Flawiusz Józef - Historia Żydowska, Pisma chrześcijańskie i pokrewne, Józef Flawiusz
File Cabinet - 2 drawer Lateral File cabinet with matching printer cabinet, Woodworking Plans
Fine-Home-Building-25-Years-of-Great-Building-Tips-Malestrom, Building and Architecture
Formative Texts in the History of Zen Buddhism, @Buddhism
Fragment traktatu welawsko-bydgoskiego z 1657, Historia, Prawo, Traktaty, Umowy, Kroniki, Teksty Żródłowe
Film polski - streszczenie, historia filmu polskiego po 1981r
Fine Gardening - Grow Healthier & Easier Gardens (2015), !!!Materialy Eng
Farago&Zwijnenberg (eds) - Compelling Visuality ~ The work of art in and out of history, sztuka i nie tylko po angielsku
Fałszywe dokumenty Gorbaczowa. Kilka faktów o Katyniu, Historia
Furet F. Prawdziwy koniec rewolucji francuskiej, Historia Francji
Fine Woodworking 090, papermodels, historica
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_____-----
S:ph:mh:r/()cloh:r 1)91
Fne
Letters
DEPRTMENTS
4
Questions
&
Answers
Retrieving ball bearings; sexless woodworking; beauty of wood
12
Standing shaving horse; drilling jig; shopmade brad pliers
Folow-up
20
ReglUing a chair; dyeing maple; cutting walnut crotch
Evens
32
Finding the radius of an arc; determining shelf spans
Books
106
A
look at upcoming programs of interest to woodworkers
Notes and Comment
114
he Band Saw Book,- Pojects for Woodworkers,- Seat Weaving
Ed Wa lker tells how to build a drop-in router ta ble
with a dust-collection chute on p. 5. Co ve: Tony
Ko novalof diplays hs ha nd-tool storage chest (a r
ticle on p. 62) . Co vr photo: Gary We senburgr.
120
Rocket-powered u-ike; Canton woodworking show; finishing tale
RTICLES
44
Building a Loveseat
by Gary Rogowski
Interlocking tenons for a strong fame
A
simple router template for complex joints
Executive Elitor Jim Boesel
M"n"ging Elitor Sandor Nagyszalanczy
Art Director Kathleen Rushton
Senior Elitor Dick Burrows
Assist"nt Elitors Charley Robinson,
Gary Weisenburger
Copy Elitor Carolyn Kovachik
Assist"nt Art Director Aaron Azevedo
Elitori"' Assist"nt Alec Waters
Elitori"' Secret"y Claire Warner
Contributing Elitors Tage Frid, R. Bruce Hoadley,
Christian Becksvoort, Michael Dresdner,
Mark Duginske
47
48
Webbing for a comfortable seat
49
Ball Bearings in Shop Tools and Machines
by Robert M. Vaughan
hen and how to replace these vital components
A
Beginner's Jewelry Box
by Jim Cummins
'
E.
Preiss,
52
Consulting Elitors George Frank, ichard
Tablesaw tricks with casing, curves and coves
56
Building a Router Table
by Ed Walker
A
drop-in baseplate for eay access
60
Space-saving router tables
by Charley Robinson
62
Norman Vandal
Methods of Work Jim Richey
Inlexer Harriet Hodges
Publisher John Lively
Assist"nt Publisher James P. Chiavelli
Circul"tion M"n"ger Brenda Hamilton
Publisher'S Assist"nt Thomas Baker
Associ"te Art Director Wendy Bowes
Proluction Coorlin"tor Sherry Duhigg
Telem"rketinglCustomer Service Lori Moir
Alministr"tive Secret"y Susan M. Clark
A
Cabinetmaker's Tool Chest
by Tony Konovalof
A
home for hand tools
65
Thicknessing boards with a scrub plane
66
Turbine Spray Systems
by Philip Hostetter
A
high-volume, low-pressure finishing altnative
68
Conversion air systems:
L
P performance with
n
Mou
n
Simonds
(203)426-3434
Fine Woodworking is a reader-written magazine. We welcome
proposals, manusa-ips, photographs and ideas rom our read
a standard compressor
by Michael Dresdner
70
The Basics of Classical Relief Carving
by Nora Hall
A
first lesson from a second-generation woodcarver
73
Beveling both sides of a carving tool's edge
74
i
ng Coorli mo r Ka
n
Elegant Writing Desk
by Terry Moore
Alvertising Secret"y Betsy Quintiliano
Tel.
,
O ox
556,
ewtown,
on.
6470-5506.
Fax.
A
Router F
r
e for Making Dowels
by Ken Wells
ers,
a
teur or professional. We'll acknowledge all submissions
and rerurn
he
we an't publish. Send your contributions
[0
Fine Wodwo
A
dowel maker you can buy
by Gary Weisenburger
79
Tide to the copyrights in le contributions appearing in
Fine oodworking magazine remains wil tile aumors, pho
tographers and artists, unless otilelwise indicated. They have
granted publication rights to Fine Woodworking.
Spinning square blanks into round stock
FineW
d
orking
(ISSN
0361-3453)
is published bimonthly,January, March, May,
July, September and November, by The Taunton Press, Inc., Newtown, CT
06470.
Telephone
(203) 426-8171.
Second·class postage paid at Newtown, CT
06470,
and
additional mailing oices.
81
o
ll-sawing interchangeable pieces
86
Spiral-Routing on the Lathe
by Norman Zentil
A
shopmade setup for putting a twist on tunings
GT#
123210981.
Copyright
1991
by The Taunton Press,
Inc. No reprduction without permiSion of The Taunton Press, Inc. Fine
Wd·
vorking® is a registered trademark of he Taunton Pres, Inc.
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A
Shaker Style Drop-Leaf Table
by Greg Isaak
U.S.
dollars, please). Single copy,
54.95.
Single copies outside
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and pos·
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List management: The
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Tuned legs with drilled-and-chiseled mortises
94
Crat Show at the Smithsonian
by Dick Burrows
Top-notch woodworkes reap profits
Y
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Methods ofWork
Alvertising S"'es M"n"ger Dick West
N"tion"' Accounts M"n"ger Don Schroder
Associ"te Accounts M"n"ger Barney Barrett
Senior S"'es Coorlin"tor Carole Weckesser
Alv
(800)283-7252
A
three-drawer case on fluted legs
82
Quilt Patterns in Parquetry
by Charles Detweiler
Letters
Electromagnetic radiation rom shop tools -As
some
Fine
Woodworking
readers may be aware, there is increasing evi
dence that extremely low-frequency electromagnetic radiation
(ELF-EM) causes biological efects at the cellular level. Some epi
demiological studies also implicate ELF-EM in the genesis of cer
tain types of cancers of the blood and nervous systems, although
evidence fo r this is less clear. At d1is time, there are no official
standards fo r safe exposure to these low-frequency EM fields.
As
an amateur radio operator, I was curious about my expo
sure to d1ese ELF-EM fields while transmitting, and so I obtained
an ELF gauss meter (model SE16 from TRA Instruments; 800-582-
3537) to make some measurements. The results indicated that
there was no significant exposure from the radio equipment.
However, other measurements made around the house and
shop were startling.
The highest readings obtained can1e from motors in my
woodworking shop. The TRA meter suggests that readings below
3 milligauss are acceptable. In order to be in this "safe" range, I
would have to stand 1.23 meters from my
tie. When the outer case cracks it will shatter; shards from d1e
outer case, as well as the balls, will fly all over, and there is a
good possibility that one of these lying missiles will hit you in
the eye or somewhere else on your body. To make d1is med10d
safe, wrap the bearing in a clod1 before cracking it in a vise; this
way, all the pieces, including the balls, will remain in the clod1.
-CD. Foman, Hame, Zimbabwe
Co
m
ents on book review
-
I
have two criticisms of Steve
Loar's review of Michael O'Donnell's book
Woodworker Guide
to Woodtuming
theory contained in the book; he describes it as "formidable and
nearly impassable." Whether Loar is referring to its content or to
its presentation is not clear, but if there are to be continuing
developments in understanding woodturning and its techniques,
we need more, not fewe r, theO-etical writings.
The main and unique fe ature of O'Donnell's book is its pro
motion of the deep-luted bowl gouge as the preferred tool for
spindle turning in addition to its usual role in bowl turning. On
p. 82, O'Donnell states, "My choice of tool, where pOSSible, is
the deep-luted gouge, which, as we have seen, will do almost
anything." Loar fa ils to notice, let alone discuss, this central and
contentious issue.
-Mike Darlow, Chppendale,
4-HP
1-in.-wide belt
NS
W,
Australia
sander and 1.3 meters from my radial-arm saw. The motors of
my drill press and shop vacuum had magnetic fields about half
as strong. When I took readings at the tools' operating pOSitions,
the gauss meter went off scale-higher than 24 mG. By way of
contrast, a reading of 16 mG was obtained standing direcdy un
der a 138,000v power line.
Wo odworkers concened about the possible heald1 efects of
ELF-EM fields should minimize their exposure to the fields gen
erated by electric power tools. My measurements indicate that a
wide variation in magnetic fi elds from diffe rent motors is not
direcdy a fu nction of motor power. Perhaps we as woodworkers
should encourage manufacturers to minimize sU-ay magnetic
fields by better motor design.
-Stephen Peterson, Ph.D., Salt Lake City, Utah
n
search of the
al
beauty of wood-
There seems to be
some confusion in the world of woodworking. Many times we
have heard artisans explain that the "Simple, unadorned" shapes
of their work "allow d1e natural beauty of d1e wood to show."
Readers of this magazine are very familiar with this ideal, which
has been the conceptual backbone of most quality wood design fo r
many years, probably since Wo rld War II. This is a sesible attitude,
and it has most likely saved more than a few slabs of exotic
wood from being transmogrified into hideous specimens of
trendy junk. Especially in these days of high prices and deforesta
tion, it seems almost moral to make something "pure and simple."
The conscious efort of doing one's best to bod1 unveil d1e
beauty of wood and to do it no harm is certainly commendable.
But the people who pursue these goals have come to accept a
very limited view of the beauty of wood. Wo od has d1ree dimen
sions, each one different and dynamic, and deep carving can free
this tangible loveliness. Why is it then that d1e smood1, un
adorned surfa ce has come to represent d1e "natural beauty?" Is
it because of some residual ancient snobbery that places d1e
painter, a two-dimensional artist, higher in the pecking order
un the sculptor, a three-dimensional artist? And what of the
beauty of wood basking in d1e soft glow of bronze or standing
proudly in violent contrast to chromium? If you wish to unleash
d1e wild fi gure of some untamed log, d1ere is no need to square
it up, box it up and put it on a shelf. Scents are extinguished,
muscular fibers are put out to pasture, curves are fl attened, and
fa bulous allegorical creatures made of knots and twisting grain
WW
#88, p. 18, strikes me as inherendy unsafe . I have seen what a
drill bit can do to a hand, and the result is not pretty. To im
prove the method, bore a hole of the proper diameter through
two jig boards. Position one of the boards on the drill-press ta
ble with its hole centered under the bit. Then set a couple of
spacer cleats on this board, and place d1e wooden sphere on the
hole. ext, place the second jig board on top of the sphere, and
you
n
hold the sphere in place without endangering your hands.
-Mark
.
Cads, Juneau, Alaska
n
g ball be
n
gs -On
p. 14 of the March/April issue,
Jack Howard suggests cracking a ball bearing in a vise to reu-ieve
balls fo r use in locating mating dowel holes. I would like to
point out d1at it is very dangerous to crack a ball bearing in a
vise because the outer case is very hard tool steel and very brit-
Retri
A
O
N
book
de
signer; Henry Roth, associate art director, Catherine Cassidy, Jdie
Delohery, assistant art drectors; lliana Koehler, productioll assistmt;
Copy/Production: Ruth Dobsevage, managing editor, Peter Chapman,
Pamela Purrone, copy/production editors; Marketing: Jon Miller,
director; Andrea Ond. tade and special sales manager; Barbara
Buckalew, Eileen H
'.l
Seipold, manager; Grace AumuUer,
David Blasko, Michael CapaJbo, James Chappuis, Linnea Ingram,
Mary
o
n, Peggy LeBlanc, Denise Pascal,
PUBUfIONS
&
Facilities: ViUiam Schappet,
manag.,
lois
Beck, ofice-services supervisor, John Zor, mail services; Chuck HolliS,
lIU1intenance foremau; Mark Cole, assistant; Christopher Myers, buy·
er, Donna Freeman, chelsu
...byfe..\'endlUSiflSS
o
n, marketing assistants; Philip Allard, pro
motion services coordinator;
Steven Hunter,
art directorj
Fr.n
Arminio, secretay.
o
sor; Kathleen Costello, Norma-Jean
Taylor, cafeteria assistants; Subscription: Carole Ando, manager;
Connie Barczak, Bonnie Beardsley, Brigitte Blais, Marie Pato, Andrea
Shorrock.
Fowear:
Cheryl Clark. manager; Carol Gee,
administrative assistant.
Manuuring:
Kathleen Davis,
director,
Austin E,
Starbird, prepress manager, Robert Marsala, graphiC arts SUperojs01�
Susan Kahn, s ff
photographer; 1110mas Greco, production mall
ager/books; Philip VanKirk, production manager/magazines; Diane
Flanagan, production. 1Jumagerlpromotioll; Mary Beth Cleary,
Deborah Baldwin, Rosemary Pagel, print production aSSOCiates;
Tracie Pavlik,
stary;
Nancy Atkinson, Chansam Thammavongsa,
production assistants; Richard Booth, Deborah Cooper, c% r cen
ter
Co
o
rateMarkeing:
DaJe Brown, cor
porate sales fireclor; Donna Pierpont, public relations manager;
Diane Pauerson, executive secretay. Data
presitlent;
Carolyn Kovaleski, administrative secretary; Roger
Barnes, design directo,� Susan Edelman, associate design director.
Processing:
Drew
Salisbury, manager; Brendan Bowe, fulfillment ystems manager;
Roger Seliga, se.ior programmer/analyst; Gabriel Dunn, Robert
Nidsen, programmers; Ellen Wolf, network atlminiS'rator; Sherill
Kolakowski, computer support tecbnician.
r
ey Sherman, financia
l
analyst; Mary Sullivan, accountant;
Elaine Yamin, junior accolntant; Carolyn Stiles, senior cost ac
counting
olent& Oper
clrk;
Carol Diehm, accounts payable su
v
isor; Susan
Burke, accounts
a
ble
clerk;
awrence Rice,
dit sViSO,
ations:
Tom Luxeder, director; Jane Torrence, secretaryj Circula
tion: Patricia williamson, client services coordinator; Roxanne
Frimmet, Megan Sangster, client services representatives; CusOm
er Service (Subscriber): Patricia MaJouf,
manager;
Nancy Schoch,
senior customer service rep; Donna Baxter, Diane Hurvul, Marylou
Thompson; Mail Processing: Joyce McWilliam, supervisor; Gayle
s
ors;
Mak Coleman, WiUiam
r
ey, aurene Jakab,
De
signmaster system operators; Margot Knorr, publictlfioll appli
cx
l
ti
O
Il
S
ma
ikOi,
senior collections
clrk;
Judith Rivera, Victoria
TheobaJd,
;
Monied Bulon, tlesktop publishing associate; ancy Knapp,
composition
collection.s clerks;
Diana D'Onorio, senior accounting
clerk; Dorothy Blasko, secretary.
d
uction coordinator, Ua Carlson, stems oprator.
BoVideos:
John Kelsey, pub
lisher; Marcie Seigel, administrative secretary; Christine Timmons,
Personnel: o
l Maroni, manager, Unda Ballerini, Chris lincoln,
rs onnel assistants; Denise DePaola,
Lydia
sIetalY.
4
Fine Woodworking
(
WW
#87, p. 118). Loar is disparaging of the
Safer sphere-boring-
The technique for drilling centered holes
in spheres, illusu-ated in the "Med10ds of Work" section in
senior editor, Jerey Beneke, associate etli/or; Andrew Schultz, as
sistanl editor;
Barbara Hudson,
secretary;
Videos: Craig manof.
Hammond, Barbara Lowe; Customer Service (Trdde): Christine
Cosacchi. superVisor; Gloria
vlo
coordinator; 'ntomas Menard, tlSSistanl produc-, Ar/Pro
duction: Robert Glah, manager; Deborah Fillion, senior
nn
Costagliola, Fred Monnes, Alice to n, Astor Taylor, Robert
Veinstein; Purchasing
data elltry; DiStribution:
heTauntonrss:
Paul Roman,
s
ident;
Janice A. Roman,
vice
Accounting:
Wayne Reynolds, conoller, Patrick Lamontagne, ma1-
ager; Je
TS-ALIGNER
by Edward
J.
Bennett Co.
0
more sighting through tiny gaps. The dial indicator
and linear bearings do all the work. The
results
are
quick, simple and accurate. GUARANTEED!
TS AUG ER is a precision instrument.
It
provides a simple and accurate method
for ta
ble
saw alinment. No morc plastic triangles.
rtN.dl"fOff-:
$190.00
8
00
333
4994
1
1016 Morse Avenue, Fair Oaks Industrial Park Suite 21, Sunnyvale, CA 94089
D
ER SERICE NO.
18
ENJOY THE BENEFITS OF HVlP SPRAYING
USING YOUR OWN COMPRESSOR
•
•
Venturi increases air volume from the
compessor.
The esult is more atomizing power at lower
pressure and up to
•
Also
works with
any tubine.
Sale Manufacturer
FUJI Industrial Spray
Equipment Ltd.
65 Martin Ross Ave, #5
80%
less overspray .
T
ononto, Ontaio
CANADA M3J 2L6
Phone: (416) 650-1430
Fax: (416) 663-6238
For Retail Info
-
Please call:
Marinelli Tool Supply Co.
Femdale, MI (313) 545-1599
DEALER ENQUIRIES WELCOME
READER SERICE NO. 94
LBORSBER®
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BNGS IT
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-_
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of
�
�
rr
ClY
1991
September/October
5
Clearly. you do your best work when your tools are
properly adjusted. When your table saw is
not
aligned, you
risk wandering cuts,
buning
wood, or
maybe even life threatening accidents.
WOSROMENSDE..... ......Orl
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•
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