Flawiusz Józef - Historia Żydowska, Pisma chrześcijańskie i pokrewne, Józef Flawiusz
File Cabinet - 2 drawer Lateral File cabinet with matching printer cabinet, Woodworking Plans
Fine-Home-Building-25-Years-of-Great-Building-Tips-Malestrom, Building and Architecture
Formative Texts in the History of Zen Buddhism, @Buddhism
Fragment traktatu welawsko-bydgoskiego z 1657, Historia, Prawo, Traktaty, Umowy, Kroniki, Teksty Żródłowe
Film polski - streszczenie, historia filmu polskiego po 1981r
Fine Gardening - Grow Healthier & Easier Gardens (2015), !!!Materialy Eng
Farago&Zwijnenberg (eds) - Compelling Visuality ~ The work of art in and out of history, sztuka i nie tylko po angielsku
Fałszywe dokumenty Gorbaczowa. Kilka faktów o Katyniu, Historia
Furet F. Prawdziwy koniec rewolucji francuskiej, Historia Francji
Fine Woodworking 092, papermodels, historica
[ Pobierz całość w formacie PDF ]uned Birdhouses
Workshop Solvents
Preparing Stock
Computer Desk
1 64797
9
adom-Orbit Saders
�
>
rg
·
1992
JanuayIFeb�a"
Photo: Charley Robinson
4
Editor's Notebook
Product review process unveiled
6
Letters
Women woodworkers; chuck-removal wedges; fingerboard safety
16
Methods of Work
Modiying drill bits; storage rack; clamping picture frames
28
Questions
&
Answers
Storing glue; restoring an oak relic; boat inish
107
Index to issues
86
through
91
112
Evens
A look at upcoming programs of interest to woodworkers
116
Books
Marquey Manual; IdentYing Wod; Lutherie Tools
Howard Wing hand carves lutes in a cockleshell
atr roughing out the shell and lutes with a jig
mounted outer (a rticle on p.
87).
Cover: Random
120
Notes and Com
n
t
Woodworking family; library ladder; product reviews
RICLES
46
Random-Orbit Sanders
by Sven Hanson
Eccentric machines fo r fa s, scratch-free sanding
51
Putting your angle grinder into orbit
by Richard Danzey
52
Computer-Desk Design
by Jim White
Keep ing enclosed components cool
55
A versatile mortising f
orbit sanders promise swirl-fr ee fi nish sanding
(a rticle on p. 46) . Co ver photo: Susan ahn.
Executive Editor Jim Boesel
Mlnlging Editor Sandor Nagyszalanczy
Art Director
Kathleen Rushton
Assistlnt Editors Charley Robinson,
Vincent Laurence
Coy Editor Deborah Surprenant
Assistlnt Art Director Aaron Azevedo
Editorill Assistlnt
Alec Waters
Editorill Secretly Claire Warner
Contributing Editors Tage Frid, R. Bruce Hoadley,
Christian Becksvoort, Robert M. Vaughan,
Mark Duginske
Consulting Editors George Frank, ichard
u
re
by Lars Mikkelsen
56
Stock Preparation
by Mark Duginske
Dressing fo r success
60
urning a Rustic Birdhouse
by Andrew Barnum
A natural attraction fo r fe athered fr iends
62
Computers in the Shop
by Sandor Nagyszalanczy
From microchps to wood chips
64
Computer-aided design
by Pete Conway
67
Glass-Top Coffee Table
by Christian Becksvoort
Bent-laminated glass-supports within a mi
E.
Preiss,
Norman Vandal
Methods of Work
Jim ichey
Indexer Harriet Hodges
Publisher John Lively
Assistlnt Publisher
James P. Chiavelli
CirculAtion MlnAger Brenda Hamilton
AdminstrAtive SecretAy Susan M. Clark
d
base
i
g C
d
i
r
Ka
n
Moumin Simonds
Advertising SecretAy Betsy Quintiliano
Tel.
m
erican Chestnut
by Jon Arno
Tagic loss of a great American timber
72
Chestnut: A European perspective
by Rudi Wolf
74
A New Hollow-Chisel Mortiser
by Robert M. Vaughan
Bench-top solution to boring square holes
76
Profile: Chad Voorhees
by Dick Burrows
Eavesdropping leads to more delicate fu niture
79
Constructing carcase-housed drawers
80
Workshop Solvents
by George Mustoe
Selecting the right chemicals and using them safely
82
Will new VOC regulations afect you?
by Michael Dresdner
83
Disposing of solvents responsibly
by Jef Jackson
84
Ma
(800)283-7252
(203)426-3434
70
The Demise of
Fax.
-
Vileo
Fine Woodworking Books
Publisher John Kelsey
Asocilte Editor Andy Schultz
SecretAy
Barbara Hudson
l
s, manuscripts, photographs and ids from our rad
Fine oo
,
Oox
556, Newtown,
COIUl.
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we
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o
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Fine Woodworking
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Fine oodworking
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GT #
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working® is a registered trademark of The Taunton Press, Inc.
Subsiption ates:
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sessions: U.K, £3.40; other countries and possesSions, 55.95. Send to Subscription
Dept., The Taunton Press, PO Box 5506, Newtown,
87
Router-Assisted Cockleshell Carving
by Howard Wing
A swinging jig shapes the interior and defines the lutes
89
Gluing up a shell with tapered segments
by Philip C. Lowe and Justin P. Smith
92
Grand Entrances
by Alec Waters
Postmaster:
Send address changes to
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aU
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n
e
DEPRTMENTS
Advertsing SAles MAnAger Dick West
NAtionAl Accounts MAnAgers Barney Barrett,
Larry White
Adv
e oorking
is a reader-l1ren magazine. We welcome
pro
Fine odorking
(ISSN 0361-3453) is published bimonthlY,Januay, March, May,
July. September and Novemer, by The Taunton Press, Inc., Newt
o
.•
530 5th Ave
Editor's Notebook
c
e
ss
-Over the past five years that I've
been an editor for
Fine Woodworking
magazine, I've had the
opportunity to try lots of different tools and machines, and to
both write and edit a whole slew of tool review articles. I've also
spoken with dozens of readers, and fielded hundreds of com
ments, most of which, I'm pleased to say, have been positive. But
these contacts also have taught me that many readers have only a
vague idea of how we conduct our product reviews. Therefore, I
thought it a good idea to clariy our approach to tool reviews
and to suspend some misconceptions about the review process.
er to give us a tool to keep; this would exclude smaller companies
tilat couldn't aford to give away tileir products for review.
A product evaluation typically starts when the tool is removed
from the box. There's oten a lot to learn from what it takes to
get a machine unpacked, assembled and adjusted before it's
ready to run. The reviewer then puts tile tool through its paces,
using it on the job whenever possible. We encourage the review
er to use tile tool in a variety of situations and use it for several
months whenever possible. If anything goes wrong with the tool
during the review, we report the facts accurately. We do check
with tile manufacturer in these instances, to determine if the
problem is only witil our tool or common to that model. There
is never pressure from our advertising departlllent to "pull a
punch" and leave out negative comments that reflect upon a
tool's poor performance-even when tat tool's manufacturer is
an advertiser in the magaZine. The only part of a review that a
manufacturer is allowed to see prior to publication is tile chart.
We do tilat so data involving a tool's price, motor size, optional
features, etc. can be veriied and updated.
afs
a reader to le
n
?
-
I oten receive calls from readers
who say, "I read your article, but I still don't know which one to
buy." We're reluctant to elevate one tool over another, mainly
because such declarations are terribly subjective given the diver
sity of our readership. The combination of features and price
that makes one tool best for a professional probably won't make
the tool a good chOice for a hobbyiSt. An d the same tool isn't
always best in different applications. This is why our product re
views t' to give you all the insights you'll need to make your
own choice about which model will work best in your shop
used the way you want to use it. And, since speciic models
come and go, developing tlis senSibility will help you make the
right choice when choosing tools in the future.
One of the most positive aspects of carefully and critically ex
amining tools and machines in an article is that it can help
readers
n
g he
i
eld-
E
ven though we tl)' to select tools and ma
chines of greatest interest to our readers, there are always more
new products out there than we can tly For any one type of
tool, there might be a dozen manufacturers that make three,
four or more models. Therefore, we limit the number of tools
featured in a review by developing a selection criteria to define
the field. This allows us to dedicate more space to each model,
and discuss its features and performance in greater depth. While
criteria va" we oten use price or the
'
tool's size or capacity as a
limit, for example, cordless drills that cost less than
150
or ta
blesaws with
10
in. blades. A well-developed criteria also en
sures that the review ends up comparing "apples to apples." But
while hobbyists' models usually can't compare to professional
tools, there are instances where inexpensive tools turn out to
perform as well as their expensive counterparts. In such cases
we include them and indicate their excellent value.
Readers sometimes ask, "Why didn't the article include Brand
X's new model?" We make evel), effort to research the field and
to include all appropriate makes and models. However, because
of tile time involved in developing an article, sometimes a new
product becomes available only ater the evaluations are complete.
De
(0
the
author's observations of features, performance and safety, exper
ienced under workshop conditions. When a review is done out
of-house, we choose an author for his or her experience with
the type of tool being reviewed as well as experience with the
task the tool is used for.
Fine Woodworking's
editors back up
the author's evaluations by t)'ing out tile tools at the company
woodworking shop. We also oten conduct and write these
reviews ourselves; each member of the staff has extensive wood
working eXperience (I had my own professional shop for
10
years). The actual tols used in the review are either borrowed or
purchased rom the manufacturer; if borrowed, they're retuned
ater the article is completed. And we
never require
a manufactur-
o
spend tileir money wisely. Few of us have unlimited
budgets and can aford to replace a tool ti13t turns out to not
perform up to expectation. Just as important, our reviews can
help steer you towards an inexpensive tool that's a good value,
in lieu of a more expensive model. Working on review articles
has taught me that a product isn't always better just because it's
more expensive. Sometimes, a product review can help to dispel
the advertiser's hype surrounding a new tool or device; pitches
are often aimed to make consumers tilink tiley can't get along
without that new wonder tool. Finally, another good reason to
read our product reviews is to learn more about how to use the
tools in question. Along with his evaluations of
10
random-orbit
sanders on p.
46
of tilis issue, author Sven Hanson gives a variety
of tips and tricks on how to use tilese new sanders to get
the best results.
-Sandor Nagyszalan, managing editor
... y iA' nhsj
s
N
l
lr,
d
uction
ss
an.
ou
on
.
Ruth
ee
,
Ium·
aging ditor, Peter Olap
, ma ro
nc,
od
uction di
idy,
i
ng
& faiu/is:
'illiam chapert,
mallager;
os
,
Ofice
srvics su
m
,
stetay.
.
Co
o
rateSales:
Dale Brown,
dircto;
Donna Pierpont,
publi
C
relations manager;
Diane Panerson,
excutive secre
v
sor,
jolm Zor,
moil services;
Chuck liois,
Jlwinte
non! foreman;
Mark Cole,
maintenance ass
is
ta
ll
t;
Christopher
Myers,
buyer,
Donna Freeman,
chelmange;
Kathleen CosleUo,
orma-jan Taylor,
asistants. Subscrption:
Carole Ando,
mall·
iger;
Connie Barczak, Bonnie Beardsley, Brigitte Blais, Madelaine
Frens, Marie Pato, Andrea Sho
Pu
a
l
as
manag, B
a
Buckalew, l1
e
t
ing assisant;
Maroe Siegel,
publicity/
;
Andrea
e as
sst.;
oi
Moir,
te/e
TheTaunton
ss
:
Paul Roman, president; janice A. Roman, vice
preSident;
Carolyn Kovaleski,
administratie scretary.
Data Processing:
Drew Salisbury, manger; Brendan
Bowe,ufillment
ss
. nan
g:
Kathleen Davis,
director.
reprss:
Austin E. Starbird, mang; Roert Marsala,
grapbic
arts su
Co
o
ate
Ondak, trde and
s
mJ
;
Roger eli.
nr
am mrl
mm
avongsa,
prduction assstants;
Deorah Coer,
Sff
Directors:
Roger Bames, design; john Kelsey, editorial; john
Lively, chief Of sta; jan W
s
t; Gabriel Dunn,
a
mmr/analyst; Arthur
o
n, R
t
v
isor;
Susan
n,
sff potograpr,
ancy Atkinson,
n
, marketing.
Accounting:
Wayne
Reynolds,
controller;
Patrick Lamontane,
ma
marketer.
a
mmrs; james
nnr, .
sevices admin SheriU
m
Il
Fo
wr
:
Cheryl
C,
a
y
s
t
;
May Sullivan,
a
l
r
v
isor;
o
lyn
Stiles, senior
;
jerey Shennan,
i
,
computr
pt
v
isor; Ridlard Both,
nigbt·shit su
v
sor,
Mark
Coleman, William Godrey, aurene jaab,
color ystem oerators;
Nancy Knapp, omposition. p
a
dmi..
asst.;
Gr
o
y McMah, Jtet7l
d
s
i
g
n
f
·
.
li
o
n,
coordinator,
Roxanne
Fu6
m
ent
&
Operations:
Tom wxeder,
director,
jane Torrence,
s'etmy. Client rvices:
Patricia
Ch
co
unting clrk; Caol Diehm, accounts
ybe su
per
·
vir;
Susan Burke,
ielen, p
u
ction coordinator; Margot Knorr,
co
unts
b
le clrk;
laWTence Rice, cdit suo
Kolak
technican.
mg;
Monica Bulson,
tsktop publica
tions assOCiat; Lisa Carlso,
inancal an
mgr.j
Gaml Gee,
o,
senior collctio. clerk; judith Rivera, Victoria
TIleobald,
colctions clrks;
Diana D'Onorio,
n
Sangsler, client seroices representa
;
Customer
roice ubscn·Jer):
Patricia Malou,
manag,
Nancy Schoch,
senior
customer service rep; Donna Weinstein, Diane H
u
l, Marylou
stem
operato. rillt
d
uction: Diane
Flanagan, manag,
. promo); Thomas Greco, ma
o
ll
oordill;
r
(books); Rose·
cu
nant;
Dorothy Blasko,
secetary.
Corpo.
V
i
r,
managr (magazin!s);
Deborah Baldwin,
associate (magazines);
TJcie 'Jvlik,
sectetmy
.
rateDesign:
Susan Edelman, ssocate esign dictor, Philip Allard,
promotio. services coordinator book/vdeos;
Steven Hunter,
art di
cto; TIlOmas Baker, promotion seoices
pervsor; Lydia
Frimmel, M
)
:
Christine
Cosacchi,
supervisor;
Kristen Boeckmann,
cust. service rep.j
Gloria
Carson, Peggy leBLanc, Denise Pascal, data entry. Dish-ibutioll: Paul
Personnel:
carol Marotti, ma
,
Linda BalJerini, Chris Uncoln,
personnel tlssistants.
Elaine Yamin,
junior
Video:
Crail Umanof,
video coordinatOl�
Thomas Menard, asst. video producer.
oi
nator magazines;
mary Pagel,
ssOCiate (books);
Philip
c;
Mary Bedl Cleary,
Thompson. Mail Processing: joyce McWilliam,
supen)iso,�
Glyle
Hammond, Barbara Lowe.
Customer Service
Wendy Bowes, judy Lind,
asociate art
4
Fine Woodworking
he product review pro
he evaluation procedure-Unlike magazines that "review"
products by printing the manufacturer's press release, our re
views are evaluations of actual tool performance. And since we
don't have the personnel and resources of a true product-testing
journal, like
Consumer Reports,
we limit our articles
t c
tol:
R
n
Olah,
;
Heny
,
atherine ss
sa
te l dircrs; Jdie el
y
,
ss
ant
rt c; a
m
oton
ill
odila;
Franc a
i
o. promotioll
s.
nn
Costagliola, Maureen Flynn, Fred Monnes,
Alice Saxton, AslOr Taylor, Roert Weinstein; Linnea In
Seipold, manager; Grace Aumullcr, David Blasko, Michael Capalbo,
janls Olappuis, Mary
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