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File Cabinet - 2 drawer Lateral File cabinet with matching printer cabinet, Woodworking Plans
Fine-Home-Building-25-Years-of-Great-Building-Tips-Malestrom, Building and Architecture
Formative Texts in the History of Zen Buddhism, @Buddhism
Fragment traktatu welawsko-bydgoskiego z 1657, Historia, Prawo, Traktaty, Umowy, Kroniki, Teksty Żródłowe
Film polski - streszczenie, historia filmu polskiego po 1981r
Fine Gardening - Grow Healthier & Easier Gardens (2015), !!!Materialy Eng
Farago&Zwijnenberg (eds) - Compelling Visuality ~ The work of art in and out of history, sztuka i nie tylko po angielsku
Fałszywe dokumenty Gorbaczowa. Kilka faktów o Katyniu, Historia
Furet F. Prawdziwy koniec rewolucji francuskiej, Historia Francji
Fine Woodworking 057, papermodels, historica
[ Pobierz całość w formacie PDF ]March/April
1986,
o. ,
CarvingFinials
CarcaseDovetails
HideGlue
k
Kentuc
y
QuiltCabinet
:
I
,
N 57 $3
.
75
WoodenPlanes
G1019
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$3.00
and we'll whip it out to you
AND LO, LOW FREIGHT ATES.
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and also keep you re
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and sell direct, if don't buy from us
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P.O.BOX
2069,
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PHONE
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IMPORTS, INC .
•
G1030, 3
H.P.
DUST COLLECTOR
G1174 WOOD COPY
Editor
Paul Bertorelli
DEPARTMENTS
Art Director
Roland Wolf
4 Letters
&
Answers
8 Methods of Work
Floating-dowel jOint; backsaw depth-stop; spindle copying
Associ.te Editors
Jim Cummins
Roger Holmes
Dick Burrows
David Sloan
12 Questions
Dull oil finish; cross-grain molding; routers for raised panels
Cover: Carlyle Lynch's
readily buildable lathe is
suitable Jar turning evey
thing Jrom delicate bowls
to a 6-ft- bedpost_ Plans
Copy Editor
ancy-Lou Knapp
100 Events
are on p.
44.
106 Books
Art Assist.nt
Kathleen Creston
108 Notes and Comment
Furniture library; product review; portable sawmill
Editorl.l Secret.ry
Cindy Howard
The Taunton Press
Paul Roman, publisher, Janice
A. Roman, assciate publisher;
Tom Luxeder, business mao
age'; arol Marotti, ersonnel
manager; Lois eck, ofice-er
vices cordinator; Pauline Fa
zio, executive ecretary; May
Ann Colert, secre
ARTICLES
Contributing Editors
Tage Frid
R. Bruce Hoadley
Michael S.
Podmaniczky
Simon Watts
30
Old Wooden Planes
by Graham Blackburn
Reworking brings rewards
n
y
, S
36
Crowning Glory
by Ben Bacon
Carving pineapple and flame finials
t:
Roger
McCann, receptionist.
Ac
counting:
Irene Arfaras, man
ager; Mary Ames, Michael Ur
ban, Elaine Yamin.
Consulting Editors
George Frank
Otto Heuer
Richard
E.
Preiss
Norman Vandal
41 Plywood Chairs
by Gregg Fleishman
Slotted panels make springy seating
Banes, design director; Vickie
Joy Stansberry, art assistant.
Books:
Leslie Carola, publish
er; Heather Brine Lamert, as
sociate art director; cott an
dis, Christine Timmons,
associate editors; Nancy Sta
bile, copy/prduction editor,
Martha Higham, secretary.
F
44
.
Shopmade
Lathes
Low-Cost Wooden Longbed
by Carlyle Lynch
Heavyweight Lathes
by Jerry Blanchard
i
llment:
arole E. Ando,
subscription manager, Terry
Thomas, assistant manager;
Gloria Carson, Dorothy
Dreher, onna Leavitt, Peggy
LeBlanc, Denise Pascal,
Heather Riccardi, Patricia
Rice, Nancy Schoch; Ben
Warner, mall-services clerk.
Robert Bruschi, distribution
supervisor; David Blasko,
Mary Ann astagllola, Linnea
Ingram, Aaron Nathenson,
Marchelle Sperling, Nicholas
TamburrI.
Manufacturing:
Kathleen Davis, director; Gary
Methods of Work
Jim Richey
A
cabinetmaker tackles two-board construction
52
Dovetails for Case Work
by Gene Schultz
Strength and durability from traditional joint
49 Kentucky Quilt Cabinet
by Warren
A.
May
Fine Woodworking
(ISSN
0361·
3453)
is published bimonthly, Janu·
ary, March, MaY,July, September and
November, by The Taumon Press,
Inc., NewtOwn, CT
06470.
Tele
phone
(203) 426·8171.
Second·c1ass
postage paid at Newtown, CT
06470,
and additional mailing offices. Copy
right
1986
by The Taunton Press,
Inc. No reproduction without per
mission of The Taunton Press, Inc.
Fine Woodworking® is a registered
trademark of The Taunton Press, Inc.
Subscription rates: United States and
possessions,
$18
for one year,
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Single copy,
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Single copies
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'4.25.
Send to Subscription Dept., The
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New
town, CT
06470.
Address all corre·
spondence to the appropriate depan
menl (Subscription, Editorial, or
Advenising), The Taunton Press,
63
South Main Street, PO Box
355,
New
town, CT
06470.
U.S. newsstand dis·
tribution by Eastern News Distribu·
IOrs, Inc.,
1130
Cleveland Road,
Sandusky,
n
c1, manager, prduction
56
Barnwood Beauties
by Shel Hershorn
Rare furniture from ravaged wood
services; David DeFeo, coor
dinator; Barbara Bahr, Deb
orah Cooper, Dinah George,
Margot Knorr, prduction as
sistants, Claudia Blake Apple
gate, system operator.
Mar
keting:
Dale Brown, director;
Rosemarie Dowd, trade sales
coordinator; Laura Lesando,
executive secretary.
Promo
tiol:
Jon Miller, manager;
MoUy TurmeUe, assistant man
ager;
58 Making a Wooden Clockworks
by Wayne Westphale
Part two: Getting things ticking
64
Rout-a-clock
by Jim Cummins
nn
e Feinstein, assistant
66 Visit to a Glue Factory
by Jim Cummins
Versatile hide glue still holds its own
art director.
Video:
Rick Mas
teUI, producer/director; Don
Goff, Jr., prduction asslstant_
Sls:
Rich
A
boat building method applied to furniture
78 Close Ups
Advertisina and
ard Mulligan and James P_
Chiavelll, national accounts
managers; Vivian E. Dorman,
assciate sales representative;
Carole Weckesser, senior sales
coordinator, Jo Voigt, sales
coordinator; Claudia Inness,
circulation assistant. Tel.
A
detailed look at recent work
(203) 426-8171.
OH
44870.
Postmaster: Send address changes to The Taunton Press, Inc., PO Box 355, Netown, CT 06470.
3
70
Router Joinery
by Bernie Maas
Jigs expand the repertoire
74 Cold-Molded Cradle
by Larry Hendricks
Leters
The wooden clockworks article in
WW
#56 reminds me of
my uncle who was an impecunious professor at Davidson
College around 1920. He had a grandfather clock that didn't
keep time, so he took it to the local clocksmith and told him
to put in some good works, which he did. A few weeks later
my uncle saw in the clocksmith's window a grandfather clock
with an unbelievably high price tag on it. My uncle went in
and asked why a clock that looked just like his was for sale at
such an extravagant price. The clocksmith said, "Because it
has wooden works." My uncle replied, "Well, my clock had
wooden works." The clocksmith answered, "Yes, they are
your works."
-
Pendleton Tompkins, San Mateo, Calf.
(
WW
#55). As an amateur woodworker
I enjoyed the tablesaw article by Rich Preiss. He says he sees
no arguable difference between Powermatic and the Unisaw.
An enormous difference is that the Powermatic arbor tilts
away from the fence opposed to virtually every other saw,
the Unisaw included, vhich tilt toward the fe nce. Tilting to
ward the fence traps the material if there's any imprecision
in either saw setup, material or operator feed. Also, doing
bevel cuts is awkward when the tapered edges tend to go
under the fence.
Lastly, a double question. How many of us use the safety
equipment on tablesaws? I don't. How often has anyone ex
perienced kick-back? In twenty years in the business, I have
once. If safety is your big concen in ripping, use a bandsaw.
I read, with great interest, Glenn Gordon's article on James
Krenov and his work
with no formal training, I have used books as my teacher,
Krenov's among them. I find myself constantly drawn to them
because they are incredibly inspirational.
To me, craftsmanship of Krenov's caliber is not drawn from
inspiration, but rather from the unsettled emotion to create to
an inner satisfaction ...a rare quality in a world that equates
success with material possessions and financial status. Con
sciously or not, Krenov seems to be a true romantic con
cerned, as Aristotle stated, not with things as they are, but rath
er as they should be. Because he knows no other way, his
legacy to craft will endure and provide countless many with an
example of the unlimited potential of the human spirit. I know
of at least one person whose world has been enriched know
ing that James Krenov is in it.
-Edward Capp, Mentor, Ohio
Your article on tablesaws is disappointing. I would suggest in
the future that you follow the outline from your article on
thickness planers. That had some meat to it and got the atten
tion of both readers and manufacturers. We still don't know
the advantages and disadvantages among several saws such as
Delta, Grizzly, General and Powermatic. This article must have
been written for the benefit of the advertising department. It
certainly wasn't written for the serious woodworker.
-Lawrence J Raleigh, Casco, Me.
Re the letter from Dale E. Grossnickle,
F
W #55, on plug cut
ters burning out. I have two suggestions: First, I always overlap
the previous hole or cut the plug at the edge of the stock, al
lowing part of the cutter to be exposed outside the hole. This
allows the heat to escape. Second, I reduce friction by occa
sionally rubbing paste wax on the outside of the cutter.
-Gerry Drewicz, Greenfield, Wisc.
0
book has influenced my atti
tude toward woodworking more than Krenov's. I built a small
wooden plane according to his plans and it works like no
other in taking fine shavings, even from difficult wood. Many
times I am tempted to take shortcuts, but there, always, is the
spirit of James Krenov, reminding me to do it the right way,
even if it's more difficult. I've made several large tables with
hand-planed surfaces which give me satisfaction whenever I
see or feel them.
So, I read the article by Glenn Gordon onJames Krenov in
FWW
#55. What's this? He doesn't like to build large pieces
of furniture? The best chairs have already been built? Come
on Jim, get off the pedestal and lighten up. Run, don't walk,
to the nearest drawing board to plan and build a Queen Anne
highboy (like in
FWW
#42), or a dining table four feet wide
and long enough to seat twelve. Krenov has become comfort
able making little cabinets and it seems as though instead of
playing to win, he is playing not to lose. It sounds as if he
needs a new (or old) challenge to open up his horizons, and
share his inSights. He, and we, would be the better for it.
equivalent hardness in excess of 70 Rockwell
"c."
Other good
characteristics are resistance to heat, corrosion and wear. It's
like having a carbide tool at a fraction of the cost. If anyone is
interested, they can send a SASE and description of the tool to
be treated to OK Products of Tulsa, Inc., 4295 West 50th St.
South, Tulsa, Okla. 74107, and they will send you a brochure
and price list.
-jerry Ence, Broken Arrow, Okla.
-john ToJaletti, Durham,
.C
For those of us who enjoy woodworking but don't have the
money and/or space for top-quality eqUipment, yet enjoy what
we can do with the cheaper plastic models, this experience
will help "keep-'em-running."
Recently the plastic hub of one of the idler wheels in my
bandsaw cracked and expanded, causing a bad wobble. I re
paired it using epoxy glue as a filler to repair the expanded
hole and anchor the metal bushing. I filed a herringbone pat
tern around the outside of the metal bushing and made deep
scratches inside the plastic hub. A short piece of wood dowel
kept glue out of the center of the bushing, and off my fingers,
as I applied a thick coat of epoxy and inserted the bushing in
the hub. After letting the glue set for about 10 minutes, I
scraped off the excess, removed the dowels and put the wheel
back on its axle in the saw frame. There was still enough give
in the wet glue to allow for adjustments in making the wheel
turn true. After overnight drying I am back in business, as good
as new.
Glenn Gordon's article on James Krenov was totally outstand
ing. I, too, have read and been deeply influenced by Mr.
Krenov's writing and his cabinetry. I also sensed the paradox
inherent by fo llowing his line of thinking on craftsmanship.
The illuminating thing in Gordon's article was that doing
strict, high-minded work can have a stifling effect on the
maker and on the work. That was probably a barrier I felt
since reading Krenov's books. I certainly became much more
judgmental of my own work, and sometimes inhibited, if I
didn't think the job would have any great significance or add
to the body of the creative cabinet pool.
There does need to be a balance between the artistry we
wish to express when we build something and the service it
should provide its users.
-Brad Schwartz, Santa Ana, Calt!
-
Wa lter johnson, DeKalb, Tex.
Two weeks ago, I attended my first woodworking show at
the O'Hare Expo Center in Chicago. I was awestruck to see
the great names in woodworking machines for the first time,
like Ulmia tablesaws, Hegner scrollsaws and lathes and the
4
Fine Wo odworking
-.F
Marti, Monroe, Ore.
One of the first woodworking books I read was Krenov's
The
Fine Art of Cabinetmaking.
I, too, have had problems while drilling deep holes in hard
woods with my Forstner bits. I have found a company that will
take your
sharpened
tool and Metaloy it with chromium to an
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