Flawiusz Józef - Historia Żydowska, Pisma chrześcijańskie i pokrewne, Józef Flawiusz
File Cabinet - 2 drawer Lateral File cabinet with matching printer cabinet, Woodworking Plans
Fine-Home-Building-25-Years-of-Great-Building-Tips-Malestrom, Building and Architecture
Formative Texts in the History of Zen Buddhism, @Buddhism
Fragment traktatu welawsko-bydgoskiego z 1657, Historia, Prawo, Traktaty, Umowy, Kroniki, Teksty Żródłowe
Film polski - streszczenie, historia filmu polskiego po 1981r
Fine Gardening - Grow Healthier & Easier Gardens (2015), !!!Materialy Eng
Farago&Zwijnenberg (eds) - Compelling Visuality ~ The work of art in and out of history, sztuka i nie tylko po angielsku
Fałszywe dokumenty Gorbaczowa. Kilka faktów o Katyniu, Historia
Furet F. Prawdziwy koniec rewolucji francuskiej, Historia Francji
Fine Woodworking 077, papermodels, historica
[ Pobierz całość w formacie PDF ]OUR SUMMER SA.E IS A.WAYS
IT'S NOT SURPRISING!
10TH, 1989.
x
47"
JOINTER
x
65" JOINTER
SALE PRICES EXPIRE SEP.
6"
8"
6/9 COMBINATION
SANDER
6/12 COMBINATION
SANDER
1 H.P. motor. All cast-iron
construction. Weighs 260 Ibs.
MODEL G1182
Regularly $335.0
ONLY
$310.00
15" PLANER
'2
H.P. motor. All cast-iron
construction. Weighs 460 Ibs.
MODEL G1018
Regularly $665.0
ONLY
$625.00
20" PLANER
3"
H.P. motor.
Machine weighs 140 Ibs.
MODEL G1014
Regularly $195.0
ONLY
$1
75.00
20" DISC SANDER
6"x48" belt 12" disc Quick belt
release lev
e
r. Weig
h
s 155 Ibs.
MODEL G1183
Regularly $395.0
ONLY
$335.00
H.P SHAPER
34
New 2 speed model. 2 H.P.
motor with magnetic switch.
Weighs 500 Ibs.
MODEL G1021
Regularly $695.0-without stand
NOW -
ONLY
$695.00
AND
WE'LL THROW IN THE STAND
3 H.P., 2 speeds. Weighs
9001bs.
MODEL G1033
Regularly $1295.0
ONLY
$1175.00
10" SUPER H. D.
TABLE SAW
2 H.P. pedestal model. Weighs
5001bs.
MODEL G1548
Regularly $97500
ONLY
$895.00
18" BANDSAW
W'
spindle, precision cast-iron
table, reversing switch. Weighs
1551bs.
MODEL G1024
Regularly $245.0
ONLY
$225.00
3
H.P. SHAPER
10" HEAVY DUTY
TABLE SAW
V2
H.P.
motor. Weighs 255 Ibs.
MODEL G1022
Regularly $345.0
ONLY
$325.00
Precision ground cast-iron
table and wings. 3 H.P. motor.
Weighs 500 Ibs.
MODEL G1023
Regularly $850.0
ONLY
$825.0
W'
re-sawing blade capacity.
2 H.P. motor. Shipping weight
is 380 Ibs.
MODEL G1012
Regularly $625.0
ONLY
$5
75.0
2 spindle speeds plus reversing
switch Comes with
n
dles. Weighs 45
0
Ibs.
MODEL G1026
Regularly $850.0
ONLY
$825.0
" 3;""
and
1" spi
OUR 1989FULL COLORCATALOG ISLO ADED WITHGOODIES ANDIT'SFREE!
All above prices are F.O.B. our Bellingham, WA or Williamsport, PA Warehouse.
CALL US & EXPERIENCEEXCELLENCE
CALL TOLL FREE
(FOR ORDERS AND CATALOG REQUESTS ONLY)
EAST OF THE 1-800-523-GRRR
MISSISSIPPI: (717) 326-3806
-
+
-
+
(For Orders
&
Customer Service)
WEST OF THE 1-800-541-5537
MISSISSIPPI (206) 647-0801
89·107
(For Inquiries
A BIG HI. AT THESE PRICES
1
6"x48" belt, 9" disc.
Precision ground cast-iron
table and wings. 1
1
&
Catalogs Only)
�Worg
'
Fne
__________
___
JUIY/A
U
g
U
st
1989
4
Letters
R
TMENTS
12
Methods of Work
Threaded-dowel workbench helpers; making a shop moisture gauge
20
Questions
&
Answers
Uses of maple; sharpening a scraper; oil finish on carvings
26
Folow-up
Slates for pool tables; more on out-of-whack bandsaws
90
Evens
96
Books
38
photo by Jim
Pper). Cover: Mac Campbell assembles the top and
base of his pedestal table, a variation on a Shaker
classic (see article on p.
98
Notes and Comment
Wo odworking "Down Under"; bird's-eye cabinetry
45).
R
TICLES
32
Designing Computer Fuiture
by Sandor Nagyszalanczy
Considering components and user comfort
Editor Dick Burrows
Art Director Roland Wolf
Associlte Editor Sandor Nagyszalanczy
Assistont Editors Jim Boesel, Alan Platt,
Charley Robinson
Copy Editor Carolyn Kovachik
AssoNote Art Director Kathleen Creston
Editoriol Secretoy Mary Ann Colbert
Contributing Editors Tage Frid, R. Bruce Hoadley,
Michael S. Podmaniczky, Christian Becksvoort,
Michael Dresdner
Consulting Editors George Frank, Richard
35
Accommodating computer components
38
Making a Futon Couch
by Gaty Rogowski
Pivoting backrest converts from seating to sleeping
Hanson
42
Suracing Stock with a Router
by Tim
E.
Preiss,
How a simple fixture can true
up
wide boards
44
Shaker-Style End Table
by Mac Campbell
Shaping a pedestal without a lathe
Norman Vandal
Methods of Work Jim Richey
Indexer Harriet Hodges
48
The Rosewood Jungle
by Dick Boak
Finding your way in and out
Assoc-ote Publisher John Lively
Circulotion Assstont Lynn Mefert
49
Working with rosewood
by Eric Brostoff
Advertising Soles Monoger James P. Chiavelli
Notionol Accounts Monogers Don Schroder,
Dick West
Assistont Accounts Monoger Ben Warner
Senior Soles Coordinotor Carole Weckesser
52
Economy Lathes
by Alan Platt
Tuning on the light side
ssot
Adv
i
ng Coodi
ll
or Ka
n
Simonds
Advertsing Secretoy Sherry Duhigg
Tel.
(800) 243-7252
Fx.
(203) 426-3434
54
Beer-box lathe
by Tim Hanson
57
Tuning Segmented Pots
by Dan
L.
Mongold
Elegant woods, arful joiney and graceful shapes
Fine Woodworking
is a reader-written magazine. We welcome
proposals, manuscriplS, photographs and ideas from our read
ers, amateur or professional. We'll acknowledge all submissions
and retun those we can't publish. Send your comributions to
60
Green-Wood Joinery
by Drew Langsner
Dry tenons, wet mortises for long-lasting joints
Fine oodworking
magazine remains in the authors, photog
raphers and arrislS, unless otherwise indicated. They have
gramed publication righlS
0
the copyrighlS in the comributions appearing in
64
Versatile Vanish
by Craig Deller
A
reliable finish
for a small
shop
[0
Fine Wfoodworking.
ine olworklng
(lSSN
0361·3453)
is published bimonthly,January. March, May,
July. September and November, by he Taunton Press. Inc., Newtown, CT
68
Fretwork
by David R. Pine
Laying out and sawing intricate filigree
1989
by The Taunton Press, Inc. No reproduc·
tion without permission of The Taunton Press, lnc. Fine Wodworking@ is a regis
tered trademark of The Taunton Press, Inc.
twO
6470.
72
1-2-3 Blocks
by David L. Wiseley
Measuring less and enjoying it more
Telephone
t
all hinges on your router
78
Relief-Carving
by John E. Meyers
Tricking the ye to create a dfferent perspective
Postmaster:
Send address changes to The Taunton Press, Inc., PO Box
355,
Newtown, CT
06470.
SubcrIpion ates:
United States and
548
for two years (in U.S. dollars, please). Single copy,
54.95.
Single copies
outsidc U.S. and possessions,
526
for
74
Building a Stand-up Desk
by Charles Prowell
55.95.
Send to Subscription Dept., The Taunton Press.
years; Canada and other coumries,
O
Box
355,
Newtown, CT
06470.
Address
ll
correspondence to the appropriate
department (Subscription, Editorial, or Advertising), The Taunton Press,
63
Outh
O
Box
355,
Newtown. CT
6470.
U.S. newsstand distribution by East
en News Distributors, Inc
.
.
1130
Clcveland Road, Sandusky,
Oi 44870.
Main Street,
3
DEP
Gary Rogowski tells how to build this chey couch,
which converts into a be, on p.
Fine Ioodworking,
Box
355,
Ne">town,
COlm. 0470.
Title
(203) 426-8171.
Second·c1ass ostage paid at
'ewlown,
cr 06470,
and
additional mailing ofices. Copyright
se
ssions,
522
for one year.
540
for
onc year.
Letters
'
#76 should be applaud
ed for their interest in the practical aspects of cabinetmaking and
funiture construction. A sensitivity for the material and a feel for
the handwork involved will, no doubt, help these students pro
duce better work.
I,
however, remain unconvinced about archi
tects' abilities to design appropriate and functional pieces.
background of experience and have read widely, but hardly an
issue goes by when some new term doesn't come up that makes
nebulous the meaning of some process. Usually, ater a little
puzzling, I realize that I know what is being talked about, and
simply have a different name for it.
I
am always glad to lean the
new terms, but I don't like the guessing and struggling.
I
suggest you establish a standard vocabulary for common
woodworking activities. When an author uses a different term
for something, just put the
My
experience has been that architects are much too willing
to sacrifice usability, comfort or practicality of construction just
to enhance or complement a building's aesthetic theme. I'm cer
tain it's a real ego trip for the deSigners, but if their clients pay
the heavy price for such one-off pieces and they are subsequent
ly found to be uncomfortable, impractical or even unusable, it
ends up being a king-size ripoff. I'm thinking of such things as
sharp edges and coners "that carry the main theme forward,"
disregarding the hazard for children or older people; or,
smooth, even slippery (but elegant) and unyielding, surfaces that
relect that "clean, modern look of the building." But architects
seem unmindful that people may be expected to sit or stand on
such uncomfortable places for hours.
I'm sure many of us have seen similar examples of the thought
less use of glass, metal tubes, wires, concrete blocks and wod
being palmed of
as
"exciting, innovative new designs."
Please don't misunderstand; I find many ine buildings of ex
quisite beauty designed by architects both past and present and
my admiration for these people is genuine. But, even the best
can sometimes fall prey to the desire to carry their design
themes to ridiculous and unnecessary lengths. I point to a man I
hold in great reverence, as does the rest of the world-Frank
Lloyd Wright. Just don't sit on any of his chairs; they're torture
racks.
'
standard term in parentheses.
This way, we could learn the new terms and avoid the temporary
confusion. This would make some articles more accessible to
beginners, to those of us who are not familiar with every branch
of woodworking or to those have learned only one set of region
al terminology.
t
isn't
t-
The trend over the last few years appears to be
for cratspeople to "blur the distinctions between art and crat."
The resulting blur has become evident in the field of woodwork
ing with the appearance of furniture that has consciously been
designed to be either useless or near useless, however flawlessly
crated it may be. This form of woodwork has at some point
been referred to as "artiture." Contemporary with the develop
ment of this work has been a similar movement in woodtuning.
With many turned works, the emphasis is on sculptural qualities
and exploring the physical limits of the materials. There has
even been a revival of faux finishes such as marbleizing and
opaque colors. While these forms emphasize originality, they
certainly don't emphasize utility. The exhibition of these forms
-Derek Rot, Rigby, Ida.
C
t
high-end galleries and shows indicates that these contempo
rary forms are considered to be worthy of top conSideration and
top dollar, usually at the expense of more traditional work.
s
a cratsperson I protest. Crat differs from fine art in that
the crat's inherent utility determines the majority of an object's
form. Ater that utility is served there is room for freedom of
design. I see crat as both utilitarian and aesthetic, while fine art
is purely aesthetic. What bothers me is that
I
see a trend of
flashy, "original" and fairly useless fine-art objects taking over
the place of ine crat at galleries and shows that claim to be crat
oriented. It seems that these crat galleries prefer to sell these
new "decorative crats" because the managers and, of course,
the artists can' gain more publicity (and money) by being more
arty, flashy and hip. Money tends to follow the hype for this sup
posed innovation. It seems that "newer is better" in these circles
while traditionally inspired crats tend to fall by the wayside.
Perhaps unctionality is now out of fashion or perhaps even
simply unnecessaly, as are structural integrity, integrity of mate
rials and other antiquated concerns of traditional cratwork. Ap
pearance, superficiality and clever statements are now in fashion.
If this "new crat" were simply labeled "fine art" and was kept in
what are termed "art" galleries, then actual functional crat could
take over the "crat" galleries again. The time is ripe for an arts
and crats revival to redefine the nature of crat, The previous
WW
projecs
tke?-Most of the articles in
'
appear to be by people who sometimes try to make some mon
ey from their skills. It would be very useful to have a statement
of the time used to create each product (or better still, each
phase of the project) and the retail/wholesale price received.
This would be of great help for those of us trying to orient our-
.
selves in the professional market.
Of lesser import perhaps, but useful to many, would be some
effort toward standardized terminology.
-Don Dil, St. Lous, Mo.
How long do
s
t
To join
Fine oodworking
staf as assistant or associate
editor. We're looking for an energetic, idea person with
experience in a cabinet or general woodworking shop, plus
experience as a writer or editor or proven deftness with the
English language. Drawing and photographic abilities and
formal woodworking training are an asset. Must be willing
to relocate to southwesten Connecticut and to travel on the
job. Send resume and photos of recent work in wood to:
Personnel Manager, The Taunton Press, 63 S. Main St., Box
355,
ewrown, Conn. 06470.
I
have a fairly good
Woodworking jo
s
and Crats movement (an unfortunate title) of earlier this
century was a reaction to the excesses of Victorian design. It is
now time to react to the excesses of 1980s design. Instead of
A
O
N
d
uction ditor,
Marketing: Jon Miller,
manager;
Philip Allard.
senior coyuriter.
Co
Fred Monnes, Alice Sa.xton, Roben Weinstein; Purchasing
&
Facilities:
...y
vJhS
o
ate Marketing:
Dale Brown,
director;
Andrea Onda,
manager,
Donna Pieront,
public relations man
ager;
Barbara Buckalew,
marketing seretary;
Diane Patterson,
o
le Ando,
manage,
Patricia Aziere, Connie B
.
onna Baxter.
Gloria Carson, Dorothy Dreher, Pegy leBLanc, Denise Pascal. Man·
uacturing:
Kathleen Davis,
director;
Austin E. Starbird,
prepress
manager;
Robert Marsala,
graphiC arts su
The Taunton Press:
Paul Roman.
publisher;
Janice A. Roman.
as
sociate publisber,
Roger Barnes.
design director,
Carol Gee,
e:ecu·
tive secretary.
Accounting: Wayne Reynolds,
controller;
Patrick
amontagne.
manager;
Jefrey Sherman,
financial analyst;
Mary
Sullivan.
accountant;
Carol Diehm. Lydia Krikorian,
ex
ecutive secretary;
Christine Cosacchi,
customer service coordinator.
Daa Processing:
Drew Salisbury.
numager;
Brendan Bowe, Roger
Seliga,
senior programmers/analysts;
Susan Panis,
programmer
rainee;
Ellen Wolf,
v
isor;
Susan
n,
staff
photographe;
Peggy Dutton,
production manager/books;
Philip
VanKirk,
production manager/magzines;
Diane Flanagan.
buyer;
Ellen Olmsted.
production
adll .
Elaine Yamin. Booksvideos: John Kelsey.
associate publisher;
Eileen Hanson.
administrative secretary,
Deborah Cannarella.
man·
aging editor:
Paul BerlOrelli.
senior editor,
Christine Timmons,
as
sociate editor:
Maria Angione.
secretary;
Videos: Rick Mastelli,
pro·
PC
coordinator.
FulflJlment
&
Operations:
Tom Luxeder,
tliector,
Jane Torrence,
secetay;
Circulation: Karen
Chell,
coordinator,
B
od
inator;
Rosemary Pagel,
secre·
y;
Ridld
Booth, Monica Bulson, Priscilla Rollins.
production
assistants;
Deborah Cooper, Mark Coleman,
scanner operators;
Laurene Jakab,
color proofing operator;
Dinah George,
comosition
ys
od
inator,
PatriCia Malouf, Nancy Schoch, Marylou Thompson, Claire Warner;
Distribution: Danny D'Antonio.
manager;
Grace Aumuller, David
Blasko, Timothy Harrington,
s
manag;
Nancy Knapp, Marot
or,
Lisa Carlon.
stems
oerators.
Pesonnel: Carol Marotti,
managr;
na
Ballerini.
er.
nna
In
m
, Mary
nn a
gliola.
e
ary.
sOllnel assstant;
Chris Lincoln,
4
Fine Woodworking
Architects, practicality and aeshetics-The
architecture stu
dents whose works are featured in
dUl
."r/dieclor;
James tall, Thomas Menard,
assisant pduces;
An:
Debordh Fillion,
manager;
Steven Hunter,
associate art director;
Calhy Cassidy,
art assistant;
lliana Koehler,
poduction assistant;
Copy/Production: Ruth
e
vage,
manager,
Pamela Purrone,
copyl
William chapen,
manager;
Lois Beck,
oJice-seroices coordinator;
Donald Hammond,
mail-services clek;
Chuck Hollis,
office mainte·
nance;
Christopher Myers,
ofice·orations c ;
S.S
Deba
Brown,
celmana:,
onna-Jean Taylor,
cafeteria assistant;
SubSCription:
a
Hess,
fulfillment asistant;
Customer
ervcuOice: Terryl Thomas,
manger,
Anette Hamerski.
DOMESTIC & FOREIGN
HARDWOODS
Quality stock for
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DOORS AND DRAWER FRONTS
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From the Acclaimed Maker of
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ISO, Millville,
PA
17846
"
1
7
1
7
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4
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8
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429
5
Send
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CUSTOM WOODWORKING, INC.
Call today and ask about
ASH-BASSWOOD
BIRCH-BUTTERNUT
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248
•
Ferris Avenue
While Plains, N.Y.
10603
)14·)46-4111
Mondaythroghiday
Hardwood
Lumber and
Plywood'
Veneer
Power and Hand Tools
DELTA" PORTER CABLE· RYOBI· BOSCH
Orders only call:
1
04
514
6
Write for complete woodworking catalog:
13650 Floyd Rd., # 101
•
8 AMto4:30PM
Dallas,
TX
75243
214 669-9130
workout of
woodwor
k.
Take the
3HP,
230V, Guard,
Mtr Gauge, Magnetic Control 350-1
50"
Beisemeyer Fence 350-T50
$1380.
50"
Paralck or xcalibur 350P50E50
$1585.
•
Variable Speed Lathe,
1HP,
115/230V
160-2
with Magnetic Control 260-1
$1140.
$2065.
Take the work out of repairing nicks,
1HP, 115/230V
1180-1
$745.
cracks and gouges with
1-1/2HP, 115/230V
480-1
$1520.
-
Elmer's® RII 'N Rnish
™
Wd Fille.
.6" Jointer,
P
re
ss
It spreads easil, requires little
6
Speed,
1/2HP, 115/230V
34-01
$570
.
or no sanding and takes on any stain.
The Home
Solution®is:
• 14" Planer, 3 HP, 230V 130-1 52645.
All
Floor Model,
1
phase motors
All prices FOB So. Burlington,
VT
----------------
�LY?
r
a 4 oz. a
m
ple of
El'sFill'NFinishWdFillr,
send $2.0
wih
our
Te
Fulillment Cente,
102
Kimball Avenue
awc.
..ox
36003, Columbus,
OH
43236-003. Secify blnd or
tan. It's
_______________
ae
and address to
Fill 'N
Finish,
HE£lN
to a eautiful inish
.
o.
Burlington,
T 05403
______________
_____
STATE
_
I'
______
CALL To
�E
.
OORES,
802-863-9036
ffr
od
ony in
UA.
limit
e
erfami.
ffr
piresecemer
31, 19.
E E N
©rn
Ic 19
Cl·
July/August
1989
5
•
PASTE STAINS & VARNISHES
•
White Birch
Router
prepaid
$1520.
.10" Table Saw,
with
with
.8" Jointer,
.15" Drill
ORDER/INFO
[ Pobierz całość w formacie PDF ]
