Flawiusz Józef - Historia Żydowska, Pisma chrześcijańskie i pokrewne, Józef Flawiusz
File Cabinet - 2 drawer Lateral File cabinet with matching printer cabinet, Woodworking Plans
Fine-Home-Building-25-Years-of-Great-Building-Tips-Malestrom, Building and Architecture
Formative Texts in the History of Zen Buddhism, @Buddhism
Fragment traktatu welawsko-bydgoskiego z 1657, Historia, Prawo, Traktaty, Umowy, Kroniki, Teksty Żródłowe
Film polski - streszczenie, historia filmu polskiego po 1981r
Fine Gardening - Grow Healthier & Easier Gardens (2015), !!!Materialy Eng
Farago&Zwijnenberg (eds) - Compelling Visuality ~ The work of art in and out of history, sztuka i nie tylko po angielsku
Fałszywe dokumenty Gorbaczowa. Kilka faktów o Katyniu, Historia
Furet F. Prawdziwy koniec rewolucji francuskiej, Historia Francji
Fine Woodworking 055, papermodels, historica
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KILLINGER
KILLINGER
KILLINGER
November/December 1985, No. 55
me
ng
'
Elitor
Paul Bertorelli
Cover: james Krenov, cabinet
maker, author, and educator, has
influenced a generation of Ameri·
can woodworkers. Glenn Gordon
visited Krenov, and his reflections
on the man's work begin on p.42.
Photo: john Shaw.
4
LeUers
••
ol/de Elitor.
ArtD'redor
Roland Wolf
10
Methods of Work
Improved featherboard; octagon ripping; clamping system
A
Jim Cummins
Roger Holmes
Dick Burrows
David Sloan
14
Questions
&
Answers
Short-radius bending; lumber from lilac; lid supports
18
Books
Copy EI'tor
Nancy-Lou Knapp
••••
tlnt
120
Events
Art A
Kathleen Creston
124
Notes and Comment
Aid to artisans; product review; carver's confab
Elitorill Seeretlry
Cindy Howard
Art'cle.
Contribut.ng Elitor.
Tage Frid
R. Bruce Hoadley
Richard Starr
Simon Watts
42 James Krenov
by Glenn Gordon
Relections on the risks of pure craft
50
Turning a Lidded Box
by Richard Raffan
A centerwork project
Con.ult.ng Elitor.
George Frank
Otto Heuer
Ian J. Kirby
Don ewell
Richard E. Preiss
Norman Vandal
53 Poured pewter inlay
by William Vick
A round box capped by a snug·
fitting lid is a satisfy ing lathe
project. Richard Raffa n explains
the technique on p. 50.
54 Holtzapffel Revised
by Roger Holmes
A modern ornamental lathe
55 Buy the parts, build the bed
by David Sloan
56 Two Sleds
Shiny paint dresses up Vermont clipper
byJohn Sollinger
Austrian design has laminated runners
by Jonathan Shafer
Metbol. of Work
Jim Richey
TheTaunton Press
60
Making a Panel Plane
by Charles Dolan
A tool fo r the consummate cabinetmaker
,
fiis
co
a
tor; auline
n
, publisher; J
e
A. Ro
n
,
a
ger;
88,
Preston Wake
land and Ian Kirby tell how to
tame them.
64 Kerbschnitzen
byJohn Hines
Two-knfe Swiss chp carving
aul R
ry
;
y
Ann ol
Wrinkly burl veneers are delight
ful to look at but a nightmare to
handle. On p.
,ry
;
n
M
n,
p
ion
67 Sharpening chip carving knives
by Wayne Barton
editor; Tom Luxeder, businss
Ac·
coantt,
n
e
fs, a
ger;
y
68 Machining Stock to Dimension
by Roger Holmes
Start right to fi nish right
io, xuive
n
e Ya
n
.
t:
R
rn
s, dsin
o
r; Paola
o,ffs. oo..
:
l
e ola,
;
Hathr
n
e
n
,
si
t
c
tor; cott andis,
s
tine
mo,
sae
ditos; Nany Stabile,
71 Saw it straight
by Larry Montgomery
Fulillment:
o
le
.nu,
su
i
pion
a
er; Ter
72 Jointer Talk
by Jim Cummins
Getting along with home-shop machines
yhs,sn
t
a
ger; Gloia ar
n
c,
e
,
Hather Ri
i
,
copy/production editor.
;
n
Wner,
74 Face bevels
by Galen J. Winchip
llis l.
Rot B
i
,
i
o
r; avid
k
o,
y
Ann
J,
nn
a In
,n
Nathen
,he
S
n
g.
MaCn,
75 Newport-Style Tall Clock
by Robert Effinger
Tackling the tricky details
Patia Rice, Nany ch
Fine Woodworking
(ISSN 0361-3453) is pub
lished bimonthly, January, March, May, July, Sep
tember and November, by The Taunton Press,
Inc .. Newtown, CT 06470. Telephone (203) 426·
8171. Second-class postage paid at Newtown, CT
06470, and additional mailing offices. Copyright
1985 by The Taunton Press, Inc. No reproduc
tion without permission of The Taunton Press,
Inc. Fine WodworkingI is a registered trade
mark of The Taunton Press, Inc.
a
er,
d
ucion
i;
ave
Fo,
uion u
h
e,y
nn
Snlckus,
-
a
tor;
rat,eoh
oop
82 Wood Stains
by George Mustoe
Five ways to add color
A
Cabinetmaker's Baskets
a
tor.
Mrkt,
ale
s oa
tor;
a
a
no,
excu·
i
e ow,
e
er,
84
duction assistants; Claudia Blake Apple
ate, systm o
Sucription
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Vido:
Rick Mastelll, prducer/
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88 Hexagonal Table from Buckled Burl
by Preston Wakeland
A new approach to an old pressing problem
aer;
a
velli, national accounts
E.
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c
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,
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November
/December 1985
3
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Ames, atherine Sullivan,
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Leters
To our readers:
This space is usually devoted to reader letters, but it seems
appropriate to take a little of it to note, in passing, that this
issue of
Fine Woodworking
marks our 10th year of publishing.
When we began, during the winter of 1975, we hoped to
open a forum in which woodworkers of all persuasions could
exchange useful technical talk, ideas about design and con
struction, and maybe a good yarn or two about the unabashed
satisfaction of making something beautiful out of wood.
Against the conventional publishing practice of the day, we
proposed that this new magazine be written not by profession
al journalists, but by readers actively involved in the craft. We
have succeeded chiefly because we had the good fortune to
attract talented, knowledgeable woodworkers generous
enough to share their experiences with others. For that, we are
profoundly grateful.
That there has been a renaissance in woodworking during
the past two decades is undeniable. Everywhere we travel, we
commonly see woodworking of an uncommon standard. Ex
ecuted by amateur and professional alike, this work encom
passes a rich variety of style, from rustic to radical, functional
to fatastical. Underlying this diversity, however, is a shared
concen for making something well. One of the most reward
ing aspects of our work has been to pass along the efforts of
woodworkers who are rescuing traditional techniques from
oblivion, and those who have enriched that tradition with new
methods and insights. Above all, we have learned that there is
rarely just one right way to work wood.
It is customary for magazines to thank their readers on occa
sions like these. Our gratitude runs deeper than that, however,
for our readers are also our writers, our sources, our inspira
tion and our editorial advisers. For all that and more, we'd like
to say thanks.
showing people how to do things the most efficient way? The
person responsible for this article should be made to go lum
bering with a fretsaw.
WW
#54) on the rare quilted mahogany
-Allan Breed, York, Me.
Mark Berry's article
(
was enjoyable but contained a minor error. Chiquibul (not
Chicibul) is not located in Honduras but in western Belize,
formerly British Honduras. The Chiquibul valley is part of an
extensive forest preserve and contains some of the best re
maining stands of tropical hardwoods in the country. The for
est reserve is currently administered by Mr. Green from the
small village of Augustine.
Figured mahogany of any kind is difficult to find and the
large-quilt mahagony featured in the article is rare indeed.
Plain mahogany is readily available in Belize, at prices lower
than those usually paid for our most inexpensive woods. It is
used as a general purpose wood in the construction in
dustry.
- William
G.
Adams, Richmond, Ky.
WW
#53). About
Fine Woodworking
reached a new literary high with Poetry
and Pun in the article on Celts and "Tates"
(
15 minutes after finishing the article I realized, "He who has a
tates is lost." Double reversal sounds a little impossible, but I
will still try one or two. Always looking for interesting tricks
and puzzles.
-Eugene Mechler, Bridgton, Me.
WW
#54 on growth-ring
Further on Ed Stolfa's question in
orientation: I have had edge-glued panels cup regardless of
the orientation of the growth rings. Another woodworker men
tioned that he found the fault lay in his tablesaw's blade-to
table orientation. Regardless of how accurately set the blade
seems to be, it is easily a hair off true 90°. He flips alternating
boards to neutralize the tiny error. I've followed his example,
to my great satisfaction.
-The Editors
-M.F Marti, Monroe, Ore.
Michael Dunbar's response to Calen Fitzgerald's question re
garding a uniform stain for Windsor chairs (Q&A,
FWW
#53)
spoke eloquently about traditions and about Dunbar's personal
outlook on finishing Windsors. Unfortunately, it did not an
swer Fitzgerald's question. I have run into the same problem
a client requests a "natural" finish, preferably an oil, on a
Windsor, but neither the client nor I wish to be distracted from
the chair's lines by the rainbow of different woods. The answer
lies in a lacquer-based penetrating dye stain, applied by spray
ing. I use stains made by Mohawk Finishing Products, Rt. 30
North, Amsterdam, NY. 12010, using a regular spray gun for the
seat and, to achieve finer control, an airbrush for everything
else. The stain dries almost on contact, and thus is not affected
by the different hardnesses and porosities of the woods. I finish
with 3 to
5 coats of tung oil (also
from Mohawk).
I think this finish is more durable than paint, since the inevi
table dents and scratches show up far less in the stained sur
face than they would
in a painted one. I respect Dunbar's
obvi
ous expertise and experience with Windsors, but I think he is
being somewhat shortSighted in refusing to allow anything but
a painted finish.... Moden finishing technology can give em
phasis to the lines of the chair by making the wood tones more
uniform, while still allowing the wood to show through. It is
an excellent combination and one which falls well within the
original concept of the Windsor chair.
-Mac Campbell, Harvey Station, N.B.
.
Bonelli, Bristol, ln.
First, I would like to thank you for taking the time to shop test
our Williams and Hussey Molder Planer
(FWW
#52). Everyone
learns something from these tests, including us.
I feel the article was fairly accurate with the exception of the
"power feed being disappointing." As you are aware, we
shipped you a hand-feed machine, along with a power-infeed
attachment to convert the machine to a power infeed and out
feed. At the time we were using two rubber feed rolls. Very
shortly afterwards we changed to a serrated-steel infeed roll
and rubber outfeed roll, which corrected any slippage that
might have occured. I feel we should have been contacted
when your author was having problems with the feed. We have
a toll-free number, and a trained staff of people to answer any
questions or problems that may arise.
As for the operator's manual being "the worst I've seen with
a woodworking machine," I have to agree it's not up to par.
We've been [planning to improve it] for years but thanks to the
article, we have decided not to wait any longer.
-Allan L. Foster, vice preSident
-R.
The article [by Aldren Watson and Theodora Poulos] on turn
ing without a lathe
(FWW
#54) is an exercise in frustration.
One could make a spring-pole lathe in the same time it would
take to make the lathebox, and get a nice-looking leg in much
less time than Mr. Watson's beaver method. They don't call
them "tunings" for nothing. Aren't you guys supposed to be
&
Hussey Machine Co., Miford,
..
I found out last night that my friend and woodworking mentor,
Emil Milan, had died. I guess as my circle of friends gets larger
Williams
4
Fine Woodworking
I called Delta in Memphis to see if I could find a fence part for
my 4-in. jOinter-planer of 1950's vintage. Sure enough, they
could supply it. The price? $100! The original cost of the joint
er was about $50 without motor or stand. Needless to say, I
didn't buy the part and will seek an alternate solution. I'm not
sure what's worse-not being able to get parts or paying exor
bitant prices for them. They might just as well have not been
able to supply it.
Why not design your next project
around a Mason
f'
,
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