Flawiusz Józef - Historia Żydowska, Pisma chrześcijańskie i pokrewne, Józef Flawiusz
File Cabinet - 2 drawer Lateral File cabinet with matching printer cabinet, Woodworking Plans
Fine-Home-Building-25-Years-of-Great-Building-Tips-Malestrom, Building and Architecture
Formative Texts in the History of Zen Buddhism, @Buddhism
Fragment traktatu welawsko-bydgoskiego z 1657, Historia, Prawo, Traktaty, Umowy, Kroniki, Teksty Żródłowe
Film polski - streszczenie, historia filmu polskiego po 1981r
Fine Gardening - Grow Healthier & Easier Gardens (2015), !!!Materialy Eng
Farago&Zwijnenberg (eds) - Compelling Visuality ~ The work of art in and out of history, sztuka i nie tylko po angielsku
Fałszywe dokumenty Gorbaczowa. Kilka faktów o Katyniu, Historia
Furet F. Prawdziwy koniec rewolucji francuskiej, Historia Francji
Fine Woodworking 070, papermodels, historica
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May/June
1988
Leners
DEP
R
TMENTS
Methods ofWork
4
8
Questions
&
Answers
Cord-loop storage; routing fingernail edges; dust catcher
12
Folow-up
Sharpening mUlti-spur bits; yellow poplar; cleaning inishes
16
Evens
Tilt math; finish vocabulary; switch update; fifth legs
Books
100
Notes and Comment
104
See anything wrong with this picture? For the
answer and more tips on choosing carbide-tipped
sawblades, tun to p.
36
Cover: Despite their ancient
lineage, marking gauges are still the most consistent
and accurate layout tools in the shop. See p.
7.
108
Pencil building; bleaching bowls; product review
R
TICLES
36
Carbide Sawblades
by Jim Cummins
Compromises in quality make for affordable cuts
Mlnlging Editor
Dick Burrows
Art Diredor
Roland Wolf
Senior Editor
Paul Bertorelli
Associlte Editors
Jim Cummins, John Decker
Assistlnt Editors
Sandor Nag
yszalanczy,
Roy Berends
ohn
Copy Editor
Cathy McFann
Assistlnt Art Diredor
Kathleen Creston
Editorill Secretly
Mary Ann Colbert
Contributing Editors
Tage Frid, R. Bruce Hoadley,
Michael S. Podmaniczky, Graham Blackburn
Consulting Editors
George Frank, Otto Heuer, Richard
E.
Preiss,
Norman Vandal
Methods of Work
Jim Richey
Fine WoodwOI-king
is a reader-written magazine. We weI·
come proposals, manuscripts, photographs and ideas from
our readers, amateur
r
professional. We'll acknowledge all
submissions and retun within sLx weeks those we can't
42
Building Fireplace Mantels
by Ben Erickson
AntebeliUln designs provide inspiration
46
Making and Marketing Multiples
by Tony Lydgate
How one small shop succeeds at the wholesale game
49
Multiples on a router table
by Robin Cosman
51
Shop made Scroll Saw by Mark White
Eccentric drive simplifies construction
54
Leg-and-Apron Table by Chris Becksvoort
Add a removable leaf when company comes
58
Thickness-Planer Primer
by Alfred E. Holland, Jr. and David Kinter
Fine-tuning is the key to smooth planing
62
Adjusting a planer with a dial indicator
by Robert M. Vaughan
64
A Boatbuilder's Bowls
by Stu Gillam
Overlapping techniques
Wx
by Bob Flexner
Clearing up some cloudy questions about an ancient finish
publish. Send your contributions to
Fille Woodworking,
Box
,
66
Demystiying
355,
ewtown, Conn.
06470.
Title to the copyrights in the contributions appearing in
Fine Woodworking
magazine remains in tile authors, pho
tographers and artists, unless otherwise indicated. They have
69
Carcase Doweling by Monroe Robinson
Accuracy and patience ensure success
granted publication rights to
Fine Woodworking.
iue Woodworking
(ISSN
0361-3453)
is published himomhly,January. March, Ma)'.
July, September and Novemocr, by The Taunton Pre
ss
Inc.,
Newtown, CT
06470.
74
Marking Out
Using the Marking Gauge by Frank Klausz
Shopmade Marking Gauges by Fred Palmer
Large-Scale Layout by Percy Blandford
additional mailing offices. Coprrighl
1988
by
:
Taunton Press, Inc. No reproduc·
tion without permiSSion of he Taunton Press.
Inc. Fine
WodworkingY is a rcgb
tcr.:d trademark o[ The Taumon Press. Inc.
Subscription rates:
United States and
possessions, 518
[or one year,
534
[or two )'t.ars; Canada and other countries,
521
[or
80
Tropical Deforestation by George Putz
Are woodworkers to blame?
one ),ear,
540
[or yo years (in U.S
. dollars, please). Single copy.
S3.75.
Single copies
outside U.S. and
oss
e
ss
i
ons
54.25.
Send
o
Subscription Dept.,
Il"
Taunton Press,
PO Box
355,
Newtown, CT
06470.
Address all corn
.:spondence to tilt: appropriate
dcp;trtmem (SubSCription, EditOrial, or Advertising), The
Taunton
Press,
63 South
83
A cabinetmaker visits the jungle
by Lucinda Leech
Main Street, PO Box
355,
Newtown,
CT
06470.
U.S. newsstand distribution b)' East·
ern News Distributors, Inc.,
1130
Cleveland Road, S;tndus.', O!
44870.
3
Postmaster:
Send address changes to The Taunton Press, Inc., PO Box
355,
lewtown,
CT
06470.
ne
Telephone
(203) 426-8171.
Second-class postage paid at Nevlown,
..1 06470,
and
Leters
-
ter reading about dust
collection systems in
WW
#68, I wondered if it wasn't time to
simpliy the whole problem rather than build more elaborate
systems. New systems tend to be ineicient and cumbersome.
As time goes on, improvements make the system simpler and
more eicient. When machine shops irst started, for example,
they were powered by water wheels or single-motor drives,
which drove a line shat
that powered belts connected to indi
vidual machines. Now each machine has its on electric motor.
Maybe it's time to look at dust collection in the same fashion
and put a shop vacuum on each major machine or between
pairs of lesser-used machines.
I have a small one-man shop in my basement.
ignorance of the source of the material: The word "deforesta
tion" keeps whispering in my ear. Ever-shrinking forests on this
planet are under intense pressure from an ever-growing human
population. Anytime we woodworkers work with trees that
have met a natural or otherwise necessary death, we reduce
this pressure.
None of us can completely avoid commercial timber prod
ucts, but we should always be aware of whether our wood
came rom a tree killed in a chainsaw massacre or rom a tree
that voluntarily gave up the ghost, allowing us to create
an enduring tribute to the beauty of its wood. If we strive
for the latter source of wood, maybe our children can know
the joys of woodworking, too.
-Tom Ness, San Fancisco, Calf
.
I
have separate
vacuums for my tablesaw, jointer, stroke sander and 6-in. belt
sander. The thickness planer and shaper share a vacuum, as do
the bandsaw and lathe.
Most of my power tools are 1950's vintage, so dust collecting
parts had to be added to each tool. Each power tool has an
electric outlet connected
in parallel with the 110v
drive motor.
The vacuum is plugged into the outlet, so the dust collection
starts when I turn on the tool. My system has good dust pickup
and requires very little maintenance. The overall price was
lower than a large
single system with all
its required piping and
connections. My system may not be feasible for all shops, but
it's worth considering.
'
s been such
an
overwhelming response to Hydrocote following Michael
Dresdner's article in
WW
#69, that Hood Products has decid
ed to ofer seminars and starter kits for customers. Since
Hydrocote is so diferent from nitrocellulose lacquer, we'll be
ofering a series of ree workshops on Hydrocote application
techniques. The four-hour classes, which will be open to pro
fessionals and amateurs,
will be ofered at various locations
around the country. For people who can't attend a workshop,
Hood is ofering a Hydrocote starter kit for $95.95. The kit
contains a gallon each of Hydrocote gloss, satin and sanding
sealer lacquers, a ish-eye eliminator, special rubbing com
pound, mixing accessories and a use-and-troubleshooting booklet.
For more details, check our catalog, which can be obtained in
the East by calling Hood Products at (800) 223-0934 or (201)
247-2177, and
in the Midwest and
West by calling Amity Res
toration Systems at (800) 334-4259 or (608) 221-3585.
-Erick asn, Hood Products, Freehol,
NJ
More on
buying old p
n
es
-
Many woodworkers hold tool
collectors in low esteem. I, however, have found one in my
area who's most helpul. He is willing to part with his non-rare,
duplicate items at very reasonable prices. I have purchased a
22-in. Union jointer plane, a #5 Stanley and my favorite, a
#4 Bailey. They were all in operable condition at the time of
purchase and cost me a total of about $50.
I know that everyone does not need these basic planes, but
collectors often have information that woodworkers lack. Col
lectors can suggest common planes that might be adapted to
do the job of a rare plane that you can't aford. Or, they can
help you locate cutters or parts for a plane you already have.
Collectors are like old planes; some are better than others.
-Tim McCarthy, Oak Harbor, Wash
.
-
-Don Symou, Sy racuse,
N.
(
WW
#69) were
done well and contain a great deal of information. But, I dis
agree with Savelli's claim that "trying to save money by not
buying insurance is false economy, especially if you are an
incorporated business and the premiums are tax deductible."
The statement implies that you must be incorporated for the
premiums to be tax deductible. This is not the case. Business
insurance is deductible whether you are operating as a sole
proprietor, a partner or a corporation.
Lee's point that it is diicult and unusual for a la�suit
to pierce the corporate veil and reach personal assets is well
taken, but it is wise to have a lawyer periodically check your
operation to make sure you are complying with all the formali
ties of operating as a corporation. This will lessen the chance of
the corporate veil being pierced. A greater concern is that the
corporation and any individual employee who may have been
negligent might both be held liable in the case of a suit. Many
states allow this type of claim under what is commonly re
ferred to as "joint and several liability."
As the authors suggest, the best advice is to discuss your in
surance needs with a competent lawyer or accountant.
The articles on shop insurance
and liability by Gary Savelli and Peter Lee
I
also
recommend you shop for insurance and take the time to talk
with at least four diferent brokers about your needs.
-David Grant Willemain, Towson, Md.
(
WW
#68) needs some
clariication. Gordon is inaccurate when he says that Sam Ma
loof and Alphonse Mattia made the inal selections for the show
and juried in their own work. Maloof and Mattia were asked by
Bill Zimmer, the gallery director, to serve with him on a selection
committee. Because of logistics, each reviewed work separately
Feedback on Mendocino show
-Glenn Gordon'S review of
the Mendocino Gallery Fair show
(
WW
#69). I'm both a woodworker and an environ
mentalist. I can no longer view any woodworking in blissul
he
Taunton
Press
Ben Kan, art diector; Ruth Dobsevage, production!copy editor;
Maria Angione, secretar. Daa Processing: Drew Salisbury, mall
age1� uchard Benton, system operator/programme, Ellen Wolf,
PC
coordinator. Fulfillment: Carole E. Ando, subscription numager;
Patricia Aziere, Connie Barczak, Gloria
o
n, Dorothy Dreher, P
gy
LeBlanc, Jean Oddo, Denise Pascal. Customer Senice: Terry TIlomas,
supervisor; Christine Cosacchi, Anette Hamerski, Nancy Schoch. Dis
tribution: Danny D'Antonio, warehouse supervisor; David Blasko,
Mary Ann CostagJiola, Timothy Harrington, Sherry Powell, Robert
Weinstein, Linnea Ingram, Alice Saxton. Manuacturing: Kathleen
Davis, director; Austin E. Starbird, prepress manager; Robert Marsala,
graphic arts supervisor; Barbara Bahr, magazine production man
ager; Margaret Dutton, book production manager; Dee Flanagan,
p"int buyer; Ellen Olmsted, pro<luctiol coordinator; Margot Knorr,
production technician;
Ua
Carlson, Mark Coleman, Deorah Cooper,
Priscilla Rollins, Thomas Sparano, poduction assistants; Swapan
Nandy, scanner/system operator; Dinah George, Nancy Knapp, ys
tem operators; Rosemary Aunce, secretary. Marketing: Dale Brown,
director; Andrea Ondak, marketing coordinator; Rosemarie Dowd,
trade sales co dinator; Barbara BuckaJew, secetary. Direct Mar
keting: Jan Wahlin, director; Jon Miller, promotion manager; Philip
Allard, copy/promotion writer; Pamela Purrone, copy/production
editor; Karen Cheh, circulation coordinator; Claudia Allen, eireLtla
tiOI! assistallt. Video: ruck MasteUi, prodtlcer/director; James Hali,
assistant producer.
Paul Roman, publisher; Janice A. Roman, associate publish; John
Kelsey, editorial director/books and videos; John Lively, editorial di
rector/magzines; Tom Luxcder, operations manager; Carol Marotti,
persollnel manager; Linda BaUerini, persollnel (lSsisttllt; Lois Beck,
ofice-services coordinator; Carol Gee, exec. secretary; Ben Warner,
mail services clerk; Christopher Myers, office operatiols clerk;
Chuck Hollis, ofice maintenance. Accounting: Wayne Reynolds,
controller; Patrick Lamontagne, malager; Mary Ames, Judith Smith,
Advertising and Sales: James Chiavelli, sales manager; Donald
Schroder and Pamela Sigal, national accounts managers; Carole
Weckesser, senior sales coordinator; Nancy Clark, sales coordinator;
4 Fine Woodworking
A dust collector for every
tool
Se
s
on water-base
a
c
q
uer
-
There
More on shop ins
n
ce
Save the trees
-On behalf of "commercial species" of trees
everywhere, I'd like to say thanks for the article on backyard
exotics
Elaine Yamin.
t:
Roger Banes, design director; Deborah Fillion, art
department manage1� Anne Feinstein, Martha Leugers, associate art
directos; Catherine Cassidy, art assistant. Books: Deorah
ne,
managing editor; Scott Landis, Christine Timmons, associate editors;
Sherry Duhigg. secretary. Tel.
(203) 426·8171.
•
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If you are looking for a machine at a moderate price
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