Flawiusz Józef - Historia Żydowska, Pisma chrześcijańskie i pokrewne, Józef Flawiusz
File Cabinet - 2 drawer Lateral File cabinet with matching printer cabinet, Woodworking Plans
Fine-Home-Building-25-Years-of-Great-Building-Tips-Malestrom, Building and Architecture
Formative Texts in the History of Zen Buddhism, @Buddhism
Fragment traktatu welawsko-bydgoskiego z 1657, Historia, Prawo, Traktaty, Umowy, Kroniki, Teksty Żródłowe
Film polski - streszczenie, historia filmu polskiego po 1981r
Fine Gardening - Grow Healthier & Easier Gardens (2015), !!!Materialy Eng
Farago&Zwijnenberg (eds) - Compelling Visuality ~ The work of art in and out of history, sztuka i nie tylko po angielsku
Fałszywe dokumenty Gorbaczowa. Kilka faktów o Katyniu, Historia
Furet F. Prawdziwy koniec rewolucji francuskiej, Historia Francji
Fine Woodworking 078, papermodels, historica
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Fne
__________
1989
DEPRTMENTS
=scptcmbcr/Octobcr
Methods ofWork
4
J
Questions
&
Answers
10
Super rasp; squaring a carcase; dowel-center marker
16
Evens
NotesandComment
A
rocking chair is a wondeful addition to any
114
4.
RTICLES
69).
home. Brian Boggs tells how to build one on p.
World-record funiture; product review; akashima's work destroyed
Cover: Mark Duginske aligns the sawblade and
miter gauge as part of his complete tablesaw tune
up (see article on p.
40
Building a Bent-Back Rocker
by Brian Boggs
Soft rock from hardwoods
Editor
Dick Burrows
Art Director
Roland Wolf
Associ"te Editor
Sandor Nagyszalanczy
Assist"nt Editors
Jim Boesel, Alan Platt,
Charley Robinson
Copy Editor
Carolyn Kovachik
Associ"te Art Director
Kathleen Creston
Editori"' Secret"y Claire Warner
Contributing Editors Tage Frid, R. Bruce Hoadley,
Christian Becksvoort, Michael Dresdner
Consu'ting Editors
George Frank, Richard
46
Comparing Dovetail Jigs
by Alan Platt
Versatile fixtures for cutting classic joints
E.
Preiss,
51
Painting Funiture
by Douglas Redmond
Protecting brushed latex colors with a clear spray topcoat
54
A Contemporary Trestle Table
by Dm'id Lloyd Murphy
Building with laminated mortises and tenons
orman Vandal
Methos of Work
Jim Richey
Indexer
Harriet Hodges
58
Bacyard Timber, Tabletop Treasure
by Joseph Herrmann
Turning natural-edge wooden bowls
o
se Joinery With the Router
by Claude
GrahamIII
Pub'isher John Lively
M"rketing M"n"ger James P. Chiavelli
Circu'"tion Assist"nt Lynn Mefert
61
Turning bottoms
by Betty]. Scarpino
A
joint-cutting fixture that opeates in three planes
N"tion"' Accounts M"n"gers
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Dick West
Assist"nt Accounts M"n"ger
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62
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Tel.
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64
Form in Furniture
by Seth Stem
Six rules for creating better designs
FineWoodworking
is a reader-written magazine. We welcome
Fax.
69
Tuning-Up Your Tablesaw
by Mark Duginske
Basic adjustments for accuacy and safety
Fine(loodworking,
Box
355,N
e
wt
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470,
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we can't publish, Send your contributions to
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ers, amateur or professional. We'll acknowledge all submissions
and retun
FineWoodworking
magazine remains in the authors, photog
FineIoodworking
74
Handling Large Commissions
by Douglas Schroeder
Overcoming the limitations of a small shop
Title to the copyrights in the contribution appearing in
raphers and artists, unless Otherwise indicated, They have
granted publication rights
o
80
Using a Portable Belt Sander
by C.H. Becksvoort
An abrasive approach to flat surfaces and smooth curves
Fine Wf/working
(lSSN 0361·3453) is published bimonthly, January_ March. May.
July, Seplember and November, b' he Taunton Press. Inc
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82
Making Shoji by Machine
by Ben Erickson
Taditional joinery with drill press and tablesaw
tered trademark of 'n'e Taunton Press, Inc.
T
06470. Address all correspondence to the appropriate
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86
Constructing a Walnut Chest
by Ronald Layport
A
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3
Letters
Adjusting jointer tables; inishes for outdoor funiture; strip inlay
116
Letters
Ct
s.
t
debate con
n
u
es
-
ter reading Woody Pistrich's
WW
#77, p.
4,
I was reminded of ceramic art/crat trade
letter in
the June 5, 1989 issue of
ime
magazine and read the following:
"Elliott Abrams, former Reagan Administration point man for lat
in America, and retired General Paul Gorman are pushing a
scheme to use cargo-carrying blimps to extract mahogany logs
from orherwise unreachable forests in Honduras. Abrams also
arranged a logging deal in Brazil that will expedite timber sales
to Japan. Says he: 'I'm making lots of money. It's great.' " Perhaps
it would be prudent for those who care about the environment
to be a little more vigilant.
-Sls
Kopf, Northampton, Mss.
journals during the '70s and '80s that were filled with letters de
bating "funky vs. unctional." Pistrich states (I would say errone
ously) that contemporary forms of furniture design "emphasize
originality, [and] they certainly don't emphasize utility," and that
exhibiting contemporary forms at high-end galleries is at the
"expense of more traditional work." I'd like to point out that
there are many contemporary furniture designers like me who
use non-traditional materials. and finishes, but who are very con
cerned with function. When I design and construct a cabinet, it
has to function as a cabinet and be durable as well.
This country has a diversity of tastes and markets and Pistrich
will not lose the sale of a dovetail, tung-oil oak hope chest be
cause I sell a bisquit-joined, painted plywood chest.
As
in any
business, you have to decide what your market is and gear your
work toward that market. -Richard Kooyman, Benzonia, Mich.
n
problems-As
an entomologist, I was in
WW
#76, p. 20. I'd like to remind Arno that
terested in Jon A-no's response to a question on blue stain in
spruce pine in
without insects, wood would rot only from the surface or cut
ends inward. Blue stain is caused by an early-stage rot fungus,
Ceratocystus. Thousands of species of insects, largely beetles, in
troduce fungal spores deep into the wood as a normal part of
their life cycle (as well as the fungus'). In our nordlern latitudes,
the chief insects are the bark and wood miners of the families
Scolytidae and Platypodidae. Many of these beetles have evolved
special pockets called mycangia in which they carry fungal
spores from their tree of birth to their adult host tree. There, the
fungal spores are introduced into the cambium or deep into tun
nels bored into the tree.
1ost of these symbiotic insect-ungus relationships are not in
cidental and have probably evolved to mutually benefit both par
ties: The growing ungus "conditions" the wood so the beetles
can consume it. In the case of the ambrosia beetles, the adults
even harvest fungal material and feed it to their larvae. The fungi
introduced by ambrosia and platypodid beetles soon grow
throughout the tree's vascular system and, ater the wood is pro
cessed by the beetle, shows up as blue stain, or spalting.
The best way to prevent blue stain problems is to process
lumber quickly or to debark logs immediately ater the tree is
cut. Most of the insects described above are attracted to recently
dead or dying trees and are part of the rich and complex insect
community that initiates tree decay.
-Dr. Walter R. Tschinkel, Talahassee. Fla.
... In answer to Woody Pistrich's letter, I too have been watching
furnituremakers, especially in the past two years, fall off the end
of the vast spectrum encompasSing functional furniture to pro
duce work of a non-functional character and enter their cre
ations into the realm of objects characterized as art.
I
do not
agree with Pistrich's theory that functional objects cannot be art.
Submitted to the test of time, objects are either art or they
are not art-regardless of whether or not they are functional.
Pistrich's theory, "function negates art," promotes the very con
dition he complains about: "fine-art objects taking over the place
of fine crat at galleries."
I do not understand Pistrich's comments in some ways. In my
opinion, most uniture
s
overwhelmingly traditional. In the
commercial field, tradition holds sway on the consumer market.
Even the "decorative crafts" that he condemns are of a tradition
al origin because they draw heavily from modern art. The flood
of how-to books in the last two years reiterates the continuing
fascination with traditional ways of building functional furniture.
e
rimental woodworkers, on the other hand, are willing tG pur
sue and advance our knowledge of materials, techniques and de
sign concepts of funiture. It requires courage to depart from the
farniliar and deal wil dle uncertainty of experimentation, and the
unituremakers that do this are rarely compensated monetarily.
In answer to Pistrich's complaint about galleries, the wood
worker/furniture artists I know who have developed superior
skills in their work and continue to use conservative techniques
with conventional material are all busy and most of them exhibit
in "high-end" galleries.
-John Marcoux, Providence, R.I.
n
g
sfey-Regarding Bill Hayman's letter in
WW
#76
recommending that Fine Woodworking devote a regular space
to safety: In my estimation, on p. 49 of
WW
#75,
Dunham said a
whole lot in just 33 words about safety. I also read into those 33
words the admonition: If you don't feel comfortable with an op
eration, it ain't safe and you shouldn't be doing it. If I were do
ing the operation pictured, I might use two fences with some
method of keeping the edge of the stock from being lited by the
cutter and my maximum cut would be 's in. Dunham apparently
felt safe with his single fence and a '4-in. maximum cut-so for
him the operation wasn't any more dangerous than using the
molding cutter in a conventional manner. What is dangerous to
one person is routine or commonplace to another.
Every operator's manual furnished with every power tool has
cautions and warnings in them, as do the multitude of wood
working books written by our com
padres, but none of these can
k
tropil deforestation-Some
of your readers may
Re
WW
#70, p. 83. To quote from the article, "Environ
have taken solace in Lucinda Leech's article on tropical defores
tation in
mentalists oten give the impression dlat tropical forests will be
logged out tomorrow. Ater visiting Guadalcanal in the Solomon
Islands, I learned dut much of the forested terrain in tropical
countries is too steep or swampy to log economically."
Our relief has been short-lived, as it was disturbing to open
N
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ucr/director, James Hall, >m s Me
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idy,
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In
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AUTON COMPANY
Box 1129. Sun
Valley,
CA 91353-1129. (213) 659-9533
Telex 362238/FAX (818) 362-9215/W.U. EASYLINK 62004443
Beverly Hills (213) 659-1718
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Foreign Pat Pend. MADE IN U.S.A.
D
ER SERICE NO.
&
SAME DAY SHIPPING ON MOST ORDERS
REDER SERICE NO.
47
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69
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,
71/�'·CIRCULAR SAW
69 36- 510 10" TABLE SAW
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Honolulu (808) 734-1260.
Worldwide sevice to the design community since
VISA*MASTERCARO*COO AOO $3.00
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Auton does not make furniture. U.S.
FREE FREIGHT
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ptember/October 1989 5
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Sanwood ros
the NEW Uoorsweep
To order yours at the s
c
ial Intrductoy price of
$9.95
(plus
3.0
shipping per orde,) call our
order desk at
(
I HP ROUTER
75
108
15
9 9118 PORTA-PLANE
KIT
5 ii
.
-
)
6365
TS380 14"
6016
85
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