurate threads; lathe extension
    A
    16
    Questions
    &
    Answers
    Curved handrail; plywood staining; metal inlay
    ••
    l.,,., EIllor.
    Dick Burrows
    David Sloan
    A
    22
    Books
    Art and furniture; hardwood finishing; dinghy designs
    Copy EIlIor
    Nancy Stabile
    ••
    l.,,., Arl Dlredor
    Roland Wolf
    102
    Events
    A
    108
    Notes and Comment
    EIllo l' Se�r""ry
    Nina Perry
    Jurying; making your own plans; thoughts on Thonet;
    woodwork at a Dallas mall
    ,I.,
    EIlIor.
    S_lor EIllor
    John Kelsey
    .
    Arllcle.
    Co.,rl6
    30
    Kerf-Bent Seats by Jeremy Singly
    A tablesawn alternative to scooping
    Tage Frid
    R. Bruce Hoadley
    Richard Starr
    Simon Watts
    o
    the madness
    ..
    'u.,
    EIllor.
    37
    Hardwood Lwnber Grades by David Sloan
    There's a method
    Co.
    George Frank
    Otto Heuer
    Ian J. Kirby
    Don Newell
    Richard E. Preiss
    Norman Vandal
    40
    David Pye
    Master of wood and words
    g
    by To m Alexaner
    Plunging right into a bowl's personality
    Combining machine and hand
    tools, David Pye carved this rich­
    ly detailed walnut dish. Examples
    of his 'craftsmanship of risk' are
    on p.
    44
    Decorative
    46
    Provincial Coner Cupboard by Carlyle Ly nch
    o-frills country joinery
    Mel6ol. of Worl
    Jim Richey
    TheTauntonPress
    49
    Fancy Raised Panels by Roger Schroeer
    Oodcarver has a field day
    sc
    iate publisher; Dale Brown,
    director of marketing; Jo
    ,
    oice er­
    nn
    Mulr, dl·
    52
    Wood ype by Simon ltts
    Minding your p's and q's
    i
    stration; Tom Luxeder,
    businss manager;
    ry
    ; atriia Rice,
    p
    ti
    t
    .
    Ac­
    s
    rector of ad
    a
    tor;
    zs
    by,
    o
    nnel
    s
    trator; Pa
    n
    e Fazio, executive
    54
    Starting Out by Roger Holmes
    Simple bookcase joints
    vics co
    co-a:n
    e
    fs, ; d
    ­
    eline Colby, atherine Sullivan,
    n
    e
    g
    Shop
    a
    Long, staff
    s
    t.
    oo..:
    Laura Cehanowlcz Tringali, editor;
    Heather Brine Lambert, assistant art
    director; eorah cannarella and Scott
    landis, assistant editors.
    60
    Tips rom a London C
    66.
    Photo: Cheri Eisenberg.
    by Ben Bacon
    A sharp pencil cuts through the problems
    Modn sculptors like Tery Kar­
    powicz find expressiveness in mon­
    umental wooden constructions.
    See p.
    Fulmat:
    E.
    Ando, subscription manager;
    Terry homas, assistant manager; Glo­
    ria carson, Dorothy Dreher, Claudia
    Inness, cathy Koolls, Donna Leavitt,
    Peggy leBlanc,
    64
    Driftwood Finishes by Jim Cummins
    Weathered wood in an hour or two
    h;
    n
    Wr,
    li
    cs clerk.
    ,
    distibution su
    o
    r;
    t
    B
    e
    P
    l
    , Nancy
    y
    , March, May, July,
    September and November, by The Taunton
    Prss, Inc., Newtown,
    66
    Monwnental Sculpture by Stephen Luecking
    Speaking the language of wood
    y
    .
    duin ­
    r
    06470.
    Telephone
    (203) 426·8171.
    econd-class ostage paid at
    Newtown,
    nna
    In
    m
    ,
    h
    dle Serllog.
    ­
    r
    06470,
    and additional mailing
    ofices. Copyright
    1985
    by The Taunton Press,
    Inc. No reprduction without ermision of The
    Taunton Press, Inc. Fine Woodworkingll is a
    registered trademark of The Taunton Press, Inc.
    Subcription
    dulon:
    May Galpin, manager; Bar­
    a r, e
    70
    vo Small Projects
    Laminated bracelets by Lawrence Tromby
    Kaleidoscope
    by Robin Kelsy
    vicH:
    Gary Mancini, manager; David
    eFeo, cordinator; Nancy Knapp, sys­
    tem oerator; Claudia Blake Applegate
    and eorah
    n
    g and Modifying Small Tools
    by Howard C. Lawrence
    Small-shop methods for those special cuts
    rats:
    United States and posses­
    sions,
    $16
    for one year,
    ,
    30
    for two years; Can­
    ada.
    '19
    for one year,
    $36
    for two years (in
    U.S. dollars, pl
    oo
    er, asslstants_
    ­
    _otio.
    : Jon Miller,
    a
    ger; e
    s
    anaher, publicist; Anne Feinstein,
    e
    ); other countries,
    $20
    (or
    one y=.
    $38
    for two years (in U.S. doll",
    pleae). Single copy,
    $3.50.
    Single copies out­
    side U.S. and
    ­
    73
    .•
    e
    Taunton
    ss. Oox
    355,
    n
    t
    to
    r.
    Vio:
    Rick
    tll.
    sss
    ions,
    .4.00.
    end to Sub­
    AdvaiaCad la:
    Richard Mulli­
    gan and James P. Chiavelll, national ac­
    counts managers; Vivian
    r
    06470.
    Address all correson·
    dence to the appropriate department (Sub­
    scription, Editorial, or AdvertiSing), The Taun­
    ton Press,
    52
    Church Hill Road. PO
    g
    With Veneers by Ian] Kirby
    Illusion can be as strong as structure
    E.
    Dorman
    and arole Weckesser, sales cordina­
    tors; Rosemarie Dowd, cordinator of
    indirect sales; Laura Lesando, secre­
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    y
    . Tel.
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    Newtown,
    ox
    355,
    77
    Desig
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    U.S. newsstand distri­
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    Newtown,
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    Gutenbeg Revived
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    3
    40.
    Photo: David Cripps.
    Paul Roman, publlsher; Janice A. Ro­
    man,
    a
    Yn. :
    Roger
    n
    es, desin di­
    rector;
    arole
    Fine Woodworking
    (ISN
    0361-3453)
    is pub­
    lished bimonthly, Jan
    Ro
    David Blasko, John Daly, ob Garvin,
    s
    Leters
    WW
    look. Your covers
    need not be black-and-white, or stodgy in any way, to achieve
    dignity and class. As in people, these attributes are judged
    on the basis of character and content, not the cover. I like
    the look.
    quality piece I can, and if they can pay me to do it, I will. If
    someone wants a home entertainment center but doesn't have
    an unlimited budget, I'll design and build the best piece I'm
    able to within their budget. Odds are, it will have oak
    plywood sides and shelves, and a solid face frame with frame­
    and-panel doors. My point is that as a woodworker/business­
    man, if someone wants something Out of wood, I'll build it.
    As for "Cleopatra's Mirror," I loved it. Levity is good for
    the soul.
    -J im Taylor, Lancaster, Tex.
    Just a quick note about your new color format ... . One of the
    truly elegant features
    of all past issues was
    the careful use of
    excellent black-and-white drawings and sketches in articles,
    Methods of Work, etc. I think the addition of color photo­
    graphs adds a lot to your format. The color-rendered sketches
    -Ros Fulm er, Atascadero
    ,
    .
    Ca l.
    beg
    nn
    g in issue #48, however, seem to me to greatly re­
    Millwork"
    (
    WW
    #47). We desperately need more technical
    duce clarity and simplicity. The main point to these sketches is
    generally technical or mechanical in nature, not artistic. The
    color is quite a distraction.
    -Mark
    .
    Miller, Ma dison, Wi s.
    WW
    #47, David Carnell
    articles about the materials we are using. Yet I can sympathize
    with Mr. Hentschel's' sentiments. I have struggled for years
    cutting dovetails for free because no one is willing to pay for
    them. ("I can buy this at an antiques store for ifteen hundred
    dollars." Sound familiar?) I now do my "ine" woodworking
    my way for myself, family and friends as the sort of amateur
    that Krenov suggests. Because of the sweet smell of money
    under the saw at work, I can finally luxuriate in the sweet
    smell of walnut under my sharp saw at home.
    I don't ind any contradiction. One type of woodworking is
    traditional and pleasing; the other is more in balance with the
    realities of inite resources and budgetary limitations. Everyone
    I know has come to some kind of agreement with these rwo
    sides of the same broad issue. To devote your publication to
    only one side would leave a lot of people looking somewhere
    else for the rest of their information, and nobody does it better
    than
    mentions the dangers of umes. Perhaps you will be interested
    in the unfortunate experience of a friend of mine. He cleaned
    his paintbrushes in gasoline in the kitchen sink and carefully
    lushed the gasoline down the drain. A minute later there was
    a loud bang and his basement was a mass of lames. Before
    the ire trucks arrived, the whole basement was gutted.
    The gasoline had gone down the drainpipe, escaped into
    the basement through an uncapped sewer drain, and reached
    a pilot light. Fortunately no one was hurt, but my friend is a
    very embarrassed and wiser man.
    -J ohn
    I inished reading H. Ivan Hentschel's letter
    (
    WW
    #48) with
    0.
    Wa iter, Regina, Sask.
    WW
    -Roger Slagle, San Rafael, Ca lf
    .
    mixed feelings. While I agree that
    Fi ne Wo odworking
    has set
    a standard of quality and should uphold that, I thought his
    letter overwrought.
    I started reading Ann Taylor'S article "Plywood Basics"
    (FWW
    #46) with a jaundiced eye, thinking to myself,
    "What's this, an article on how to build a birdhouse from
    scraps around the garage?" She did, however, make some
    good points. It was refreshing to read an article on something
    almost all woodworkers use with little thought-plywood.
    Like it or not, plywood is here to stay.
    If someone comes to me and wants me to build the finest
    WW
    #46. Here is an alternative method that has
    worked very well fo r me for holding a 5-in. dia. mirror.
    I use a fly-cutter, set to 5s in., to cut a s-in. deep round
    groove on the inside face of the front piece. I then reset the
    fly-cutter to
    4;
    in., turn the blank over and cut completely
    through. This second cut creates a window, and leaves the
    groove from the irst cut as a concentric rabbet to receive
    the mirror. The technique is much faster than routing out the
    entire back piece.
    I purchase 5-in. dia. mirrors from a local supply house at a
    cost so low that I don't even try to cut my own. I have found
    that resawn X-in. blanks will match perfectly on the glueline
    without surface-planing prior to gluing.
    -Ja mes Va si, Williamsville, NY
    WW
    #48) came as a blow to many woodworkers,
    but former employees of the store have put together a new
    store at the same location. We are calling ourselves Rosewood
    Tool Supply. For a schedule of our planned classes and events,
    call us at (415) 540-6247.
    -Tad Laird, Berkeley, Cal.
    (
    WW
    #46) with an experience that I hope is unique.
    I'd like to join the discussion about Taiwanese electric motors
    Three months ago I bought a drill press powered by a
    a
    -HP
    small
    -frame
    induction
    motor.
    The
    irst
    hole
    I
    drilled
    (X-in. dia., in wood) burned the motor out. I took it back
    and the company gave me another. This drilled three holes
    and quit. I took it back again, and the third motor they gave
    me ran backwards and could not be reversed.
    A fourth trip, and this time I insisted on testing the motor
    in the store. Since the drill press came dismantled in a box, I
    agreed to test the motor only, putting a light load on it by
    hand-holding a broken yardstick on each side of the motor
    shaft. Result? Two new motors would not run, another ran
    /
    made this walnut cradle, with carved characters from Walt
    4
    F
    i
    ne Woodworking
    Re all the commentary on the new
    As for myself and other working cabinetmakers I know, we
    would like to see more articles like Jeff O'Hearn's "High-Rise
    In his article "Clearing the Air" in
    I thoroughly enjoyed Robin Kelsey's article on Cleopatra's
    mirror in
    The closing of the Berkeley Cutting Edge store (Notes and
    Comment,
    Disny movies, fo r my first grandchild. '
    -James Klopfenstein, Crestline, Ohio
     CfSN -
    Crawoods has compiled a
    unique 8W'
    x
    11"
    catalog which
    ll
    the ine hardwoods,
    caving and woodworking
    supplies ofered in 8,000
    square fot
    store!
    includes
    The new
    Craftwoods
    mail order
    catalog is yous for
    1-800-387-989.
    n
    precision saws,
    I
    J. Pip Hurey
    /9
    Telephone (416) 93-8624
    7
    (Dept.
    FWSO),
    rborough, Ontario,
    I
    I
    I
    (reundable on
    ist
    order).
    $2
    For more information on the Excalihur
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    the next generation
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    Excalibur
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    FEE
    SANDING BLTS
    GTSXFEEBELTSFORACHDOZENORDERED.ll
    elts are aluminum oide Ist qua­
    DET ROM HE NFATR
    9"
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    "PaperSheets
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    ship assoted gits
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    40-0 - $17/pk.
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    NO CabInet Paer
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    unless otheise speciied.
    01" x
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    Jointer is one of
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    ______________
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    44NothEighth
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    ____________ _
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    &
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    VT
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    (802) 773-3240
    �------------------------------�
    1985
    January/February
    5
    FOR E DICERNING
    IntenationlInc.
    3241 Kennedy Road, Unit
    o
    Please rush complete information on the exciting new
    10921 York Road
    y.
    Our el
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    Check your size and how many
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    C
    - 13/p. 0
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    [ Pobierz całość w formacie PDF ]
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