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File Cabinet - 2 drawer Lateral File cabinet with matching printer cabinet, Woodworking Plans
Fine-Home-Building-25-Years-of-Great-Building-Tips-Malestrom, Building and Architecture
Formative Texts in the History of Zen Buddhism, @Buddhism
Fragment traktatu welawsko-bydgoskiego z 1657, Historia, Prawo, Traktaty, Umowy, Kroniki, Teksty Żródłowe
Film polski - streszczenie, historia filmu polskiego po 1981r
Fine Gardening - Grow Healthier & Easier Gardens (2015), !!!Materialy Eng
Farago&Zwijnenberg (eds) - Compelling Visuality ~ The work of art in and out of history, sztuka i nie tylko po angielsku
Fałszywe dokumenty Gorbaczowa. Kilka faktów o Katyniu, Historia
Furet F. Prawdziwy koniec rewolucji francuskiej, Historia Francji
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  • Fine Woodworking 076, papermodels, historica

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    . �.
    -
    B,ilding
    -
    t
    pncil·post Bed
    .
    - , "

    �Workng;
    -
    ----
    -
    --

    M
    a
    y/Jun
    e
    1
    9
    8
    9
    DEPR TMENTS
    4
    Letters
    12
    Methods of Work
    Sharpening jointer knives; trammel heads; bandsaw fence
    16
    Questions
    &
    Answers
    Fixing barred-glass doors; wood storage; dyeing pearwood black
    22
    Folow-up
    Polishing up finishing articles; defining "reader written"
    96
    Evens
    102
    Books
    Plate-joinr machines, reviewed on p. 60,
    fr
    the
    small shop a fas, accuate and economical method
    of joiney. Cover: Ths pencil-post bed y Christian
    Becksvoort graces a oom at the bed-and-breakfst
    106
    Notes and Comment
    Finnish woodworking exhibition; product reviews; dovetail boxes
    Bagly House in Freepor, Me.
    (See article on p.
    32)
    32
    The Pencil-Post Bed
    by Christian H. Becksvoort
    Jigs for machining tapered octagons
    38
    Shoulder Plane
    by Maurice Fraser
    Unmatched for precise trimming in
    90°
    corners
    Editor Dick Burrows
    Art Director Roland Wolf
    Associ"te Editor Sandor Nagyszalanczy
    Assst"nt Editors Jim Boesel, Alan Platt,
    Charley Robinson
    Copy Editor Cathy McFann
    Associ"te Art Director Kathleen Creston
    Editori"' Secret"y Mary Ann Colbert
    Contributing Editors Tage Frid, R. Bruce Hoadley,
    Michael S. Podmaniczky, Graham Blackburn, Christian
    Becksvoort, Michael Dresdner
    Consulting Editors George Frank, Richard E. Preiss,
    Norman Vandal
    Methods of Work Jim Richey
    Indexer Harriet Hodges
    42
    Building a Display Cabinet
    byJeffrey Greef
    Production-shop speed with small-shop tools
    47
    Ebonizing Wood
    byJohn McAlevey
    Home brew lets the grain glow through
    49
    Black inishes for dramatic accents
    50
    Aniline Dyes
    by Michael Dresdner
    Coloring wood with moden chemicals
    51
    Mahogany
    by Jon Arno
    Classic-funiture timbers are getting harder to find
    54
    Three Benches
    Park seating with a Japanese flair
    by John Goertzel
    Walnut settee by the sea
    by Thomas Hughes
    Art-nouveau garden bench by Bim Burton
    60
    Plate Joiners
    by Allan Smith
    Comparing eight portable slot-cutting m
    achines
    65
    Laying Out Compound Joints
    by Graham Blackbun
    Getting an angle on splayed sides
    68
    Campaign Chest
    by Vernon Harper
    Locking drawers and a drop-jront secretaire
    72
    Segmented Turning
    by Michael Shuler
    Swirling pattens by cutting and reassembling a single board
    76
    Lit Cabinets
    by Scott Peck
    Remote-control devices open the possibilities
    79
    Honeycomb-panel construction
    80
    Desig Build
    by Scott Smith
    Architects in the shop
    Associ"te Publisher John Lively
    Circul"tion Assst"nt Lynn Mefert
    Advertising S"'es M"n"ger James P. Chiavelli
    N"tion"' Accounts M"n"gers Don Schroder,
    Dick W
    est
    Assist"nt Accounts M"n"ger Ben Warner
    Senior S"'es Coordin"tor Carole Weckesser
    i
    FineWoodworking
    Adv
    Tel.
    (800) 243-7252
    Fax.
    (203) 426-3434
    Fine\Ioodworking,
    355,
    06470.
    is a reader-written magazine. We welcome
    proposals, manuscriptS, photographs and ideas from our read­
    ers, amateur or professional. We'll acknowledge all submissions
    and retun dlose we can't publish. Send your contributions to
    FineWoodworking.
    Box
    Newtown, Conn.
    Title to the copyrights in the contributions appearing in
    magazine remains in the author, photog­
    raphers and artists, unless otherwise indicated. They have
    granted publication rights to
    FilleWoodworkillg
    (lSSN
    0361-3453)
    is published bimonthly, Januay, March, May,
    July, Septcmber :Ind November, by The Taunton Press, Inc., NcwtQ'n, CT
    06470.
    Telephone
    (203) 426·8171.
    Second· class postage paid at Newtown, CT
    06470,
    and
    additional mailing ofices. Copyright
    1989
    by "nlC Taunton Press, Inc. No reproduc­
    tion without permission of TIle Taunton P,:ss, Inc. Fine Woodworking® is a regiS·
    tered trademark of The Taunton Press, Inc.
    Subscription rates:
    United States and
    possessions,
    522
    for one year,
    S40
    for two years; Canada and Olhcr countries,
    526
    for
    one year,
    548
    for two years (in U.S. dollars, please). Single copy,
    54.50.
    Single copies
    outside U.S. :lI1d posseSSions,
    55.50.
    Send to Subscription Dcpt., TI1C Taunton Press,
    PO Box
    355,
    NC1:own, CT
    06470.
    Address all correspondence to the appropriate
    departnlenl (Subscription, Editorial, or Advcrlising), The Taunton Press,
    63
    South
    Main Stre't, PO Box
    355.
    Newtown, CT
    06470.
    U.S. newsstand distribution by East·
    ern News Distributors, Inc.,
    1130
    Cleveland Road, Sandusky,
    Postmaster:
    01
    44870.
    Send address changes to The Taunton Press, Inc., PO Box
    355,
    Newtown, CT
    06470.
    3
    Fne
    RTICLES
    ss"t
    ng CoordiJlor Ka
    n
    Simonds
    Advertising Secret"y Sherry Duhigg
    Fine\Ioodworking
    Letters
    n
    n
    More articles on Shopsmith tools-I see you have excluded
    Shopsmith from one of your comparison articles again! Why?
    There are thousands of Shopsmith owners out there who read
    your magazine, and I can tell you for a fact that we are not happy
    with you.
    g heads
    -
    I'm concerned
    about the molding-head cutter described in the article on blanket
    chests in WW
    gs on hree-cutter mol
    #75. The picture on p. 49 shows John Dunham
    roughing out the curved sides of the chest with one of these
    molding heads, which is fitted with three cutters and designed to
    run on a tablesaw. In describing the operation, Dunham states
    that the molding-head cutter keeps the work pressed against a
    clamped fence, and he advises to "think safety." Well, I did, espe­
    cially since I suffered a severe hand injury in 1988 while using
    such a molding head.
    Despite 40 years of injury-free use on a 10-in. tablesaw and a
    keen awareness of the dangers of the molding head, I let my
    guard down for an instant and suddenly all hell broke loose.
    Your recent article on scroll saws
    (
    #74) did not in­
    clude the excellent model Shopsmith makes. For the money,
    the Shopsmith brand is the best deal you can get: variable
    speed, 20-in. throat, 2-in. capacity, stand and motor, 60 blades,
    153kin. by 203/4-in. table, parallel arms, 450 table tilt right and
    left, plus a foot that will tilt to remain parallel to the table,
    which I've never seen any other scroll saw do. All this for only
    $549. None of the saws you mentioned beat my machine.
    -Matt Ko ttman, Derry,
    WW
    al
    N.
    PM
    s
    I
    12
    on
    my saw, has a cutting-tip speed of nearly 0.2 miles per second.
    Depending on the blade shape and sharpness, depth of cut and
    work-feed speed, this tool can generate high horizontal and ver­
    tical dynamic forces. This cutting tool is perhaps the most dan­
    gerous in the woodshop.
    Dunham's fixture compensates for the workpiece's horizontal
    travel caused by the cutter blades. No fixture is provided to keep
    the work from moving upward, away from the table surface. All
    Dunham has to stop this movement are his hands and fingers,
    which
    might not be suicient if the
    cutter blade strikes a knot
    or
    hard wood area. One or more dull blades on the cutter head
    will cause even greater and unpredictable dynamic forces. Be­
    cause of the great danger of this and other operations, perhaps it
    would be extremely beneficial to readers if WW
    Dado sizes with Delta
    am
    -
    The article on radial-arm
    saws in WW
    #73 states that the Delta Model 10 will not hold
    in. worth of dado cutters. This is incorrect. Delta
    specifies that their saw will hold up to 13/16 in. of dado cutters.
    This is accomplished by using the thin arbor lange on the inside
    and the arbor nut on the outside without an arbor flange.
    -Jef Keating,
    h
    a, Neb.
    To Our Subscribers
    Recent issues of Fine Wo odworking have been sent to you
    wrapped in a protective plastic bag. Unfortunately, many
    plastic products will retain their strength for hundreds of
    years ater being discarded. Tests conducted with sophisti­
    cated carbon-14 tracing indicate that it may take 200 to 400
    years to reach full disintegration. The interest in developing
    degradable plastics has grown over the past few years, and
    quite recently some manufacturers have begun to offer ma­
    terials that meet the needs of the magazine publishers. The
    Taunton Press has been active in locating and testing these
    products, and we are pleased to commence using them for
    wrapping all of our publications.
    What makes these plastics so degradable is the addition of
    several new ingredients. One is a starch granule derived
    from cornstarch, and there are also some oxidizing agents
    formulated from fats and fatty acids. The aim is to provide
    additional ingredients within the plastic that will promote
    molecular breakdown of the plastic once it is buried in the
    soil. The specific processes involve both chemical reactions
    and biological activity. The current technology relies on the
    presence of both moisture and micro-organisms, and is also
    affected by environment and temperature. With this in
    mind, it should be clear that the rate of degradation is vari­
    able, and not subject to clear standards. However, several
    tests have demonsu'ated that degradable plastic
    established a
    specific section to address safety concerns associated with specific
    tools and woodworking operations. Readers need to be in­
    formed and instructed as to how, when, where and why to
    achieve safety-only then will they have an intelligent way to
    "think safety." -Bill Hayman, Annapolis, M.
    Pianos are wonde
    l
    but
    l
    e
    n
    es -s a professional
    rebuilder of pianos and a longtime reader of WW
    ,
    I was excited
    to see the back cover of issue #74. I feel the need, however, to
    write a few words of caution, lest every other woodworker in the
    country rushes out to perform miracles of cabinetry on old pianos.
    First, it should be noted that the Wendell Castle Steinway was
    built from scratch, and you can bet that the great technicians
    from Steinway had a lot to do with the whole project. Emmett
    Day's Steinway, on the other hand, was built in 1927; from the
    article, I am assuming that the piano's workings and structure
    were rebuilt by a qualified piano technician. Given that it was a
    quality instrument when it was new, and assuming that its "di­
    lapidated condition" was not so far along that restoration was
    impossible, Day probably ended up with a fine piano, provided
    the work was done correctly.
    I would strongly discourage woodworkers from starting such
    a project without the close help and support of a qualiied piano
    technician. It is too easy to begin with a lousy piano and turn it
    into a piece of beautiul urniture, only to find that perhaps thou­
    sands of dollars of pano work is necessary to give the project
    any value at all. Such eforts are a huge waste of time and energy:
    n
    decom­
    pose completely within three to six years. (In one test, plastic
    buried in a compost pile decomposed in 30 days). Yet the
    shelf life and strength of degradable plastic are comparable
    to conventional plastics. -Philp Va nKirk, Production
    Ma nager of Ma gazines, The Ta unton Press
    d
    d
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    4
    Fine Woodworking
    W
    figure it, the 7-in.-dia. molding cutter, rotating at 3,450
    more than
    rn
    gton,
    nna
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    , May
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    Cstagliola, Fred Monnes, Alice
    Saxton, Robert Weinstein; Purchsing
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    AAOR
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    We are NOT NO. 1 in catalogue and advertising.
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    12" AUTO PLANER
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    Sale $645 2HP $295
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    Sale $2S5 IHP $IS5
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    Band Saw Motor ... $ 48
    Table Saw Motor ... $ 78
    g��3�[
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    Convex
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