Flawiusz Józef - Historia Żydowska, Pisma chrześcijańskie i pokrewne, Józef Flawiusz
File Cabinet - 2 drawer Lateral File cabinet with matching printer cabinet, Woodworking Plans
Fine-Home-Building-25-Years-of-Great-Building-Tips-Malestrom, Building and Architecture
Formative Texts in the History of Zen Buddhism, @Buddhism
Fragment traktatu welawsko-bydgoskiego z 1657, Historia, Prawo, Traktaty, Umowy, Kroniki, Teksty Żródłowe
Film polski - streszczenie, historia filmu polskiego po 1981r
Fine Gardening - Grow Healthier & Easier Gardens (2015), !!!Materialy Eng
Farago&Zwijnenberg (eds) - Compelling Visuality ~ The work of art in and out of history, sztuka i nie tylko po angielsku
Fałszywe dokumenty Gorbaczowa. Kilka faktów o Katyniu, Historia
Furet F. Prawdziwy koniec rewolucji francuskiej, Historia Francji
Fine Woodworking 081, papermodels, historica
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______
March/April199o
DEPRTMENTS
4
Leners
12 Methos of Work
Squaring cabinets; chisel grinding; spiling for making patterns
22
Questions
&
Answers
Quieting a noisy planer; a quilting hoop; mildew problems
104
Evens
108
Books
110
Notes
ad
Comment
Carlyle Lynch; woodworking grants; Rude Osolnik
Mark Duginske uses a dollar bill to gauge the
tightness of a joint made with his simple mor
tise-and-tenon system on p. 46. Cover: Terry
Moore finishes a chair he built using a series of
jigs (article on p. 40).
RICLES
40
Production Cha
m
a
n
g
by Terry Moore
Jigs and loose tenons simply angled joiney
Elilor
Dick Burrows
At Direelor
Roland Wolf
Asoeiale Elilor
Sandor Nagyszalanczy
Assslanl Elilors
Jim Boesel, Charley Robinson,
Gary Weisenburger
Coy Eillor
Carolyn Kovachik
Assoeiale Art Direelor
Kathleen Rushton
Eliloial Secretay
Claire Warner
Conlilling Elilors
Tage Frid,
n
g a chair
46
Machine-Made Mortises and Tenons
by Mark Duginske
Production techniques for high-qualiy joiney
45
Desig
R
Bruce Hoadley,
A
Shop-Built Shaper
by Frank Perron, Jr.
Tilting table ads a new angle to panel-aising
50
u
s
roducing razor-sharp edges with honing guides and waterstones
58
Ma
n
g a Message Center
by Luea Valentino
Apprentice project develops woodworking skills
Christian Becksvoort, Michael Dresdner
Consulling Eillors
George Frank, Richard E. PreiSS,
Norman Vandal
Metbos of Work
Jim Richey
Indexer
Harriet Hodges
55
Shapening Chisels and Plane Blades
by Bill S
ss
lanl
Brenda Hamilton
Publsb_
John Lively
MarkeUng Ma_ger
James P. Chiavelli
Cireulalion
62 Student Desks
by John Moore
High school shop clss on a roll
64
Ma
n
g a Writing Desk
by Christian Becksvoort
Customizing a leg-and-apon table with drawers
CoylProluelion Elilor
Christy McCormick
Publ" Reallos Ma_g_
Donna Pierpont
AII,inslrali"e Secretay
Susan M. Clark
Marketing Secrelay
Sherry Duhigg
si
g C
Iir
a
n
M
n
Simonds
Nalio_l Aeeouns Ma_gers
Don Schroder,
Dick West
Senior Sales Coorli_lor
Carole Weckesser
Ad
68
Building a Wooden Hygrometer
by Warren W. Miller
Measuring humidiy's dramatic efect on wood
FineWoodworkings
a rader-written magazine. We welcome
70
Marquetry
by Pierre Ramond
Decoating with a palette of colored woods
Fax. (203) 426-3434
ll
submisions
s
, manuscrips, photographs and ids rom our rad
ers, amateur or profssional. We'll acnowledge
FineWoodworking
magazine remains in the authors, phoOg
73
Gel Stains
by Jim Boesel
oducing
vn
color with less mess
A
professional's gel tec
i
ques
by Gregory D. Johnson
76
Building
.
a Chest-on-Chest
by Carlyle Lynch
A simple method for faming carcses with solid sides
and
rerum
the we an't publish. Send your contributions to
[0
the copyrights in the contributions appearing in
FineWoodworking
Tide
75
[0
raphers and artists, unless otherwise indicated. They have
gramed publication rights
FineW
dk
ing
(ISSN 0361·3453)
s
published bimonthly, January, March, May,
July. eptemer and Novemer, by The Taunton Press, Inc., Newt
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,
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ss
80
Round-Bottom Planes
by Monroe Robinson
Making tools to fit your hands and nees
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84
Tablesaw Safety Devices
by Charley Robinson
A survy of blade guards, hold-downs and push sticks
89
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Memory of
1946-1989
Roland Wolf, art director of Fine Woodworking and creator
of much of the finest artwork we've published in the last
seven years, died last December, following an apparent
heart attack. We will all miss his extraordinary talent, his
good humor and his friendship. In gratitude for all he
shared with us and the readers over the years, we dedicate
this issue, the last one he worked on, to him.
-The staf of Fine Woodworking
Rond Wolf
to start with. And as far as critiCizing him for using power tools
for everything, I like it that way. At
57
years old and riddled with
arthritis in the hands, I don't ind woodworking easy. Power
tools help me a lot. Besides, I don't expect to be building furni
ture at [Colonial] Williamsburg. I can do many things by hand,
but come on, it's a real drag. Just look at what these dovetail jigs
can do. When I build something, I want to inish it sometime this
year. The only thing missing in the show is a big lazy pooch
laying on the floor. I love the show, I can almost smell the
sawdust from here. -John McDonnell, Hawthoe, NJ.
WW
#75),
I have been lattered by a number of amateur woodwork
ers who have contacted me to let me know how much pleasure
they've had imitating my boxes for their loved ones.
I've also been ofended by a few would-be-professionals who
have tried to pick my brain to put my design into production.
These boxes are a big part of my income and fetch an excellent
price, based on originality of design and a fine finish.
I
pub
lished those plans to share an idea I was proud of and enjoyed
and to be an inspiration to my peers. I didn't expect my idea to
be ripped of by small-time operators without the gumption or
intelligence to find their own marketable ideas.
-Jamie Rssel, Sskatoon, Canada
•
A
Souhener joins wih a Ykee-Norm Abrams presens his
version of uniture pieces that an be used in the modern home
yet relect something of the past. I have some old cabinets in an
old shop that are better looking than the old Shaker pieces on the
program, yet I would not put them in my house or present them
to a riend. I am a real amateur at
oo
rking and I an under
sand the pride of completing a reprduction of fine uniture. This
is not what the program is about. The program is about building
presenable pieces of urniture in the home workshop. I think he
does an outstanding job of presenting the projects. I have learned
many things in the five or six programs
I
have atched. Norm is
not trying to give a safety lesson on each program, even though
there are imprints on the screen when guards are removed.
s
a
k
it is my responsibility to learn to use the equipment safely.
f
w
orker that has numerous pieces of power equipment, I
w
n
defense of Norm Ab
s
-Having read the article criticiz
k
to be a master
e
nter and to be Norm's age is a
I don't, then I'm the fool. I notice that Norm has all his ingers,
seemingly good eyesight and hearing, plus I do not see any major
scars. I
WW
#79),
I feel a rebuttal is definitely in
order. Here is a man that has given each of us a lit. I'm tired of
turning on the tube and seeing the same old junk on every chan
nel. I'm certain that an awul lot of guys out there like me can't
wait until Norm comes on. From the guys
I
talk to, they
ing Norm Abrams and The New Yankee Workhop in the Novem
berlDecember issue
(
major accomplishment, so he must be a pretty safe guy.
I have not met Norm, but I would like to. I feel that he is a
down-to-earth person who enjoys his work and enjoys contribut
ing his knowledge to us-a bunch of amateurs. This is unusual
and very nice in this day and time. Another thing-this is the age
of power tools. Thanks Norm for helping me build things with
them that I didn't have the knowledge to build before.
-Robert D. Walton, Manfiel,
iw,
John McAlevey, is right in one way-he s a
e
nter, but I
a.
t
ea
h
er
-Norm is a great teacher. He allows a
wonderful, rich pathway to inspire and motivate young people
with the "you-can-do-it" attitude. You have to pay your dues at
your crat and you have to start somewhere.
The book and video have excellent production values; the
projects are interesting and the techniques are wonderul.
John McAlvey's reference to too much use of power tools is
ridiculous. Chippendale and Sheraton would have used power
equipment for their production work
didn't see anybody else come on television that des it any better.
Until Norm came on, the average wood butcher had nothing.
It's easy to look over someone's shoulder to make corrections.
s
30
minutes
And I feel he
s
really given a chap shot. He only
Norm a great
to show you something. Yes, he may slop the glue on fast at times,
but he has to work fast. It ges without saying that when you are
doing it, the thing will e done slower and with a little more are.
I
can't wait for him to come on television. Yes, you could say
there are an awful lot of esoteric furniture builders out there
who will look down on him. And most of them are thinking
about the money he is making with the show and his tapes, and
that is possibly what hurts most of these pros. I can't speak for
everybody, but I get sick and tired of hearing "put on your safety
glasses," "put on your ear muffs," "don't get near the blade" and
all the rest of it. Your God-given sense should have told you that
to start with. If people are that dumb that they have to be prod
ded into every little move, then they shouldn't be working wood
a
he hih cost of custom work-I very much appreciated
Douglas Schroeder sharing his experiences in "Handling Large
Commissions"
(
f
available at the time. There
ll
et and handsaw is
must e "intrinsilly pure" and use a chlse
a little naive!
-Nicholas Tyler, Manotick, Ont., Ca
a
e
y.
Daa
Pcessing:
wb
uy,
g
, Brndan
t
drector;
ia lr,
d
uction
ss
ant;
Copy
y
Roth,
asciate
t
dctors;
athy Cssidy,
s
WW
#78),
but I do fmd one thing very distress-
n
;
Mark Cole,
ss
ant;
Christopher
c,
ofice-sviCes
od
inaor, Chuck
u
ction ditor;
Marketing, Jon Miller,
diector;
Andrea Onda,
&
Facilities: William
ITINS
keting:
Dale B
,
m
e
s
dic,
Diane Paneron,
x
u
·
i
ter;
Eileen H
o
n,
marketing
g
es; Pamela Purrone,
Copoate
r
Hollis,
ain
e
a
n
g:
".y
v
en
ts
sisnt
ss
ans;
Subcription:
o
le
Ando,
managr;
Patricia Aziere, Connie Barczak, onna Baxter,
Patricia Beardsley, Dorothy Dreher, Denise
ss
tantj
B
a
Buckalew,
mrketing secrety.
as
s;
Susan Morehouse,
e
F
lm
ent
&
Myers,
buyer/expediter;
Debra Brown,
Chef/manager;
Kathleen
Cstello, Nonna-Jean Taylor,
afet a
l. n
a
TheTaunton
ss
:
Paul Roman,
presde/It;
Janice A. Roman, vie
eaions:
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director,
Jane Torrence,
secretary;
Cr·
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e
n,t,
pre
press
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n
t, Roger
n,
n
diecor,
Carol
ee
, x
u
ie
e
·
m
l
a,
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staf pho
tographer;
Peggy Dutton,
production manager/books;
Philip
V
in
ss�
lln O
,io
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ty.Accounting:
Wayne
n
olds,
contr
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po
m
mr train;
Ellen Wolf,
C oor.
oy,r;
m
v,
pr
o.
r
k,
pdu
n
i
d
oo,
eoh
or,
k
Col
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Bowe, Roger elia,
senior po
s
Grco, int
Boo
N
ldeos:
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tant;
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l
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sssnt
C
appliations spe·
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coordinator,
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Williamson,
circulation assistans;
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pp
, Valerie Lunes,
stms oera .
b
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oo
fing oprator;
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u
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,
inda
ll,
o
nnel ssis
s
manager;
jerey Sherman,fiancial
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ou
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manger;
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rep;
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a
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nn
areUa,
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signr;
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d
ur;
lboms M
d
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ss
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uc,
t:
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isor;
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entry;
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mm
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gr,
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publi
sa
te
m
, Mary
nn
Costaglioa, Fred Monns,
calist;
ant;
Chris Lincoln,
see y
.
4 Fne Woodworking
Ripping of designs
-
They say imitation is a form of flattery.
Since you published my article on my tambour boxes
(
ll
say
the same thing-he is a heck of a nice guy. The author of the re
s
an old saying: "Principles are easier on a
ll
elly." The idea we
A
O
N
Alice Saxton, Roen Weinstein; Purchasing
Steven Hunter, H
chappert,
managr;
Lois Be
duction: Ruth Dobsevage, Ro nOlah,
coy/
Kathleen Davis,
director;
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Robert M
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644
8-
_
.
,
-12
A
12
SHK
2.0
6931
74.00
notice
8"
DriI,
ey
duy
e
seed
m
58.0
For Porter Cble Mdels 10,
690,691
..
w
!
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reversle 0·21 00
Fg
Sader,
Texas
6510lVR
75.0
seed reversle, )
.100
�
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Residents
-----------
w
�
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30
add
8%
C.O.D.
04550
4·� x 4"
48.0
,
!
y
Random
7310
83.00
state
dusdesss
5.6 amp
$3.00
lS1440
14" Mitre
379.00
1rD,
10,
12O,I50 grit
$12.OIroi
"
DIA
Olbil
tax
MILWAUKEE
d
es
Drivet Drill
140.0
7334
Sander
118.00
.•
p"".
e
_
.
,"h
185.0
)ral de
2-12
A
1/2
SHK
8.0
1/2 SHANK
$35.00
5" Stikilr, diss
ttrd
meal
0314·'
9.61.8"
e
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1dSt
-12
A
12
SHK
2.0
add
wa1ery,l2r.arerad
'
9118
VERTICAL PANEL RAISER
596
4" x 24"
16.00
�
1/2 SHANK
w
(we stock an bayonet
blades)
PANASONIC
EY205B 12v
.
case
7348
Variable speed orbital bayonet
108.00
cllector
6>16
Finishing sander, 114 sheet
Visa and
cc
Dep Cut Band
259.00
.•
.•
Master
w
45.00
9-6
6140
4·112" Grinder,10.000 rpm
89.00
Card
Tpm�J�w
1"X
24! 42.0
'PROVINCIAL'
I,
19.0
accepted
6236
2·speed
$56.00
C
Sl
GEE AND
121.00
onl.
155.0
626
•
8318
MANORFORD DRIVE
•
HOURS
15 min. cargeW-
FREUD THIN KERF
LU87 010
8"
Drill,
165.00
k1.ck.. v.s.t.,e! cbrake.
EY571B
9.6v.,1 hr. charge,
Mon-Fri
HITACHI
1
hr.
carge,
109.00
w
8"
Drill,
129.00
Sat
10-5
Fullline
01AMANA
bitsandbladesaswell
LU8 010 10'
x
o! 8.0
LU8 M010 10'
x
O! $79.0
$11.8
EY6281B 9.6v.,15 mill. charge,
CBFB
8-112" Slide Cmound Miter
479.00
asaccessoriesforourmajorlines
TAUTN
E
S
d
Saw
Seving Ihe
4129
UIIG TCHEN
I
N
"
G
HT AVAI
E
CB75F
14·112" Band Saw
1649.00
clutch.
EY561B
72v .. 2-seed,
k1.ck
v.s.r
industry for
CB100F
24·1/2"
440.0
9
years_
over
8-Dr�
EY038
2.4 v. creOiver,2- ed
,
texle from isol to striht.
$25
FREIGHT PREPAID
CAPITALTOOLS
64.0
WODPECKERS
PARMA, OHIO
(713}923-4949FAX
MASTERCARD - VISA
1-800-752-0725
DISCOVER - CHECKS
IIi]
4840 Gulf Freeway Houston,
TX
77023
(713) 923-2425 TEL
ORDERS OVER
SpecialOrdersWelcome
D
ER SERICE NO. 70
1-800-683-2111
MarchI April 190 5
NTIQE repoduction
ITALIAN
Re-useable
Bridges and Cupolas
Please include
�
�
N
SAVE
WHEN QUALIY COUNTS·
2-12
A
12
HK
m
.o
1/4 SHANK
ase.). 131612BR,ame
sales
COVE PANEL AISER
keyless .v.s.r.
EY620B �2v.. 15 min. carge. 12"
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